In history, what is the story of Xu Aiying?

Teacher Xu Aiying is a famous Meihu performance artist, a national first-class actor, and a famous Meihu artist.

The ancient town of Xiangfen County, Linfen, is famous in the land of Hedong for two Chinese drama Plum Blossom Award actors, one is the director of the first Plum Blossom Award, and the other is Xu Aiying, a famous Meihu artist we are going to approach today. My mother said that she had a pair of big eyes when she was a child, saying that her eyes were black and bright, her throat, a cry, that voice could be bright, people said that your daughter will be able to sing in the future, she has liked drama since she was a child anyway, and she was very young in the propaganda team, and then at the age of 11, the Xiangfen Troupe came to our town to recruit actors, and she was admitted in school. The teacher asked himself, your mother is tall and low, because she is the youngest, young, 11 years old, she said that my mother is small, and then the teachers laughed, so they pulled themselves out and said, little girl, you go back now, you are a little small now, you don't know how to eat hungry, sleep don't know upside down, in a few years we will go to you, and then in 1974, I and Ren Xiangxin, we were admitted to Linfen Art School together, at that time in Xiangfen, and then to Linfen to retake the examination, we were later admitted. In 1977, when the Meihu Theater Troupe was later established, there was a shortage of actors and bands, we were 70 students, our class was 70 students, and we were 30 students, that is, 8 actresses, 8 male actors, 14 bands, all of them were drawn to the Meihu Theater Troupe, and then I followed the big actors to act, and the first play at that time was "Mountain Village Sisters", which was the protagonist of the teacher. We are all B corners, we are all students, after we came, Teacher Wang Xiying at that time, and Teacher Fan Qingrong, they were all protagonists, and then it didn't take long for the costume drama to open, the modern drama we learned at that time, the modern drama people are all big feet, the costume drama is all small feet, the steps are different, the body and head are different, I don't love it in my heart, because what, because of the costume drama, the action of the modern drama we learned, Ke Xiang, you see, it is all that kind of action, and the costume drama we learn will not move the waist, I can't twist, because I didn't learn that program in art school, I watched other teachers perform on the stage at that time, we watched on the side, but you don't know where the teacher's real internal strength is, where is the internal strength of others, twisting and pinching, the waist will not move, the waist is hard, when I was arranging "The Champion and the Beggar" with others, Fan Qingrong's own teacher Fan and Fan Qingrong teacher lined up "The Champion and the Beggar" for themselves, and I can't remember this hand, because of the hand of the costume drama, this lifting foot and moving steps, It's really different, and it's really distressing, I was stained with my own throat at the time, that is, my voice is very sweet, sweet, sweet, bright, sweet.

But the actions of the real costume drama are not as good as Mr. Ren and Mr. Xin, Mr. Ren and Mr. Xin's costume drama is very good, the performance is special, and the performance is particularly in place, and his costume drama should be said to be a little lacking. Most of the plays I won later were modern plays, and most of the award-winning plays were modern plays, and I felt that I was handy, and in terms of creation, in all aspects, I felt that the director also had requirements, and then I also read the "Actors and Characters", and I knew that after taking this script, I had to study the character, what era he lived in, and then what his character would be, what gait should he use when he walked, and how he spoke. How old is he, you will analyze, analyze your role layer by layer, so, after you receive the script, you eat and sleep every day, always thinking about that character, what are you thinking about at this moment, what am I doing at this time, how do I say, how do I go, I am always groping, thinking a little more about this, you are analyzing, and looking for that prototype from life. When I was 22 years old when I played "Mother and Son", I couldn't find my mother's tone at the beginning, and I said and memorized it the same way as I memorized my lines, because I was 22 years old and played a 42-year-old mother, but I read the book "Actors and Characters", that is, actors act, what they want to play, and they have to capture the details of the prototype from life, you see her every move.

Of course, there was also the director of our troupe at that time, Mr. Zhang Hongdao, Mr. Zhang Hongdao could put a lot of effort into himself in the rehearsal room, and gave himself a lecture on the play, the requirements for himself, and the requirements for all aspects, including the modern play, it also has the combination of modern drama programs, for example, the mother who played by himself, when looking for this child, there is a flat turn, that is, when looking for it in the wind and rain, you have to turn the flat turn and lying fish you learned in school into your role, and your role is in the wind and rain. Just lie down, that is, it is not art, but it is not a complete life, and it is higher than life, and I feel that it is that role.

I feel that after I passed "Mother and Son", I will slowly be able to portray characters, of course, the director also requires himself, and slowly learned, so after his play was discharged, it was very popular, of course, it was very popular, and there was also a premise, that is, our old troupe leader Cui Fengming, he wrote the song well, and another, our band is relatively strong, that is, we came, and all the students in our class came, so our band at that time was very strong, and we did not rehearse " in 1981 Mother and Son", when arranging "The Champion and the Beggar", our band was looking for Mr. Zhao Jiping to give us a matching, so in 1981, after we performed "The Champion and the Beggar", it was very popular, and then when we played "Mother and Son", it was also the same, so our Meihu's music was more atmospheric than in the past, so after our "Mother and Son" was discharged, it became a sensation, and then I said myself, I seem to have put a lot of thought into portraying the characters, in terms of singing, Singing the emotions of the characters, I learned to sing and sing emotions, so I grasped the play well, and the image was very good at the time, although I was 22 years old, but I was older, so after the performance of that play, I played 24 times in Linfen and 24 times in Yuncheng, and the venue was full, one during the day and one at night, and there was a family, just like this plot in our story, the family was not in harmony for three years, separated, and then watched our play and called the two families together. I read it three times, and then I reconciled and returned the thank you note we wrote. Through "Mother and Son", I am gradually, I feel that the play, will create characters, I know that an actor acting, you want to play a vivid character is the most important, you create the most vivid character, of course, the vivid character, after all, is not a person in life, you are a person in life, you use her thoughts to analyze the role, but you also have to use our artistic characters, but also beautiful, anyway, the biggest feature of the character I created later is that the audience thinks, he likes to watch my play, he thinks, you perform to play, I always feel that you are not acting there, you are the person. This is my own characteristic, that is, he always thinks, he says, you are not acting on the stage, you are living on the stage.

Including the play that I won the award, the one I won the award "Two Women and a Man", the play adapted from "Lao Jing", I played the Duan Xifeng in the play, the most important reason for the success of our play is that the music is good, the music is everyone from the Shaanxi Research Institute, Dang Xiguang and Ma Shengcai teacher wrote it for us, and then the director is Yao Dashi, the director of Shanxi Provincial Drama, the play directed to us is very novel, there is dance in this play, There are songs and dances, and the flowers and plants are all dressed up by people, which is relatively novel, so we looked good after the scene was rehearsed and won a lot of awards. When I play this role, I try to use the kind of gait that is afraid of stepping on ants as much as possible in my steps, that is, the kind of caution, my character walks carefully, this gait is a little more, including the kind of gaze that looks up at people under the slate in the eyes, for example, when looking forward at the man and the man's face, the two of them are happy with her, unhappy with her, she can also be diligent, she also tries to do a little better, and in the end, in fact, she and Wangquan (the person in the play), I think that although Wangquan doesn't love it, he still thinks this woman is very good.

Xu Aiying's plum-winning work "Two Women and a Man" is an artistic peak created by Xu Aiying and Pan Guoliang. The core singing segment in the play, "I will look back at the world", Xu Aiying portrayed the gentle, kind, and touching Xifeng, singing the forbearance of fate and nostalgia for the world in the play.

"I will look back when I will leave the world" is that she is singing, just thinking that I will leave immediately, looking back, thinking about this life, I will look back at the world. I sang it myself, just thinking about this Duan Xifeng, small, born in this mountain, and no sister, her father died when she was young, so I feel that my fate is different from other dolls, and other dolls have a happy home, I feel that I have lived in this family since I was a child, my father died early, and my mother is quite powerful, so my character is very cowardly, so when I perform this role, I try to perform her character very gently, and treat Wangquan, There are other women in Wangquan's heart, and he thinks that Duan Xifeng should be very beautiful, she should be very good-looking, and her personality should be very sweet and very good.

Acting is not drawn, it is carved, bit by bit, including the sentence you said, what you react to when he says this, you have to pick it out yourself, you are clear in your own heart, you have feelings in your acting heart, your heart is full, what is in your eyes is confidence, the audience can see from your eyes, you are in the play, you are not acting there.