Text: Beautiful Xiaoqi said entertainment
Editor: Pretty Xiaoqi said entertainment
Zhao Liying's new role
Zhao Liying, as a bright star in the contemporary film industry, her acting career is like a gripping movie, always full of challenges and breakthroughs.
In "Article 20", Zhao Liying successfully played the role of a hearing-impaired mother, Hao Xiuping.
The film presents her vivid transformation from an ordinary village woman to a boiling mother's love.
Acting without makeup, Zhao Liying shuttled through the barren countryside, showing a defense-breaking performance.
Her performance was not only deeply moving, but also powerful and infectious.
Zhao Liying, who plays the ugly image, makes the audience feel the loneliness and helplessness of the character through deep inner interpretation.
Zhao Liying's performance successfully broke her previous labels of "earth" and "low emotional intelligence".
She proved her acting skills with her strength and completed the gorgeous transformation of her personal image.
This time, the 36-year-old carried the banner of the second female lead in the Spring Festival movie and became the focus.
Emotions and expressions of the characters
In the movie, the deaf character played by Zhao Liying has become the focus of heated discussions, which has aroused more attention to the living conditions and problems of deaf people.
The story delves into the deaf community, showing their ways of self-protection in the face of injury, as well as the educational problems and the maintenance of family relationships in deaf families.
These scenes are not only the plot of the movie, but also a practical problem that is prevalent in society.
Through the medium of film, these issues are vividly displayed, guiding the audience to think and promoting the progress and improvement of society.
Zhao Liying's influence is not only due to her excellent acting skills, but also to her sense of responsibility and responsibility as a public figure.
She is not only an outstanding actress, but also a public figure with social responsibility.
By choosing to play the role of a deaf person, she brings the life of the deaf community into a broader perspective, arousing more people's attention and understanding of this group.
The character image presented by Zhao Liying in "Article 20" is undoubtedly a breakthrough attempt.
From the affectionate interpretation she showed in the film, the mother's love conveyed silently made the audience feel the power and warmth of life.
Every subtle action is full of sincere emotions, and every scene seems to tell a silent story.
Zhao Liying used her performance to add a lot of highlights to this movie, and also gave the audience a deeper understanding and affirmation of her acting skills.
Yang Zi's acting puzzle
Unlike Zhao Liying, Yang Zi faces some challenges and troubles in her latest film and television works.
Especially in the TV series "Love for a Long Time", her role as a high school student has been questioned.
Although Yang Zi's acting skills are still excellent, the audience questioned the authenticity of her role as a high school student.
This role is somewhat out of place with her age and temperament, which creates a sense of disobedience.
This also makes people wonder if Yang Zi needs more challenges to try different types of roles in order to better show her acting skills and charm.
In the comment area, there were obvious differences in the audience's opinions on the heroine Yang Zi's performance in the play.
Some viewers mainly focused on criticizing Yang Zi's pretence, and the comments covered dissatisfaction with her and the male protagonist's appearance of 20 years old, exaggerated body language, etc.
The audience expressed obvious dissatisfaction with Yang Zi's role as a high school student in the play, especially questioning her frequent cute and funny acting skills and pretending to be cute.
Although Yang Zi has a small round face, the audience thinks that she is very different from the collagen-filled image that a high school student should have.
The review pointed out that in order to present the youthfulness of high school students, Yang Zi's acting skills were too exaggerated.
Especially in some normal scenes, Yang Zi was also accused of performing some parts that were too unusual.
Her exaggerated expressions and postures when playing games with her friends in the play, as well as her cute behavior when she begged her friends to take her to Jiangzhou to participate in the competition, all aroused the disgust of the audience.
The comments believe that she overemphasized the lively image of high school students, which made the performance seem too exaggerated, and the performance of pretending to be tender left a bad impression on the audience.
The audience generally believes that although Yang Zi's acting skills are good, she is 31 years old, and it is difficult for her to interpret the aura of a high school student.
The more she tries to show the liveliness of a high school student, the more deliberate she becomes, and her behavior of pretending to be tender ruins her favorability in the hearts of the audience.
It is generally agreed in the comments that as you get older, you should pay more attention to the image that is appropriate for your own age group, rather than over-pursuing the image of a high school student.
These comments caused a heated discussion among the audience, forming a stark opposition to Yang Zi's performance style.
Completely different from Yang Zi is the "girl professional household" Tan Suyun.
She has played a variety of different styles of high school students in the play, and at the age of thirty, she is eccentric and has no sense of disobedience.
Sun Li's profound views
Sun Li once said that when an actor grows to a certain stage, his performance of youth may be unconvincing, and he is just "sorry for the audience" when he barely performs.
This sentence becomes more and more relevant when observing the current situation of Zhao Liying and Yang Zi.
The question of whether transformation is the way for actors to go has led to more thought.
The audience's perception of the actor's age and role has an important impact on the actor's career development.
Actors need to face the expectations of the audience at different ages, and how to choose the role has become a key issue.
On the big stage of this entertainment industry, Zhao Liying and Yang Zi respectively showed different professional statuses.
36-year-old Zhao Liying successfully challenged the "role of mother" through excellent performance and image transformation, while 31-year-old Yang Zi encountered some transformation difficulties on the road of acting, and the audience's expectations and choices brought some pressure to her.
Sun Li's words serve as a guide, reminding actors to clearly position their own state when choosing roles, and avoid reluctantly playing roles that are difficult to convince the audience.
Actors must face the pressure of transformation on the road to entertainment, but they must also remain real and stick to their original intention of acting.
The story of these two top actresses has become a unique landscape in the entertainment industry, triggering deep thinking about the growth of actors, their choices and the interaction of audiences.
A new chapter
In this colorful world of acting, every actor is looking for his own stage and opportunities.
The story of Zhao Liying and Yang Zi is like the plot of a movie, presenting the audience with a unique scenery in the entertainment industry.
Different ages and different roles, they have experienced their own growth and choices in their careers, which has also triggered the audience's thinking about the career of actors.
Actors, like the protagonists in the movie, use their own performance stories to move the audience, and they are also looking for their own stage in the process of growth.
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