A sculptor who graduated from CAFA uses sculpture to depict the appearance of all beings, which is so real, and 1:1 is too impactful

Liu Qing, born in Hunan in 1982, graduated from the High School Affiliated to the Central Academy of Fine Arts in 2001, graduated from the Sculpture Department of the Central Academy of Fine Arts in 2006 with a bachelor's degree, and graduated from the Central Academy of Fine Arts in 2009 with a master's degree in sculpture.

Since 2018, he has been working in the Sculpture Department of the Central Academy of Fine Arts, and is currently a member of the Sculpture Art Committee of the China Artists Association, a member of the Council of the China Sculpture Society, and a sculptor of the Young Sculptors Creation Center of the China Sculpture Research Institute. His works have won important academic awards in China, including the "First Jin Shangyi Young Teacher Creation Award of the Central Academy of Fine Arts".

"Unmanned Ticketing" series

"Unmanned Ticket 2/4" resin coloring, steel

120x140x350cm 2016-2018

"Unmanned Ticket 2/4"

Description: In this work, I added symbols such as tires, curtains, and machines in the bus space to highlight the rapid transformation of contemporary society and the common state of people in this state. In addition, the name of the work is also appropriated from the name of the unmanned ticketed bus, and I think that behind this name there is both urban connotation and room for thought.

"Unmanned Ticketing" series

Although the sculpture is materialized, I hope that it can leave traces of time and the temperature of life, and I have been thinking about how to make the static and solidified sculpture continue to grow with time and space, so in the process of creating this series of works, I continue to inject new experiences of life, shape these ideas through concrete images, and combine them, and I also hope that through the collection of my thinking process, the works have a power that can penetrate the surface of life and discuss the potential truth.

"Unmanned Ticketing" series

At the moment, I've completed two pieces in this series, "Ticketed 1/4" and "Ticketed 2/4". Although the work is materialized, I hope that it can leave traces of time and the temperature of life, so in the process of creating this series of works, I continue to inject new experiences of life, shape these ideas through concrete images, and combine them, and also recreate the social landscape through the collection of my thinking process.

"Unmanned Ticket 1/4"

I thought that maybe I could try this kind of figurative realistic sculpture to create an ordinary wonderland. Ordinary lies in digging out themes from simple life and focusing on the current living beings, while wonderland lies in giving viewers a new sculptural experience through art and site, creating a spectacle beyond reality.

"Unmanned Ticket 1/4"

The process of clay sculpture in the series of "Unmanned Ticketing".

A small draft of "No One Sells Tickets - Journey".

A small draft of "No One Sells Tickets - Journey".

Sketch of "Unmanned Ticketing".

Sketch of "Unmanned Ticketing".

Sketch of "Unmanned Ticketing".

Sketch of "Unmanned Ticketing".

Sketch of "Unmanned Ticketing".

Appreciation of other sculptures

T61. 2014》140x65x45cm resin hand-painted 2014

Results, 192x198x195cm, Mixed media, 2014

Results, 192x198x175cm, hand-painted resin, stainless steel, 2016

Hey!Eggplant!, 275x275x190cm, Mixed media, 2008