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This year's film and television industry seems to be a starry night sky, with various works crossing the sky like meteors, including many dazzling masterpieces. However, in this starry sky, a period drama called "Riding the Wind and Waves" unexpectedly sparked heated discussions and controversies among the audience.
The play is set in Xingcheng, Liaoning Province in the 7th and 80s, and shows the customs and youthful enthusiasm of that era by telling the growth story of a group of young people. However, it is such a work that seems to be full of nostalgia and youthful vitality, but it has encountered unprecedented complaints and doubts in the casting of the characters.
Qiao Shan, an actor who is deeply rooted in the hearts of the people with his comedic image, plays the male protagonist Peng Jinxi in the play. was supposed to be a sunny, handsome and energetic image of a high school student, but it became a little funny and embarrassing under Qiao Shan's interpretation. His face is full of oil and fat, which is far from the setting of the characters in the play, which makes people doubt the director's casting vision.
Although the heroine Yang Zishan is more in line with the setting of the role in appearance, when she stands with Qiao Shan, the age gap and image difference between the two are as difficult to cross as a chasm. Their combination lacks enough chemistry to make it hard to believe that they are a pair of lovers, more like a brother or uncle and nephew.
Such a mistake in the selection of roles made the reputation of "Riding the Wind and Waves" plummet. The audience said that the unreasonable casting made them unable to really immerse themselves in the plot, and even began to doubt the aesthetic and creative ability of the entire crew.
In my opinion, this phenomenon of wrong role selection is not only a problem of the drama "Riding the Wind and Waves", but also a common phenomenon in the current film and television industry. Driven by commercial interests and the ever-changing tastes of the audience, many crews often pay more attention to the popularity and topicality of the actors when casting, while ignoring the matching between the roles and the actors and the superb acting skills.
This impetuous mentality has made the film and television industry gradually lose its authenticity and original intention. Audiences crave to see not only gorgeous graphics and cool special effects, but also real, vivid, flesh-and-blood characters and stories. As an important part of character building, the importance of casting is self-evident.
A suitable role selection allows the actor to better integrate into the character and show the character's inner world and emotional state vividly. And an inappropriate role choice will make the actor feel constrained, unable to really show his acting skills, and unable to make the audience feel the charm and depth of the role.
Therefore, I think the film and television industry should return to its true nature and pay more attention to the intrinsic quality of the characters and the matching degree of the actors. When casting, we should abandon the impetuous mentality and short-sighted behavior, and choose the actors who are really suitable to play from the setting of the role and the needs of the plot.
At the same time, actors should also continue to improve their acting skills and shaping abilities to better adapt to different types of roles and plots. They should dig deep into the inner world and emotional state of the character, show the character's personality characteristics and emotional changes vividly, and let the audience truly feel the charm and depth of the character.
In addition, the audience should also maintain a rational and objective attitude, and not dismiss the whole work because of temporary disappointment. After all, each work has its own uniqueness and something to be affirmed. We should evaluate a work from multiple perspectives, including the plot, actors' performance, production level, etc., rather than just being limited to casting.
Of course, for the drama "Riding the Wind and Waves", although the mistakes in character casting are regrettable, we should also see its efforts and attempts in other aspects. The characters in the play are distinct, the plot is compact, and the emotions are sincere, all of which show the crew's intentions and dedication in the creative process.
At the same time, we should also give some understanding and tolerance to actors such as Qiao Shan and Yang Zishan. After all, their performances in other works have won the recognition and love of the audience. Maybe in "Riding the Wind and Waves", they just can't fully exert their acting skills because of the limitations set by the roles.
However, this does not mean that we should turn a blind eye to the issue of casting in the film and television industry. On the contrary, we should actively call for and advocate more reasonable and scientific casting standards, so that excellent actors can give their best play in the right roles and bring more excellent works to the audience.
At the same time, we also expect the film and television industry to return to its true nature and pay more attention to the intrinsic quality of the works and the real needs of the audience. Only in this way can we create more masterpieces that truly touch people's hearts, so that the audience can truly immerse themselves in the plot and feel the charm of film and television art.
Looking back at the controversy of Riding the Wind and Waves, we can see it as an opportunity for caution and reflection. It reminds us not to be fooled by the superficial glamour and heat, but to dig deep into the inner qualities of the work and the true performance of the actors. At the same time, it also makes us think about how to better balance commercial interests and audience needs, so that the film and television industry can truly return to its true nature and original intention.
Finally, I hope that there will be more excellent works and actors in the future to bring us a more exciting and profound film and television experience. At the same time, I also hope that the film and television industry can get rid of the impetuous and short-sighted mentality, truly return to the true and original intention, and create more touching masterpieces.
At the end of this article, I want to leave a little cliffhanger: maybe in the near future, we will see a work that is really accurate in casting, so that every character is lifelike and deeply rooted in people's hearts. And the appearance of this work will also become a new milestone in the film and television industry to return to its true nature and pursue artistic quality. Let's wait and see what day comes.
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