Have you watched the MV of the theme song "Colorless Flower" of "Riding the Wind 2024"? !
Wise people don't speak dark words!
The first shot is given to Chen Lijun!
My eyes lit up with a bang!
Help! She's so sweet!
Last year it was my husband and sister, and this year I directly:
Hey, wife!
I didn't expect that under the skin is a more beautiful skin!
Maybe not beautiful, but absolutely sweet, handsome and chic in the theater, soft and sweet on the stage, the contrast is really amazing!
I'm a female Jiao'e
It's not a man
On the stage of the 2024 CCTV Spring Festival Gala, an excerpt from "Liang Shanbo and Zhu Yingtai" in the opera "A Hundred Flowers for Beauty" will be played by Chen Lijun as Liang Shanbo.
This is Chen Lijun's 11th year in Zhejiang Xiaobaihua Yue Opera Troupe, and it is also her 19th year of studying Yue Opera. Half a year before she appeared on the stage of the Spring Festival Gala, she and her partner Li Yunxiao became popular on the Internet with the new national style environment-style Yue opera "New Dragon Gate Inn".
In the middle of the Ming Dynasty, the eunuch dictatorship, Cao Shaoqin, the governor of Dongchang, killed Yang Yuxuan, the secretary of the military department, and pursued his descendants to trap Zhou Huai'an, Yang Yuxuan's old department.
The chivalrous Qiu Moyan rescued the orphans of the Yang family, disguised as a man and fled all the way to the border desert, where she met Zhou Huai'an in the Longmen Inn. The innkeeper Jin Jiyu used her beauty as a temptation to kill people and sell goods, but she didn't want to be moved by the handsome and dashing Zhou Huai'an.
The wanted warrant of the imperial court has arrived at Longmen, and thousands of households at the border have been ordered to investigate the case. The undercurrent is surging, and it is about to erupt......
Jia Ting and Jin Zhuyu played by Chen Lijun and Li Yunxiao are not the first protagonists in the story, but they have gained super popularity because of their tacit cooperation and full of tension.
Especially Chen Lijun, well-dressed and standing with a fan, has both the gentleness and affection of a handsome son, and the treacherous and ruthless treacherous and ruthless, and really performs this role with the taste of "jade-faced Shura".
Every move perfectly interprets the graceful and suave, and every word and deed accurately expresses the prodigal and frivolous. This is in line with the "factory grass" that is in line with the evil smile in romance novels, and the "factory grass" that knows the danger but can't help but get closer.
Of course, not only "New Dragon Gate", but also the graduation drama "Step by Step" in 2013, "He Wenxiu" in 19, "White Rabbit" in 20, and "Funeral Flowers" in 23. In Chen Lijun, Yin Pai's performance is chic, soft and delicate, and the characteristics of delicate emotions are vividly played.
The so-called "one minute on stage, ten years off the stage". Such a performance naturally does not depend entirely on talent and luck, and it is impossible to achieve it overnight.
Looking at Chen Lijun, who has a well-behaved and sweet temperament in life, it is difficult to connect her with those heroic male characters on stage, and it seems that Hua Dan is closer to the real her. Chen Lijun was born in Shengzhou, the "hometown of Yue Opera", and has been exposed to Yue Opera since she was a child, and when she first learned at the age of 13, she was indeed a worker.
However, when she was admitted to Xiaobaihua's class, the teacher suggested that she change her to a primary school. Chen Lijun, who has been studying Hua Dan for 3 years, was reluctant at first, Xiaosheng and Hua Dan are two completely different sets of techniques, and the process of starting from scratch is bound to be painful.
After two suggestions to no avail, the teachers directly decided to study for her for the third time - if it was really not suitable to change back.
As a result, Chen Lijun, who is a formal elementary school student, really found a direction that is more suitable for herself.
The evil is dragging wildly
But not greasy or greasy
The sword eyebrows are starry, the face is like a knife, and a folding fan blocks the waist to cut off the way of the proprietress gold and jade.
At the same time that the amorous gold-inlaid jade took over the folding fan, Jia Ting also took her soft waist, hooked and lifted, wrapped one hand, and fluttered on those few feet of stage.
It is no exaggeration to say that they really moved in my mobile phone for half a month last year!!
There is no left-right wrapping lighting in the front and back of idol dramas, and there are no rich and tricky strange camera positions, but with the ambiguous atmosphere at this moment, I know that the directors and actors of internal entertainment really can't learn it for a lifetime!!
was dazzled by beauty, and tried to rationally analyze why Chen Lijun's Jia Ting can be chic and handsome at the same time, but not greasy at all.
The first is hardware.
Of course, Chen Lijun herself is not a top beauty, and when she doesn't wear makeup, she can't see any male characteristics at all. But once the head is strangled, a pair of sword eyebrows fly straight into the temples, a pair of danfeng eyes, and everyone is affectionate.
Especially for the nose, the stage makeup is thick enough, which can make her nose more straight and straighter, weaken the presence of the big nose, and make the whole facial features three-dimensional.
In addition, she is tall and tall, with big hands and feet, so it is not disobedient for a woman to dress as a man.
The second is, don't be like a man in reality.
Female students are the tradition of Yue Opera, and most of the "female acting men" better interpret the reason for the handsome temperament in the script, and the reason is probably simple and direct - women understand the ideal type of women better.
Before Jia Ting, Chen Lijun played most of the elegant scholars and handsome sons, which is also in line with the audience's general impression of Yue Opera, handsome and gentle.
The reason why some men look greasy is because they know too much that they are men and want to exude the so-called "masculine charm" too much, so it is easier to appear deliberate.
And women are attracted to women because they know too well what kind of men women hate and how to avoid behaviors that may cause discomfort.
As the saying goes, a man is still better than paper, and a husband is better than a woman.
Tradition, inheritance
Development, change
Chen Lijun's teacher Mao Weitao is one of the outstanding descendants of the Yin faction, her performance style is delicate and expressive, and has a strong artistic appeal.
When opera actors go to act in TV series, they seem to have a bit of a sense of dimensionality reduction. Far away He Saifei, Jackie Chan, Tao Huimin, He Qing, and recently there are Han Xi, Li Qin, Li Yixiao, Zheng Yecheng, among actors of the same age, their acting skills are remarkable.
Being an actor can be regarded as a change of career, and it is strange that she went to Sister Lang to dance in the women's group?
Traditional opera, as long as it is stained with modern traffic, seems to be the original sin.
Now when it comes to opera, Huangmei Opera is Han Zaifen, Henan Opera is, Xiao Xiangyu, Peking Opera Li Shengsu, Zhang Huoding, and they are still these old actors.
There are still many local small dramas, and I can't even find a spokesperson. In this case, it is not easy to occasionally pop up one or two young names.
The Peking Opera version of "White Dragon Horse", the rock version of "The Beauty Case", and the mirror song version of "Wujia Po", young people actually tried many ways to approach opera, but they were basically rejected.
Opera has always been like this, the living is never as good as the dead, and the innovative is never as good as the traditional.
In the past, we would have so many opera masters, most of them had a hard time, and they couldn't live if they couldn't learn. It is important to be talented, but it is also indispensable to be beaten and tired, and being poked in the backbone and scolded for "the play is unjust".
And in an age like this, there are too many paths to choose from, and in such a hard-working and sinful profession with little gain, ask yourself, are you willing to learn? Are you willing to learn for your children?
Even if you make up your mind to study, can you really endure this hardship, endure poverty, and endure the namelessness of your nationality?
Last year, Mr. He Saifei criticized the industry insider on the show and complained about the grassroots actors:
Jin opera actor Zhang Junbo's "Qingfeng Pavilion" is very exciting,
His performance on stage can be regarded as brilliant,
But in fact, the monthly salary is only 1,500 yuan, and he has always been a temporary worker.
My wife and three children stay in my hometown, and sometimes I can only go back once a month.
In addition to acting, he also has to run online car-hailing and food delivery to subsidize his family.
With a 39-degree fever and a drip, he still insisted on performing on stage,
The lover half-jokingly said several times that he wanted to divorce him.
When the host Bai Yansheng introduced his situation, he couldn't help choking:
"We always say that the future of opera lies in the youth, what's the use of just shouting slogans, we need someone to escort such excellent actors, young actors have a way out, and opera has a way out!"
He Saifei also bluntly said that he went to act in film and television dramas because there was no drama to play in the troupe.
Why can't opera actors have traffic? Why can't they make money? Why do they have to be tired and not pleased?
The most realistic problem is that if you sing, you won't make money. Chen Lijun chose Sister Lang, whether it was for fame or profit, it was understandable.
If you want the horse to run, you have to feed the horse.