Seen in the book of the night
【Clear】Check and be cautious
The moon is dark and you see the fishing lantern, and the lonely light is a little firefly.
The breeze is full of stars.
This poem is like a sketch, the poet grasps the moment when the fishing fire reflected in the water turns into a sky full of stars, and with a few strokes, he immediately captures this fleeting scene. This poem is like a woodcut, on the pitch-black background, a little fishing fire, black and white, the contrast is stark. The first two sentences are static descriptions, linking dark and light colors, and the last two sentences are dynamic descriptions. It is not difficult to imagine how excited the poet was when he saw the moving scene of the breeze rising and the light and shadow scattering from a little to a million.
Through the careful observation of the natural scenery and the use of the combination of movement and static, the poet shows a beautiful night scene on the river, expressing his praise for the beauty of nature.
Sujian Dejiang
【Tang】Meng Haoran
Move the boat to park the smoke, and the sunset is new.
The wild sky is low and the trees are low, and Jiang Qingyue is close to people.
This is a poem written during the journey, and it is a famous scene in the Five Masterpieces of the Tang Dynasty. The poet docked the boat on the smoky riverside and remembered his hometown, and used the boat to express his emotions and write the thoughts of the trip.
The first sentence is a point of question, and it also prepares for the lyricism of the following scenes; the "sunset" in the second sentence is the reason for "sorrowful new"; the last two sentences, because of "wildness", the sky is lower than the tree, because of "Jiangqing", the moon can be close to people, and the relationship between the sky and the tree, the person and the moon is written appropriately and realistically. The first two sentences of this poem are touching the scene, and the last two sentences are lyrical through the scene, describing the fresh moonlit night and highlighting the subtle characteristics of the scene.
The whole poem is light and flavorful, implicit but not revealing, flowing out naturally, natural charm, quite distinctive.
At the foot of the sub-north solid mountain
【Tang】Wangwan
Outside the green mountains of Klook, in front of the green water.
The tide is wide on both sides, and the wind is hanging.
The sea is born in the night, and the spring of the river enters the old year.
Where is the township book? Return to the edge of Yanluoyang.
In accurate and concise language, the poet described the magnificent scenery of green mountains and green waters, flat tides and wide shores seen at the foot of Beigu Mountain in late winter and early spring, and expressed his deep homesickness.
The first couplet begins with a dual sentence, describing the feelings of wandering and traveling in the hometown of Shenchi; the jaw couplet is written on the river sailing on the "tide flat" and "the wind is positive", the scene is magnificent and broad; the neck couplet writes the scene of the dawn sailing, implying the philosophy of the battle, "describing the scenery, wonderful through the ages", giving people a positive artistic charm; the tail couplet is thinking of the wild goose, echoing the first couplet.
The whole poem is written naturally, the scene is distinct, the emotions are real, the scenes are blended, the style is magnificent, and it is full of rhyme, and it has always been widely recited.
Looking at the cave
【Tang】Liu Yuxi
The lake and autumn moon are harmonious, and the surface of the lake has no wind mirrors and is not polished.
Looking at the green mountains and rivers of Dongting from afar, there is a green snail in the silver plate.
Liu Yuxi's poem "Looking at the Dongting" chooses the angle of looking at the moonlit night, with a panoramic view of the Dongting for thousands of miles, grasping the most representative lake and mountain scenery, lightly brushing, through rich imagination and ingenious metaphors, ingenious reproduction of the beautiful scenery of the Dongting on paper, showing amazing artistic skills. The first sentence is written from the blending of water, light and moonlight, showing the openness of the lake. The second sentence uses the metaphor of a mirror to express the calm of the lake at night. The third sentence writes about the emerald green color of Jun Mountain in the lake, and the "landscape" here actually only refers to the mountain, that is, the Jun Mountain in the lake. The fourth sentence uses an analogy to compare Junshan floating in the water to a green snail resting on a silver plate. The whole poem is purely scene-written, with both meticulous descriptions and vivid metaphors, which is interesting to read.
Tide watching on the 17th
【Song】Chen Shidao
After a long time of walking on the white rainbow, Yaotai missed the jade cup empty.
The bottom of the Qingjiang River is shaken on a sunny day, and the waves are rising and falling in the evening day.
The autumn tide of Qiantang River is a world-famous landscape, the tide is the most fierce from August 16 to 18 every year, the poet chooses the 17th day to watch the tide, just to enjoy the majestic and beautiful scene. The first two lines of the poem describe the momentum of the surging tide. The waves at the head of the tide are connected together, sweeping across the flat beach on both sides, like a white rainbow flying towards you. Seeing this scene, a wonderful imagination suddenly came to the poet's mind: Could it be that the fairy on the Yaotai accidentally knocked over the wine glass and spilled the elixir and jade liquid into the world? Up close, the reflection of the blue sky sways at the bottom of the river with the rolling waves, and from a distance, the sunset rises and falls with the ups and downs of the waves. This quatrain, through the metaphor of the white rainbow and the fantasy of Yaotai pouring wine, depicts the magnificent scene of the tide of the Qiantang River with the help of sunny days and evening days. The whole article does not use a single lyrical word, but every sentence triggers the reader's passion for loving the mountains and rivers of the motherland and nature.
Yamanaka Resident
【Tang】Zhang Xu
The state of the mountain makes Chunhui, and it is not for the light yin to return.
Even if it is sunny and rainless, it will be wet in the depths of the clouds.
There is no flowery rhetoric in this poem, just some ordinary and extremely simple sentences, but it is in this simple language that the poet really describes the state of the mountains and shows us the beautiful scenes in the mountains. Here the spring is bright, the mountains and rocks and plants are bathed in the spring glow, freely show their respective styles, a "lane" word shows the wonderful loveliness of the mountain light and the state of things, and the mountain light and the state of things are written alive; here the clouds and mist are shrouded, like the ethereal fairyland of the world, which makes people linger and forget to return. Therefore, although the title of this poem is "Staying Guests", it is not just "Staying Guests", but it shows the beauty of nature in the retention of guests, expresses the poet's love for the beautiful scenery of nature and his desire to enjoy the beautiful scenery with his friends, and contains the philosophy that if you want to appreciate the most beautiful and exquisite, you cannot stop at a shallow taste.
Wangtianmen Mountain
【Tang】Li Bai
The gate of heaven interrupted the opening of the Chu River, and the blue water flowed eastward to this point.
The green hills on both sides of the strait are opposite each other, and the lonely sail comes by the sun.
This poem is like a landscape painting scroll splashed with ink, presenting the majesty and precipitousness of Tianmen Mountain, the grandeur and vastness of the Yangtze River, the ethereal of the lonely boat, and the magnificence of the red sun. The first sentence of the poem writes about the momentum of the mighty Chu River flowing eastward, the second sentence writes about the danger of Tianmen Mountain, the third sentence writes about the green mountains on both sides of the strait, and the last sentence writes about a lonely boat slowly sailing from the red sun that erupts from afar, the image is vivid and vivid.
The whole poem praises the magic and magnificence of nature, expresses the poet's optimistic and heroic feelings when he first came out of Bashu, and shows the poet's free and unrestrained spiritual outlook. The artistic conception of the work is broad, the weather is majestic, the movement and stillness are virtual and real, and they can turn static into movement, and turn movement into stillness, showing a fresh interest.
Huashan
[Song] Kou Zhun
There is only the sky above, and there are no mountains and Qi.
Raise your head to the red sun and look back at the white clouds low.
This little poem was written when the poet was seven years old, and the words are very simple, but it vividly describes the height and magnificence of Mount Hua.
The first and second sentences are concise summaries of "except for the blue sky, the mountains near and far are under their feet", and "only" and "more" emphasize that Huashan is unique from the clouds, proud of the mountains, and has an incomparable lofty and upright trend.
The third and fourth sentences are the artistic reproduction of "the sun seems so close, and there are white clouds floating on the mountainside", "raising the head" means looking up, "looking back" means looking back, standing on the top of the mountain, looking up at the sky, looking back at the clouds, and the specific action conveys the poet's inner admiration.
The layout of this poem is rigorous, the meaning of the sentences is clear, the language is precise, the atmosphere is broad, and the majestic and steep rise of Huashan is expressed in a few words. Although the language is simple, it is remarkable and connotative.
Mt. Hatsuyo
[Song] Zhang Lei
Over the years, the saddle horse has been trapped in the dust, and there are green mountains to open my arms.
The north wind blew and the rain went away at dusk, and the peaks were thin and out of the clouds.
Through the description of the clear image of Songshan Mountain after the rain, this poem shows the poet's pursuit of a fresh and elegant realm.
Entitled "First Sight of Songshan", it is obvious that it is necessary to write about both people and mountains. The poet deliberately put the sentence "the number of peaks is thin and out of the clouds", which is written on the front, at the end, and put his feelings for the green mountains and the wind-swept environment in front as a foreshadowing, and achieved the artistic effect of "coming out after a thousand calls". This is where the success of this poem comes in.
I don't write directly about the surprise when I first saw Songshan, and I don't express my feelings directly, but first write that only Qingshan can make my mind open-minded, which not only writes the bitterness of the career from the opposite side, but also writes the meaning of "benevolent Leshan" from the front. Finally, when portraying the image of the mountain, he deliberately drew out the word "thin", incorporating his own aesthetic of being clear and thin, and then deepening the poet's character and interest, so that there is me in the scene.
Shukuishi-eup Yamanaka
【Tang】Han Hong
The floating clouds are not the same as this mountain, and the mountains are misty and confused.
Xiaoyue temporarily flew into the high trees, and the Autumn River was separated by several peaks to the west.
The poet uses a silhouette style to write and intercept the few fragments that he felt the most deeply during the twilight and the dawn to express the scenery in the Shiyi mountains, and the word "stay" in the title plays a role in the link between the unrelated scenes: because of the stay in the mountains, he can witness the majestic mountains and the misty clouds, and because of the dawn travel, he can see the Xiaoyue and Autumn River on the way. The word "stay" makes the front and rear arrangements traceable. This way of writing avoids the rigidity of flat and direct narration, and seems to be both turbulent and vibrant. On the surface, this poem seems to be a simple scene, but in fact, the scene is allegorical. The first and second sentences describe the scenery of the mountain, revealing the poet's astonishment and admiration for the majestic and lofty Shiyi Mountain; the third and fourth sentences describe the quiet and cold picture he saw when he wrote Xiaoxing, expressing the poet's hard work, loneliness and desolate situation.
Jungnam Mountain
【Tang】Wang Wei
Taiyi is close to the sky, and even the mountains are connected to the sea.
The white clouds look back, and the blue mist enters to see nothing.
The peaks in the field change, and the clouds and sunshines are different.
If you want to stay with someone, ask the woodcutter across the water.
This five-character poem begins with a couplet describing the vision of Zhongnan Mountain, and uses exaggerated techniques to outline the general outline of Zhongnan Mountain. The jaw couplet writes a close-up view of Zhongnan Mountain, describing the wonderful scene seen when entering Zhongnan Mountain. Looking ahead, the white clouds are filled, and there is no road to be seen, and no other scenery can be seen, so as to move forward, the white clouds divide to both sides, look back, and close together, merging into a vast sea of clouds. In just ten words, it depicts the most charming scenery of Zhongnan Mountain, which is a portrayal of Zhongnan Mountain. The neck coupling is highly summarized, and the size of the South Mountain is thousands of miles. Tell the story of the east and west of Zhongnan Mountain, the vastness of the north and south, only based on the "middle peak" of the "near Tiandu", can the panorama be in the bottom of the eye. Although the tail couplet does not directly write about the mountain, it points out the characteristics of the vast land and few people in the mountain and the abundant water and wood from the side through the situation of "seeking accommodation and asking Qiaoqiao", showing the artistic conception of Zhongnan Mountain such as quiet, deep and far-reaching.
The whole poem writes scenes, people, and things, moving like a rabbit, quiet like a lady, sound and colorful, and the artistic conception is fresh, just like a landscape painting.
Emei Mountain Moon Song
【Tang】Li Bai
The moon of Mount Emei is half in autumn, and the shadow enters the water flow of the Pingqiang River.
At night, Qingxi went to the Three Gorges, and Sijun did not see Yuzhou.
This poem is a poem written by the young Li Baichu when he left Shu and is attached to the landscape of his hometown, with a clear artistic conception, shallow language, and smooth rhyme.
The first sentence starts from "Emei Mountain Moon", pointing out that the season of travel is in autumn, autumn is high and cool, and the moonlight is bright. The second sentence not only writes the beautiful scenery of the Qingjiang River reflected by the moon, but also highlights the autumn night boating, and the artistic conception is ethereal. The third and fourth sentences write that the boat set off from Qingxi at night and was going to the Three Gorges, and after the boat turned into Yuzhou, the moon was hidden by the mountains and could not be seen. This poem uses five place names, showing a map of a thousand miles of Shu River travel through the mountains and moons and rivers, showing the poet's deep attachment to the mountains and rivers of his hometown when he left his hometown.