The project is a dialogue between three design approaches that together create part of the spa landscape and connect to the existing hotel building. The designers adopted curvilinear ensemble shapes, introduced materials and concepts for terraces and plantations, and removed the constraints on landscape design. During the construction of the project, the designers changed some of the functions of the original building to suit the new use.
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Charles Moore defined three classifications of Japanese landscapes, which can be roughly summed up as beautiful, picturesque, and sublime. Shibui has also said that Japanese landscapes are mostly untouched natural beauty, wabi-sabi refers to quiet solitude in a natural environment, and sabi means a feeling associated with simplicity and simplicity.
The project is a dialogue between these three design techniques, which together create part of the spa landscape and connect to the existing hotel building. The designers adopted curvilinear ensemble shapes, introduced materials and concepts for terraces and plantations, and removed the constraints on landscape design. During the construction of the project, the designers changed some of the functions of the original building to suit the new use.
The spa is designed with the needs of its occupants in mind, with a designer's award private area connected to a personalized healing space in pursuit of greater privacy, a wider view of the landscape, and a connection between the client and nature.
The path to the water space is enclosed by a small walled garden, which is like a private Eden, providing customers with an experience that accommodates the senses. Modeled after a gazebo in a Japanese garden, the designers used only a pergola and some enclosures to create an atmosphere of immersion in nature.