The audience experienced the tea tasting in front of the "Wenhui Tu".
The exhibition restores the study room of the Song Dynasty.
Exhibition view.
Touching the fragments of thousand-year-old Song porcelain, imitating Song Huizong in Panasonic Fuqin, and watching the beauty of Song porcelain and Song paintings up close...... "See Huizong again - The Beauty of Song Dynasty Art" exhibition was recently launched at the China Millennium Monument Art Museum. The exhibition takes the aesthetics of Huizong of the Song Dynasty as a clue and takes "tea and painting" as the theme, and presents the most representative Song porcelain and painting techniques of the two Song dynasties through precious porcelain and painting exhibits.
Huizong of the Song Dynasty was one of the most artistically accomplished emperors in ancient China, not only good at calligraphy and painting, but also skilled in guqin performance. As soon as you enter the hall, the first thing that catches your eye is the scene of Song Huizong's "Listening to the Qin" - in front of the pine tree, there is a table for placing the guqin and a black crane knee table, and the audience can sit down and stroke the qin and feel the romantic and artistic life of the Song people.
Such physical objects and light and shadow landscaping can be seen everywhere in the exhibition hall, allowing the audience to "travel through the life of the Song Dynasty in one second".
One of the spaces in the exhibition hall restores the scene of the study room of the Song Dynasty, with pen, ink, paper and inkstone, antique, from large furniture to small utensils, all revealing the beauty of minimalism and elegance. The digital images on the exhibition wall bring to life the representative painting of Song Huizong and the ancient painting "Ruihe Tu" in the collection of the Liaoning Museum.
According to the curator Shen Ying, on the evening of the sixteenth day of the first month of the Renchen year during the Zhenghe period of the Northern Song Dynasty, many auspicious clouds suddenly appeared in the sky over the capital city of Bianjing, a group of cranes flew over the palace, and two cranes stopped on the tall owl on the roof of the palace. Huizong of the Song Dynasty recorded this auspicious phenomenon in poetry and painted this painting. There are a total of 20 cranes in the picture, all with different postures. Song Huizong also used raw lacquer to put the finishing touch on the cranes, making the cranes more vivid.
"One of the highlights of the exhibition is to integrate the exhibits into the life of the Song Dynasty and use various artworks to create interactive scenes. Shen Ying introduced that the exhibition will also "move" the scene of Song Huizong's "Wenhuitu" Chinese Yaji into the hall, and a huge table is filled with a variety of porcelain utensils and snacks. According to expert research, there are more than 100 pieces of porcelain painted in the "Wenhui Tu", most of which are white-glazed porcelain and blue-glazed porcelain fired in the Ding kiln of the Northern Song Dynasty. Due to the popular split meal system at the time, each guest had a set of cutlery in front of them, which was beautifully shaped. The video from the exhibition site adjusts the composition of the painting so that the viewer can sit at the table and enjoy tea with Song Huizong. ”
"Seven things to open the door, firewood, rice, oil, salt, sauce, vinegar, tea. This slang phrase of the Song Dynasty reflects the status of tea culture in the life of the Song people. The exquisite and exquisite tea ware reflects the artistic pursuit of Song porcelain and the aesthetic concept of life of the Song people. Yao Jing, the organizer of the exhibition and the director of the Treasure Hunt Museum, introduced that the exhibition presents many precious tea utensils from the Song Dynasty, such as the Hutian kiln carved hat with a clear and elegant glaze and fine floral pattern depiction; the wooden leaf bowl is made by soaking the natural leaves in water and corroding the veins, and then sticking the glaze on the utensils; the oil drop Tianmu cup, the glaze is covered with silver-white oil droplet crystals, like a twinkling star.
"The surface of this porcelain piece from the official kiln is so delicate to the touch!" A number of interactive installations of "Touching the Millennium Song Porcelain" were set up at the exhibition site, and the audience could touch the porcelain remnants with their own hands. "The exhibition attracted the attention of many young audiences, who said that they liked the interaction very much, and it was very different from the previous exhibitions, which gave them a more intuitive and in-depth understanding of the aesthetics of the Song Dynasty. Yao Jing said.
The exhibition will run until May 9. (Wang Guangyan)