There was Qi Baishi in the world, and the remaining ink still exists in the world.
If you ask Yu Mo where to ask, Baishi Mountain Hall is less white!
Baishi Shantang is a wholly-owned subsidiary of Qi Baishi Painting and Calligraphy Institute in China: it is currently the painting and calligraphy institute with the largest collection of Qi Baishi's works, and is fully responsible for the establishment and development of Qi Baishi cultural and creative brands, Qi Baishi fashion and other brands, and is committed to the content mining, system combing, industry promotion, business innovation, value reproduction and other assets such as Qi Baishi calligraphy and painting, art, seal carving, appraisal and auction, etc., which is an important part of building a product innovation platform based on Qi Baishi culture and art.
Hello Tibetan friends, today we have invited the then descendant of Qi Baishi, a disciple of Qi Liangzhi, the president of the China Qi Baishi Academy of Painting and Calligraphy, a visiting professor of the Tsinghua Academy of Fine Arts, the official image spokesperson of NetEase Group, the specially invited director of teaching and research, a contracted painter of Beijing Academy of Fine Arts and Rong Bao Zhai, an expert in the identification of Qi Baishi's calligraphy and painting big data, and the president of the Shanghai Qi Baishi Art Research Association. Mr. Tang Fazhou, Chief Operating Officer of Baishi Shantang Culture Media, said: "This year's China Guardian Autumn Auction was entrusted by Li Li, a disciple of Qi Baishi, to collect a total of 93 pieces of calligraphy and painting works of Qi Baishi and his descendants that he has treasured for many years, as well as the famous artists and celebrities with whom he interacted. This batch of masterpieces is roughly divided into three parts, namely, the deep affection with the Qi family, the friendship with the famous calligraphers and painters, and the gentlemen's friendship with celebrities.
Li Li and Qi Baishi
Among Qi Baishi's many disciples, fellow villager Li Li should be a special one, he has always been humble "outside the Baishi Gate", but he has inherited the artistic essence of the old man Baishi, and carried it forward, and eventually became a generation of gold and stone masters.
Qi Baishi, Morning Glory, China Qi Baishi Painting and Calligraphy Institute Exhibition (Qi Baishi copyright owner), Shaobai Gongzi Tang Fa Zhou
Vertical scroll, ink and color on paper
Painted by Bingxu (1946).
96.5 × 35.5 cm
Li Li has a strong interest in the art of seal carving since childhood, when he was a child, he had cut off all kinds of seals on the Ming and Qing Dynasty calligraphy and paintings that his grandfather treasured and pasted them in his own small book, and copied them, and his cousin Hu Wenxiao's guidance, at the age of 17, he would engrave and expand into a volume, entitled "Shi'an Printing Grass", Hu Wenxiao happily made a preface: "Shi'an's talent is special, and it is important to learn, and it will follow Li Yungen, Mr. Qi Baishizhu and sing the art in the time", and encouraged him to send the seal to Qi Baishi, please guide the old man Baishi.
Li Li and Qi Baishi
Hu Wenxiao is the grandson of Qi Lao's mentor Mr. Hu Qinyuan, and Qi Baishi's third son, Qi Liangkun, a colleague of the Northeast Museum (the predecessor of the Liaoning Provincial Museum), with his help, "Shi'an Yincao" and a letter to Qi Baishi's desk. After Qi Baishi saw the seal score, he immediately replied to Li Li, saying that "the number of seals engraved is full of swordsmanship...... Although the heart is happy, it is also terrible and ashamed." The old man Baishi also gave Li Li a good point in the letter, "A good scholar, regardless of poetry, calligraphy, painting and carving, must first learn from the ancients, or the sages of modern times, enter his room, and then must build his own portal, and have his own faction......" The old man Baishi also wrote: "The four characters of 'Gutanzhou people' carved by themselves are very work, and they are not seen at this time, and they want to grind them out by themselves." If I wanted to engrave it again yesterday, I am afraid that I can't have the work of the old carving. If someone from Hunan comes to Beijing, I hope that the world brother will give me the four-character stone seal of 'Gutanzhou people'. ”
Qi Baishi, Character Album, China Qi Baishi Painting and Calligraphy Institute Exhibition (Qi Baishi copyright owner), Shaobai Gongzi Tang Fa Zhou
Album (8 folio) Ink on paper
29.5 × 25 cm
In 1956, Li Li went to Beijing to meet Qi Baishi, and the relationship between the two teachers and students was good. In the collection commissioned by Mr. Li Li, there is a set of eight albums of paintings by Qi Baishi, as well as a small but fine double shrimp drawing, which can be regarded as a testimony to the friendship between Baishi and Li Li's teachers and students.
Li Lizhiyin
This set of sketches has Qi Baishi's self-inscription: "Eight pages of sketches, hook self-preservation, Baishi." Qi Liang has inscribed: "The family monarch character book, good has been." "Look at them one by one, tired of reading the desk, holding the tail drunk, Dongfang Shuo stealing peaches, Mi Dian worshipping stones, etc., are all Qi Baishi's relatively good at painting but very rare character masterpieces. Judging from the inscription, this set of sketches was originally sketched by Qi Baishi to prepare for his own keeping, as we all know, the works that Qi Baishi usually kept as a base draft are often more proud of him. This set of albums Baishi said that "hook is self-existent", but it was given to Li Li, which shows that Li Li is very valued.
Qi Baishi's "Double Shrimp" to Li Li, China Qi Baishi Painting and Calligraphy Institute Exhibition (Qi Baishi's copyright owner) Shaobai Gongzi Tang Fa Zhou
Mirror Heart, ink on paper
31.5 × 34 cm
Bibliography: The Complete Works of Qi Baishi (Volume VII), pp. 188-189, Hunan Fine Arts Publishing House, October 1996.
Qi Baishi also often sent Li Li mature works that he painted proudly, such as "Double Shrimp", which is not large in size, but it is a rare ink shrimp masterpiece. This work is the work of Qi Baishi's 93-year-old man, painted with light ink into the body, the ink fusion infiltrates the color, and the shrimp body is crystal clear. With thick ink vertical points as the eye, horizontal writing as the brain, thin pen writing beard, claws, big chela, rigidity and softness, condensed and expressive. The shrimp festival is naturally stretched out and orderly, and the shrimp whiskers touch the feeling of shocking water, swimming in clusters, although the sketch does not lose the peculiar interest of change.
7 Seals engraved by Qi Baishi, China Qi Baishi Painting and Calligraphy Institute Exhibition (Qi Baishi copyright owner), Shaobai Gongzi Tang Fa Zhou
There are also 7 seals engraved by Qi Baishi in this field. Qi Baishi and Li Li intersected with seals, and the most discussed between the two was also the art of seal carving, and the best communication between their teachers and students was also each other's seal carving works.
Qi Bai Stone Carving Shoushan Stone Kui Dragon Button Rectangular Seal China Qi Baishi Painting and Calligraphy Institute Exhibition (Qi Baishi Copyright Owner) Shaobai Gongzi Tang Fa Zhou Courtesy of the picture
Inscription: Inexhaustible
Side: White stone
8.7 × 1.7 × 1 cm
Li Li and Qi Baishi, China Qi Baishi Painting and Calligraphy Institute Exhibition (Qi Baishi copyright owner) Shaobai Gongzi Tang Fa Zhou courtesy of the picture
Li Li also had a very close relationship with Qi Baishi's descendants, and his understanding of Qi Baishi was through Qi Liangkun, and he had become a good friend with Qi Liangchi and Qi Liang in his interactions. A photo of Mr. Li Li who cherished a meal with Qi Baishi was taken by Qi Liangchi when Li Li visited Qi Baishi again in 1957. And Li Li's treasured copy of "Ming Tuo Tianfa Oracle Monument" and a package of Qi Baishi prints were given to him by Qi Liang, which shows the depth of the relationship.
Qi Baishi, Mountain Mushroom Map, China Qi Baishi Painting and Calligraphy Institute Exhibition (Qi Baishi Copyright Owner), Shaobai Gongzi Tang Fa Zhou
Mirror heart, ink and color on paper
35.5 × 39 cm
Qi Baishi, Moju, China Qi Baishi Painting and Calligraphy Institute Exhibition (Qi Baishi copyright owner), Shaobai Gongzi Tang Fa Zhou
Mirror Heart, ink on paper
Painted by 癸酉 (1933).
41 × 58 cm
Qi Ziru Sparrow China Qi Baishi Painting and Calligraphy Institute Exhibition (Qi Baishi copyright owner) Shaobai Gongzi Tang Fa Zhou courtesy of the picture
Vertical scroll, ink and color on paper
93.5 × 28 cm
Qi Liangchi, Peach Blossom Swimming Fish, China Qi Baishi Painting and Calligraphy Institute Exhibition (Qi Baishi Copyright Owner), Shaobai Gongzi Tang Fa Zhou
Mirror heart, ink and color on paper
Painted by Ren Xu (1982).
65.5 × 34.5 cm
(To be continued) collection of calligraphy and painting, just look for the "Baishi heirs" of Qi Baishi Painting and Calligraphy Institute, all rights reserved, on-site creation, Qi Baishi painting school, a hundred years of inheritance, a lineage, only do authentic calligraphy and painting, gather the length of the family, on-site creation, can be customized according to the requirements of the collector, can take a group photo! perennial sales of high-end calligraphy and painting, looking for cooperation with high-end painting brokers, partners, regional leaders, the main operation of Qi Baishi before his death with the same painting brush, Qi Baishi painting shrimp special rice paper, Qi Bai graphite block, Qi Baishi self-made pigment formula, Qi Baishi's painting brush grass insect secret method, Qi Baishi's little daughter Qi Liangzhi's father Qi Baishi's calligraphy and painting relics exhibition and Qi Baishi's little daughter Qi Liangzhi's self-collection of calligraphy and painting special auction, Qi Baishi's heirs, Tang Fazhou, president of the Chinese Qi Baishi Painting and Calligraphy Academy, pays tribute to the 160th anniversary of Qi Baishi's birth and reproduces Qi Baishi's microcosm of the world calligraphy and painting exhibition, as well as the operation of Qi Baishi, Qi Liangzhi, Qi Liangchi, Qi Liangmo, Qi Bingyi, Qi Jingshan, Qi Bingzheng, Qi Zhanyi, Qi Huijuan, Qi Shouyu, Qi Yuwen, Qi Lixia, Qi Yuanlai, Qi Folai, Qi Shuilian, Qi Yanjun, Li Keran, Li Kuchan, Lou Shibai, Guo Xiuyi, Wang Senran, Wang Xuetao, Lu Guangguang, Wang Shushi, Tang Fazhou and other authentic works of calligraphy, painting and seals worth more than 100 million yuan can also accept NFT, digital collections, metaverse, cross-border brand cooperation, cultural empowerment resource integration and other operations, and welcome powerful network companies to bid. (Picture and text excerpt from: Qi Baishi's heirloom calligraphy and painting network)
(The picture materials in this article are selected from: Qi Baishi in the eyes of Qi Liangzhi, Qi Baishi Painting and Calligraphy Institute, Qi Baishi Descendants Calligraphy and Painting Network)
Note: The above pictures and texts are excerpted from the lecture "Shaobai Gongzi Fun Talks about Qi Baishi" Speaker: Tang Fazhou
Jia Chennian [Year of the Dragon] compiled in East China Shanghai Qi Baishi Painting and Calligraphy Institute (Shanghai Pudong General Institute)