Yang Mi's latest interview was released, in which she analyzed her psychological changes with the host, reviewed her farewell to Jiaxing, and talked about her changes in 2023.
During the interview, Yang Mi and the host put their hearts into their hearts, from the official announcement of leaving Jiaxing to the film "There is No Thing That Can't Be Solved by a Hot Pot" and then to the challenging new drama "Harbin 1944", Yang Mi made no secret of his readiness and ambition.
When talking about "There is No Thing That Can't Be Solved by a Hot Pot", he mentioned the film's director's praise for Yang Mi, saying that "everyone sees what Yang Mi wants to change the most", that is, from "beautiful performance" to "getting rid of beauty".
When talking about "Harbin 1944", Yang Mi talked a lot, saying that she basically never left the scene during the filming, whether she watched director Zhang Li Buguang at the scene, chatted, and occasionally turned around and whispered a few words to her, she thought it was very interesting.
In an interview of tens of thousands of words, one of the works that Yang Mi mentioned the most was not the film "There is No Thing That Can't Be Solved by a Hot Pot" starring her, but "Harbin 1944", which she participated in for the second time. In the interview, he talked about Yang Mi's "broken and reorganized", talked about Yang Mi's progress in Zhang Li's eyes, and talked about the discussion and design of a certain scene between the two people.
After watching the whole interview, netizens lamented Yang Mi's "heart", and complained that Yang Mi is exquisite egoism, every time his acting skills overturn over the years, there will be a wave of such marketing, the last time was "Baby", it can be seen that the audience no longer believes in Yang Mi every time he says "change" and "progress".
Some netizens also found "Huadian", that is, in this interview of tens of thousands of words, Yang Mi mentioned almost all dramas and movies, not only a film and a drama to be broadcast, but also the once controversial "Little Times", but did not mention the ancient puppet "Fox Demon Little Red Lady Moon Red Chapter" starring himself.
On this side, Yang Mi's attitude towards ancient puppets has just attracted the attention of netizens, and on the other hand, the words of the platform boss have sparked heated discussions.
Ma Huateng reviewed the development of Tencent's various businesses in the past year at the annual meeting, and when referring to Tencent's video business, he said that "The Long Season", "Three-Body Problem" and "Flowers" are particularly outstanding, and bluntly said, "I'd rather not do some median dramas, concentrate resources to make high-quality products, expensive and worthwhile", and also said that "in the past, those small poles couldn't hold up, at most they were used as a telephone pole for advertising, and the value was not great."
Yang Mi's "secretiveness" and Ma Huateng's "direct reality" made netizens see the essence through the phenomenon, and sighed, "Yes, those who shoot ancient puppets look down on ancient puppets, and those who play ancient puppets also look down on ancient puppets." It turns out that those dramas that fans tout how strong advertising investment is are are just "small sticks for advertising" in the eyes of the industry.
In fact, not only actors and capital look down on ancient puppets, but even netizens can't look down on the ancient puppet market that is now tearing up hype and shoddy production, which has led to the collapse of word of mouth. Judging from the different investment results brought by different types of dramas, even the industry's attitude towards ancient puppets is not optimistic.
At a time when all walks of life are pursuing long-term value, assembly lines and shoddy ancient puppet works are bound to be eliminated. Capital may not give up this market with natural advantages, but the center will definitely gradually favor word-of-mouth dramas, and will no longer blindly buy ancient puppet big IP for investment.
Ancient puppets such as "Flower Thousand Bone" and "Three Lives, Three Worlds and Ten Miles of Peach Blossoms" can stand out, not only because they are big IPs, but also because of the high level of production. Quality is everything, and this phrase applies not only to ancient puppet dramas, but to all types of works. Now, the ancient puppet market has also reached the time when it will not be broken or established.
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