The online drama "Sword and Fairy IV" starring Ju Jingyi, Chen Zheyuan and others ushered in the finale, and this drama has been controversial since its inception, and there are many complaints about this drama on the Internet.
The slots include poor actor casting, poor acting skills, special effects, rough scenes, unreasonable adaptation, etc.
It seems that in recent years, these slots will appear when every ancient puppet drama and Xianxia drama is broadcast, and these slots seem to be applicable to any film and television drama with the same theme.
In fact, if you lower your expectations, this drama can still be watched, the plot is still generally following the plot of the game, and the magic change is not too much.
As for the casting and acting skills of the actors, there is no need to discuss too much, and ancient puppet dramas and Xianxia dramas basically do not need any acting skills, mainly to see whether the casting is in line with the audience's imagination, and each audience has their own answer in their hearts, so controversy is inevitable.
However, some adaptations in the play are really not very good, such as the following three.
1. Su Yao was changed to "Love Brain"
In recent years, the so-called Xianxia dramas on the screen are essentially based on falling in love, and "Sword and Fairy IV" is naturally not immune.
In the play, not only the protagonist group is in love, but also several main supporting roles are also to be discussed.
For example, Shu Yao, the current head of the Qionghua faction, was forcibly added a relationship scene, and the other party was her junior brother Xuanxiao.
In the game, there is an emotional entanglement between Xuanxiao, Shuyu, and Yun Tianqing, and Shuyao is also added to it in the play, and the plot suddenly becomes more "bloody".
The head of Qionghua, who was originally obsessed with power, suddenly became a love brain, and all her actions were for Xuanxiao.
Even in order to be able to see Xuanxiao often, she also made a dummy, named Xuanying, and followed her every day, calling her master.
And when she faced the real Xuanxiao, she regarded Xuanxiao as her master, obeyed Xuanxiao, and listened to Xuanxiao in front of all Qionghua's disciples, and she listened to what Xuanxiao said, without the dignity of the master.
Although Shu Yao is the villain, it is still unacceptable to watch it being adapted into this appearance.
Second, the emotional expression between the protagonists is too straightforward, and there is no subtlety in the game
In the game, Han Lingsha and Liu Mengli's liking for Tianhe is the bright line, and Murong Ziying's liking for Han Lingsha is the dark line.
Tianhe has been a little moved by Liu Mengli since they first met, but it is not love at first sight, but it is a long-term love for Han Lingsha.
In the game, Tianhe and the two women don't have that kind of straightforward confession, most of the dialogues involving emotional expressions are based on the young ignorance of the concept of feelings, even when they are about to separate from Mengli in the later stage, those heartfelt words are the same.
And in the face of the words blurted out by Tianhe, Han Lingsha usually chooses a way to avoid it, and will not fall into an ambiguous atmosphere along with the words.
It can be said that the expression of emotions in the game is very restrained, and the subtle and graceful emotions are vividly embodied, and the dialogue is sweet but not greasy.
After the drama change, the emotional interaction between Tianhe and Lingsha has increased a lot, and even in the first episode, there was a vulgar scene where the two were forced to tie together.
In the game, highlighting each other's feelings is to express them with action, and in addition to action, the drama version also has to use inner drama monologues or dialogues to exaggerate again, which makes the subtle and subtle emotional relationship in the original game disappear.
What is even more unacceptable is the way Murong Ziying's feelings for Han Lingxiao are expressed, in the game, until the end, it is not clearly stated that Murong Ziying likes Han Lingxiao, everything is guessed by the player from some details.
But in the play, Murong Ziying's liking for Han Lingsha is simply beyond words, and she has shown it since she was in Qionghua, and in order to show this liking, she also added some cliché scenes.
For example, when Edgeworth was flying, in the novel "The Legend of Sword and Fairy", Tianhe and Han Lingxiao shared a sword, but in the play, Murong Ziying and Han Lingxiao were swords, and there was also a plot where Han Lingxiao stood unsteadily, and Murong Ziying hugged his waist and looked at each other affectionately.
What's even more outrageous is that Han Lingxiao also broke into Murong Ziying's room and saw Murong Ziying naked, this plot is really a bit of a bad taste.
3. What Beike did made the Phantom World look less innocent
In the novel "The Legend of Sword and Fairy", the Dream Tapir clan is the victim.
Due to the selfish desires of the two generations of Qionghua heads, the dream tapir was involved in a disaster for no reason and was almost wiped out. They were victims from beginning to end.
But after the drama was reformed, a story of Bei Ke was added, and in the first half of the play, Bei Ke and his two subordinates became the main villains and killed many human people.
Because of Bei Ke's behavior, it also gave Shu Yao an additional excuse to invade the Illusion Realm later, and the Dream Tapir clan was no longer a simple victim.
Each of the above three adaptations feels inferior to the original work, which lowers the overall level of the show.
#仙剑四#