❂ Author: Jun Jian Yakan Red Mansion
✪Illustration: Sun Wen "Painting the Dream of Red Mansions"
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What is Jia's mother's level of education? The original article did not say much about this.
Watching Jia's mother's daily life is completely unrelated to poetry and books. I once heard that everyone was writing poems in Lu Xueguang (yǎn), and he mentioned a sentence that he didn't know whether to praise or disadvantage: "If there are poems, it is better to make some lantern riddles, everyone is so stubborn in the first month." ”
Listening to the meaning of Jia's mother's words, it seems that her old man is not enthusiastic about "poetry and songs", but is more enthusiastic about things such as lantern riddles.
Does it show that Jia's mother's cultural level is not good and her appreciation level is too low?
I am Jun Jian Yakan Red Mansion, and I will tell you about those things in "Dream of Red Mansions".
Jia's mother's cultural level, compared with Daiyu, Xiangyun and Sanchun, these blood-related granddaughters, how is it? The original text did not mention a word.
Readers can only explore the clues of the original text. You can't deny the old lady's cultural accomplishment just because she said that it is better to be a riddle than a lantern riddle.
How Jia's mother is depends on her background and the quality of the children and grandchildren she raised.
Jia's mother was born in the Baoling Hou Shi family, and was able to marry Jia Daishan, the eldest son of Jia Yuan, the Duke of Rongguo, as his wife, and became the second generation of the hostess of Rongguo Mansion, and she must also be the eldest daughter of Shi Gong.
Of course, Baoling Hou can't be compared with Rong Guogong. In particular, one of the two is only the inheritance of the Marquis of Meritorious, and the other is the inheritance of the Lord of the clan, which is very different.
The inheritance of meritorious marquis, only status and wealth, no title, the children and grandchildren are getting poorer and poorer.
The lord of the clan has been handed down, although he is downgraded to hereditary, but he has a hereditary estate, and his descendants can keep their wealth and wealth if they are properly managed.
The foundation of the historian is not as good as the Jia family, which is also the reason why the four major families of Jia Shi Wang Xue rank second.
But Baoling Hou is not the focus of historians, the focus is all on Shang Shuling.
Baoling Hou is only the honorary status of Shi Gong, and Shang Shuling is Shi Gong's position and power.
Shang Shuling is a dynasty chief assistant, equivalent to a leader of civil and military officials, dealing with court affairs, and a powerful prime minister.
Such a historian must have been a scholarly family for a long time, far stronger and more profound than the Lin family and the Li family. Otherwise, it will not be possible to cultivate a peak figure who was born on Shi Gong's side.
Ning Rong's second duke made great achievements and reached the pinnacle of martial arts.
Shi Gong is a very popular minister, and he has reached the peak of Wenchen. Compared with Lin Ruhai and Jia Yucun, they are just on the road.
Jia's mother has a father like this, and a family like this, how can she not study?
Even if it is Li Kun, Li Shouzhong believes that "a woman is virtuous if she is not talented", and refuses to teach her daughter to study.
At the beginning of Jia's mother's vigorous entrepreneurship, the learning atmosphere must be strong, and her children and grandchildren all take Shi Gong as an example, and her talent must not be worse than Shi Xiangyun.
And Jia's mother's daughter, Jia Min, raised Lin Daiyu, all of whom are mainly based on "culture", so you know her respect for culture and education.
This is also reflected in Jia Baoyu's generation.
Before Lin Daiyu came, Jia Baoyu, Sanchun and Shi Xiangyun were all educated with Jia's mother.
Especially Jia Baoyu and Shi Xiangyun, they have been taken in by Jia's mother since they were babies and grew up.
Although Jia Baoyu is not the material of the imperial examination, he has made great achievements in poetry and songs, and articles and classics.
Not to mention Shi Xiangyun, his amazing talent is not allowed to Lin Daiyu and Xue Baochai.
As for Jiafu Sichun's "qin, chess, calligraphy and painting", they all developed separately under the acquiescence of Jia's mother, and there was no uniformity. Teaching students according to their aptitude reflects Jia's mother's "education" tendency.
Jia's mother encourages the development of interests and does not support forced learning fueled by seedlings.
Since Jia Baoyu is not the material for the imperial examination, don't force him to do useless work.
If he is interested in poetry and songs, he will carry it forward.
It is precisely because Jia's mother is so open-minded that several people in this generation who grew up with Jia's mother have become the leaders in "Dream of Red Mansions".
Jia Mu contributed a lot to this.
Of course, educational ideas can only represent Jia's mother's open-mindedness, and cannot reflect her own cultural skills.
But Jia Mu is so open-minded, obviously because of the enlightened upbringing of the historian. And if a historian can cultivate a Zaifu, how can its cultural atmosphere be bad?
The children of Li Kun's mother's family can all read and write poems, not to mention historians?
Ever-changing, family style is hard to change. Jia's mother was born in Si Zhang Yusi, so she is naturally not a thing in the pool.
During the crab banquet in the Grand View Garden that day, Jia Mu led the crowd to the Lotus Lotus Champs, "and saw the pair of black lacquer inlaid mussels hanging on the pillar, and ordered people to read it." Xiangyun said: The hibiscus shadow breaks the blue oar, and the lotus root incense writes deep into the bamboo bridge. Jia Mu listened, and looked up at the plaque again......"
Jia Mu first looked at the couplet and then looked at the plaque, which is the embodiment of cultural self-confidence. If Grandma Liu came here, she would definitely not pay attention to the couplet plaque.
Shi Xiangyun read it, leading Jia Mu to mention the old things of the Pillow Xia Pavilion at home, but in fact, she understood the meaning of the plaque. There is no such thing as "no culture".
The next day, I took Grandma Liu to visit the Grand View Garden, and Jia's mother also came when she opened her mouth when she was ordered by the Sanxuan tooth card, although the poems were not very elegant, but the old man was very old, and it was his cultural embodiment to be able to open his mouth.
(40th) Mandarin Duck said: "I have a pair." On the left is Zhang 'Tian'. Jia Mu said: "There is a blue sky on the head." The crowd said, "Okay." The mandarin duck said: "Among them is a 'five and six'. Jia Mu said: "The plum blossoms of the six bridges are fragrant to the bones. The mandarin duck said: "There is a 'six and one' left." Jia Mu said: "A round of red sunrise in the sky." The mandarin duck said: "It's a 'unkempt ghost'." Jia Mu said: "This ghost hugged Zhong Kui's leg." After saying that, everyone laughed and said, "Wonderful." Jia Mu took a drink.
In fact, the difficulty of Jia's mother's tooth card order is not in the correspondence of poetry, but in the insinuation and irony that she uses to insinuate and satirize the Xue family's coming to Jiafu to cling.
Like "This ghost hugs Zhong Kui's leg", it implies that the Xue family is plotting a good marriage and is coming to Jiafu to hug his thigh.
is so "anxious", even Lin Daiyu is a little flustered and does not hesitate to say the sentences of "The Peony Pavilion" and "The Story of the West Chamber", and Jia Mu clearly targets it to call it real "kung fu".
As for the old lady's taste, it is the top of the first class in Jiafu.
Not to mention decorating the room for Xue Baochai, the daughter of the family is well decorated, and the degree of food and clothing on weekdays is even more tasteful, you look at the desktop furnishings at the Lantern Festival night banquet, which truly reflects the cultural quality that only three generations of wealthy families should have.
What's even more amazing is the Xiao and flute sonatas of the Lantern Festival and the Mid-Autumn Festival, which are not the taste of others.
Especially during the Lantern Festival, Jia's mother ordered to change the play, which highlighted her profound cultural accomplishment.
(Chapter 54) Jia Mu said: "Let's not fall into praise and disparagement, we have to make a new look." asked Fang Guan to sing "Looking for Dreams", only the violin and the pipe flute were combined, and the sheng flute was not used...... asked Kwai Guan to sing "Huiming's Book", and he didn't have to wipe his face. It's just these two plays to make them listen to the differences. If I save a little effort, I won't follow. ”
"Only the violin and the pipe flute are combined, and the sheng flute is not used", only showing the voice skills and singing sections of the singing, which is the most elegant. Such a live change of drama shows Jia's mother's cultural accomplishment and appreciation level, how can such a character be uneducated?
As for Jia's mother's disobedience to poetry and songs, firstly, the elderly have passed by and seen it, and they are no longer interested in these. I just want to think about the lively New Year. Second, it is also to educate children and grandchildren, don't be discouraged, how to please the elders in the future is the key. It's not that Jia Mu doesn't understand, can't and doesn't support it. Otherwise, there would be no achievements of Baoyu, Daiyu, Xiangyun and Sichun.
✍ The above views are sorted out and inferred from the story clues before the 80th episode of "Dream of Red Mansions".