Summary:
The purpose of this paper is to explore the relationship between color imagery and emotional expression in contemporary Chinese Gongbi flower and bird paintings. Through the discussion of the transformation of traditional color symbols in contemporary Gongbi flower and bird painting and the modern way of expression, this paper analyzes how artists express their personal emotions and aesthetic pursuits through color. This article will first introduce the modern transformation of traditional color symbols, and discuss the new images and expressions of red, yellow, blue, green and other colors in contemporary Gongbi flower and bird paintings. Secondly, this paper analyzes the modern expressions of artists in terms of color selection, technique innovation and theme expression, and reveals how color has become an important means for artists to express their emotions and aesthetic concepts.
I. Introduction
The traditional concept of color originates from ancient Chinese philosophical thought, emphasizing that color is not only an objective appearance, but also a carrier of the painter's inner perception and emotional expression. In Chinese Gongbi flower and bird painting, painters integrate their subjective emotions into their works through the careful use and purification of colors, so that the works are not only the representation of the objective world, but also the expression and expression of the inner world. This kind of color expression not only breaks through the shackles of traditional techniques, but also endows the works with deeper meaning and emotional connotation, and has become a unique artistic feature of Chinese Gongbi flower and bird painting.
II. Traditional color concept and mental image purification
A. Philosophy of color
The philosophical concept of "color is born from the heart" in ancient Chinese painting theory is a profound reflection on the origin and expression of color, which embodies the unique cognition and aesthetic concept of color in ancient Chinese culture. The core of this concept lies in the belief that color does not simply come from the appearance of the external objective world, but is determined by the stimulation and expression of the artist's inner emotions, which is a subjective and profound experience. Its conceptual origin and connotation can be explained from the following aspects:
First of all, the formation of color originates from the inner emotions and experiences of the painter. Ancient Chinese literati and painters believed that "brush and ink produce feelings", and believed that the artistic conception and emotion of the works were determined by the inner perception and experience of the painter. When painting flowers and birds, the painters feel the emotions and artistic conceptions contained in them through the observation and experience of natural scenes, and internalize these emotions into the expression of color, so that the works have a deeper emotional connotation and artistic significance.
Secondly, color plays a medium in painting to express inner emotions and aesthetic ideals. Ancient Chinese painters believed that color was an important means of expressing emotions and artistic conceptions, and through the careful use and purification of colors, the works had a richer and deeper connotation. In Gongbi flower and bird paintings, painters often express their emotional experience and aesthetic pursuit of the natural world through the matching and harmony of colors, so that the works have a more vivid and expressive artistic effect.
Finally, the meaning of color lies not only in the appearance, but also in the transmission and expression of emotions. Ancient Chinese literati painters often expressed their emotions and ideals through the use of color, so that their works had more profound and connotative artistic significance. In Gongbi flower and bird paintings, painters often transform the surface color into the mental image color through the purification and sublimation of color, expressing the emotional understanding and aesthetic pursuit of the natural world, so that the work has a more profound and rich connotation.
B. Mental image purification
Mental image purification is an important expression technique in Chinese Gongbi flower and bird painting, which refers to the transformation of surface color into mental image color with more inner emotional and aesthetic significance through the purification and sublimation of color. The process mainly includes the following aspects:
First of all, the painter feels the emotions and artistic conceptions contained in the natural scenery through his observation and perception. When painting flowers and birds, painters often feel the emotions and artistic conceptions contained in them through careful observation and experience of natural scenes, and internalize these emotions into color expressions, so that the works have a more profound and rich connotation.
Secondly, through the purification and sublimation of color, the painter transforms the color of the surface into the color of the heart. When painting flowers and birds, painters often make them have a deeper and richer connotation through the matching and harmony of colors. Through the purification and sublimation of color, painters can refine the emotions and artistic conceptions contained in the surface color, so that the works have a more profound and rich connotation.
Finally, the painter expresses his emotions and ideals through the use of color. When painting flowers and birds, painters often express their emotional understanding and aesthetic pursuit of the natural world through the careful use and purification of colors, so that the works have a more profound and rich connotation. Through the use of color, painters can integrate their inner emotions and ideals into their works, making their works have richer and deeper artistic significance.
III. The Meaning and Decoration of Color: The Expression of Form and Beauty
A. Distinction between meaning and ornamentation
In Chinese Gongbi flower and bird painting, the meaning and decoration of color are two important concepts, and they play different roles and functions in painting. These two concepts are explained below:
1. Meaning: In painting, "meaning" refers to the emotion, artistic conception and inner thoughts expressed by the painter through color. The emotions and artistic conceptions conveyed by color are the deep experience and perception of the painter, and the expression of the understanding and aesthetic pursuit of the natural world. In Chinese Gongbi flower and bird painting, the painter often expresses his emotions and ideals through the use of color, so that the work has a more profound and rich connotation. Therefore, the "meaning" of color is the soul and essence of the painting, and it is the expression of the painter's emotional experience and aesthetic pursuit of the natural world.
2. Decoration: "Decoration" refers to the decorative and surface effects of color in painting, and is the color means and techniques used to beautify the work. In Chinese Gongbi flower and bird painting, painters often use and match colors to make their works more vivid and expressive artistic effects. The purpose of this use of color is to beautify the work and enhance the ornamentation, but its purpose is not only to stop at the surface effect, but more importantly, to highlight the theme and emotional connotation of the work, making it more profound and rich.
B. Expression of formal beauty
In Chinese Gongbi flower and bird painting, the expression of color is an important carrier of the painter's emotions and aesthetic concepts, and through the careful use and purification of color, the painter can realize the expression of the formal beauty of the artwork. The following is a discussion on how to express the artist's emotions and aesthetic concepts through color to achieve the aesthetic effect of a work of art:
1. Careful use of color: Through the careful use of color, the painter can realize the formal beauty expression of the work. In Chinese Gongbi flower and bird painting, painters often make their works richer and more profound through the matching and harmony of colors. Through the purification and sublimation of color, painters can refine the emotions and artistic conceptions contained in the surface color, so that the works have a more profound and rich connotation.
2. Expression of Emotions: Through the use of color, painters are able to effectively express their emotions and aesthetic concepts. In Chinese Gongbi flower and bird painting, painters often express their emotional understanding and aesthetic pursuit of the natural world through the careful use and purification of colors, so that the works have a more profound and rich connotation. Through the expression of color, painters are able to integrate their inner emotions and ideals into their works, making their works have richer and deeper artistic significance.
3. Realization of aesthetic effect: Ultimately, through the careful use of color and the expression of emotion, the painter is able to achieve the aesthetic effect of the work of art. In Chinese Gongbi flower and bird painting, painters often purify and sublimate colors to make their works have richer and deeper connotations, so as to achieve the aesthetic effect of works of art. The expression of this formal beauty is not only reflected in the full color and rich layers of the work, but more importantly, it is reflected in the emotions and connotations expressed in the work.
IV. Romance with Color: The Symbolic Meaning of Color in Flower and Bird Painting
In Chinese Gongbi flower and bird paintings, different colors often have specific symbolic meanings and cultural connotations, and through the skillful use of colors, painters are able to convey a variety of emotions and connotations. The following is an analysis of the symbolism and cultural connotations of different colors in Chinese Gongbi flower and bird painting:
1. Red: In Chinese culture, red symbolizes festivity, enthusiasm, and good luck. In flower and bird paintings, red is often used to depict the brightness and vitality of flowers, representing the vitality and enthusiasm of life. At the same time, red is often used to depict bird feathers, symbolizing freedom, agility and joy.
2. Yellow: Yellow symbolizes wealth, glory, and dignity in Chinese culture. In flower and bird paintings, yellow is often used to depict the stamens and canopies of flowers, representing the richness and radiance of golden. At the same time, yellow is also often used to depict bird feathers, symbolizing feelings of nobility, elegance and dignity.
3. Blue: Blue symbolizes freshness, tranquility, and purity in Chinese culture. In flower and bird paintings, blue is often used to depict the sky and water, representing vast space and profound connotations. At the same time, blue is often used to depict bird feathers, symbolizing serenity, freedom, and detachment.
4. Green: Green symbolizes vitality, hope, and vitality in Chinese culture. In flower and bird paintings, green is often used to depict the leaves and branches of plants, representing the continuation of life and the flourishing of vitality. At the same time, green is often used to depict the habitat of birds, symbolizing comfort, comfort and natural emotions.
Through the analysis of the symbolic meaning and cultural connotation of different colors in Chinese Gongbi flower and bird painting, we can have a deeper understanding of the painters' use and choice of colors, as well as the rich emotions and connotations conveyed by the works.
As a medium for expressing emotions, color plays an important role in Chinese Gongbi flower and bird painting, and through the careful use and matching of colors, painters can convey a variety of emotions and connotations.
V. Color symbolism in contemporary Gongbi flower and bird paintings
A. Modern Transformation of Color Symbols
In contemporary Gongbi flower and bird paintings, traditional color symbols have undergone certain changes and evolutions, reflecting the artist's cognition and understanding of contemporary society and culture. The following is a discussion of the modern transformation of traditional color symbols in contemporary Gongbi flower and bird paintings:
1. The Modern Meaning of Red: Traditionally, red has symbolized festivity and enthusiasm in Chinese culture, but in contemporary Gongbi flower and bird paintings, the meaning of red may be more diverse. Some artists may use the color red to express their concern and critique of contemporary society, or to express their personal feelings. For example, red may be used to emphasize a social issue or the intensity of a person's feelings.
2. A Modern Interpretation of Yellow: Compared with the traditional wealth and glory, the yellow color in contemporary Gongbi flower and bird paintings may be endowed with more modern aesthetic and emotional connotations. Artists may use yellow to express their cherishing and appeal to the natural environment, or their yearning and pursuit of a better life.
3. The Contemporary Significance of Blue: In contemporary Gongbi painting of flowers and birds, blue may not only symbolize tranquility and purity, but may also have a deeper meaning. For example, blue may be used to express concern for environmental protection and ecological balance, or to explore and express the inner world.
4. Modern Expressions of Green: The color green in contemporary Gongbi paintings of flowers and birds may be more vibrant and energetic, and may also be associated with modern topics such as ecology and sustainable development. The artist may use green to express his love and care for the natural ecology, as well as his yearning for the harmonious coexistence of man and nature.
B. Representation of symbols
There are many ways in which contemporary artists use color symbols to express their personal emotions and aesthetic pursuits in Gongbi flower and bird paintings, and the following are some common ways of expression:
1. Technique Innovation: Contemporary artists often express their personal emotions and aesthetic pursuits through technique innovation. They may use different painting techniques and materials to make color symbols more vivid and three-dimensional, so as to better express their emotions and aesthetic ideas.
2. Theme Selection: Artists will pay attention to the expression of personal emotions and aesthetic pursuits when choosing the theme of their works. They may choose themes related to contemporary society and culture, and express their thoughts and perceptions of social reality through the use of color, or their yearning and pursuit of a better life.
3. Color matching: Contemporary artists express personal emotions and aesthetic pursuits through the careful combination of colors. They may use color matching principles such as contrasting colors, cold and warm colors, etc., to make the work more layered and expressive, so as to better convey their emotions and aesthetic concepts.
VI. Conclusion
This paper deeply explores the relationship between color imagery and emotional expression in contemporary Chinese Gongbi flower and bird paintings, revealing the modern transformation of traditional color symbols and the modern expression of artists, as well as the artist's cognition and understanding of contemporary society and culture. This is of great significance for understanding the artistic characteristics and cultural connotations of contemporary Gongbi flower and bird painting, as well as promoting the innovation and development of traditional Chinese painting art.
Author: Lu Xilin
Bibliography:
Research on the Application of Color in Chinese Painting. Art Guide, (12), 73-74.
The Transformation and Modern Expression of Color Symbols in Contemporary Chinese Flower and Bird Painting. Art Review, (3), 58-59.
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