The magpie's nest covers the hole Wenju,
Jin Shu buried Yang Dezu.
The spring breeze of the bronze finch is long,
Alone is a deceased woman.
The old man has a woman and no children,
Who is full of prosperity and death?
The piano burns the flute and folds the zither gray and cold,
The grass in the alleys is deep and hungry.
#春曰生活打卡季#
"Wen Ji Returns to Han" is a Song Dynasty painting with deep cultural connotation and historical background. Although this work is anonymous, its artistic value and historical significance cannot be overlooked.
The picture shows the moving scene of Wen Ji's return to Han with delicate brushstrokes and rich colors. In the picture, Wen Ji is dressed in gorgeous Hanfu, her expression is serene and resolute, as if revealing her inner firmness and perseverance. Beside her was a group of loyal retinues and guards, all of whom focused their eyes on Wen Ji, showing respect and admiration for her. In the background, rolling mountains and magnificent rivers add a majestic and magnificent atmosphere to the whole picture.
This painting not only shows the historical events of Wen Ji's return to the Han Dynasty, but also deeply reflects the customs and cultural connotations of the society at that time. From the composition, use of color and human figures, we can see the artist's exquisite skills and profound cultural heritage. At the same time, this painting also embodies the unique charm and aesthetic pursuit of painting art in the Song Dynasty, and has had a profound impact on later generations.
Today, when we appreciate this painting of "Wen Ji Returns to Han", we can not only feel the artist's exquisite skills and profound cultural heritage, but also appreciate the long history and cultural tradition of the Chinese nation. This painting is not only a work of art, but also a precious historical and cultural heritage, which is worthy of our in-depth study and inheritance.
"Wen Ji's Return to Han" is a painting on silk and color depicting Cai Wenji's return to the Central Plains in the late Han Dynasty, the author is unknown. In this painting, we see Cai Wenji and her husband each riding a horse, each holding a son in their arms, on the march. Wen Ji in the picture has a full face and a serene expression, like a wise man who has experienced countless ups and downs, and her calmness and perseverance are deeply admired. Her husband smiled back, as if saying goodbye to those behind him, and as if he was greeting his future life.
The line drawings of this painting are soft and thin, and the colors are clear, which makes the whole picture full of vitality and vitality. Cai Wenji's image is really touching, and her temperament and charm are vividly expressed. At the same time, the atmosphere in the picture is very pleasant, which is in stark contrast to the sad mood of other expressions of the subject.
This painting is not only a work of art, but also a testimony to history. It records the tenacity and bravery of Cai Wenji, a great woman, in the long river of history, and also shows the indomitable spirit of the Chinese nation in difficult situations. Although this is only the only remaining page in the album "Wen Ji Returns to Hantu", it is enough to make us feel the weight of history and the magnificence of culture.
In short, with its unique artistic style and profound historical connotation, this "Wen Ji Returns to Han" has become a bright pearl in the treasure house of Chinese culture and art. It is not just a painting, but also a witness to a history and a cultural inheritance.