"Flowers": Po and his four women
文 | 伊姐（周桂伊） 杉姐
I watched it later than everyone else, and I just started watching the ending, and this topic is no longer a hot topic. But "Flowers" has been sharpening its sword for ten years, and it did not disappoint after all.
On Nanjing Road, a lot of money, neon glass, all kinds of brilliance, Mr. Bao's business war story is stormy and thrilling, but the most discussed by everyone is still the emotional drama.
Wong Kar-wai's emotional drama has always been hidden. Some people watched "In the Mood for Love" for 98 minutes, but they didn't understand what kind of emotion Zhou Muyun and Su Lizhen were.
"Flowers" has ended, and we will sort out the emotional lines in it today.
Mr. Bao, and his four women.
About Miss Wang
Wang Mingzhu, as its name suggests, is as bright and dazzling as a pearl.
Her relationship with Mr. Bao is No. 27 and pork rib rice cake.
When the two met in Weiwei, Mr. Bao was still Bao, Miss Wang was still Xiao Wang, Bao wanted to turn to a foreign trade order because of the risk of stock speculation, and for the convenience of work, he made friends with Xiao Wang of the Foreign Trade Building at No. 27 Bund Road.
They upgraded all the way to fight monsters, completed one foreign trade order after another, made the "Sanyang brand" popular, created a famous brand in Shanghai, and established a deep revolutionary friendship, but also ambiguous.
Ah Bao became the high-profile and self-reliant Mr. Bao, and Xiao Wang became Miss Wang, the pearl of No. 27.
Every time they talk about business, they go to eat pork rib rice cakes.
Sitting in front of the window of the small shop, steaming, Miss Wang eats pork ribs, Mr. Bao eats rice cakes, Miss Wang eats rice cakes, Mr. Bao eats pork ribs, Miss Wang wants both, Mr. Bao watches her eat.
It's about business, and it's about spoiling and ambiguity.
But is it a man-woman relationship?
is also a play in the car, Mr. Bao looks at Li Li, a man looks at a woman, and it is the flow of flaming red lips and lust.
Looking at Miss Wang is like an old father looking at his daughter.
(The picture above always looks at Li Li, and the picture below always looks at Miss Wang)
Mr. Bao has been in the business for a long time, no matter how big the waves in his heart are, he has always turned into a "silent".
For Miss Wang, he has the impulse to catch fire in the old house, which is manifested in the fact that no matter how much he has experienced, he still does everything possible to support her regardless of the consequences.
After Miss Wang was betrayed by her colleagues, she did not hesitate to give up the Sanyang card and "became angry at the crown".
Mr. Bao willfully told his uncle that pork rib rice cakes had never been a business for him.
Street food ribs and rice cakes are out of control of Mr. Bao.
When did you start liking Mr. Bao?
Miss Wang is young and has a wealthy family, so she will not be like Lingzi, who must first have things that can be seen and touched before she can be moved.
She likes Mr. Bao, the kind that fell at first sight, "Obsessed Without Regrets" and "Stealing Hearts".
On the surface, he was fierce, but secretly he couldn't help but secretly look at him, fascinated by it, and the corners of his mouth rose.
Ms. Wang's family background is good, her heart is arrogant, and the company's discipline clearly stipulates that she cannot have personal interests with customers.
Therefore, the contact lenses and pearl earrings sent by Mr. Bao had to be bought back by herself.
She said that the earrings were worn by the old lady, and she took them to the company to show them to her colleagues the next day.
I'd rather buy it back after handing it over, and I want everyone to know that this is a preference for Ms. Bao.
Mr. Bao went to Zhuji to talk about business, and Miss Wang, who was thrifty and well-behaved on weekdays, excitedly took out the 20,000 yuan given by Mr. Bao, and bought a car on the spot to save people.
It doesn't matter if the car hits, the most worrying thing is the safety of Mr. Bao, the moment she met, she ignored her official status and the reserve of her daughter's family, and rushed over to hug him, crying deafeningly and loving vigorously.
The two squatted in the corner, and Mr. Bao whispered softly to comfort her, "I'm not very good, don't cry", pure as a big brother next door.
Old men like to fall in love with young women, and the most addictive feeling is probably that they have rejuvenated overnight and become younger.
This scene is the most romantic and tender moment for the two.
He remembered the car, and even remembered the crying spirit that night, which led to the "Cadillac" that was returned hundreds of times later.
Miss Wang is naïve after all, if something happens, she wants to resign, she wants to accompany Mr. Bao to sell tea eggs, in her simple emotional experience, love is greater than the sky at that moment.
She didn't understand that what Mr. Bao liked was the golden flower on the 27th, Miss Wang.
What I like is Miss Wang, who has dreams, drives, is stubborn, can endure hardships, and wants to do a big career.
Mr. Bao didn't go to the last "pork rib rice cake" appointment, and slapped Jin Meilin for her.
Mr. Bao thought it was guarding, but that slap was 100 times more painful for Miss Wang than hitting her in the face.
She has always been strong, and she has been doing foreign trade for so many years, but she can't book a position on the Yellow River Road.
At that moment, she suddenly woke up.
A girl with strong self-esteem and a good family background can't stand such an insult, she endures all the hardships and insists on being her own dock.
What she can't lose is herself.
Because the children of good families are not allowed to lose from an early age. Fighting for breath is more important than everything.
The heart that wants to be her own is the shackles and luck of Miss Wang's life, and the standard line of this life, she will deviate from it for a short time, but not for too long.
And the subsequent development has once again proved that Miss Wang is still Miss Wang.
Even when she arrives at the factory and does the hardest work, she is also a shining diamond, and when she goes to Shenzhen alone, she would rather lose money than be helped by Mr. Bao.
Mr. Fan asked puzzledly, why?
She said, in order to fight for breath.
It was this light that made Miss Wang win unexpected love.
There is no shortage of rich ladies around Mr. Wei, but it is the first time he has met such a hard-working, non-delicate and unpretentious Miss Wang.
The interaction between the two, starting from the bowl of "yellow croaker noodles", has gradually changed from unreliable hormones to a trickle of water in the accumulated side by side struggle.
Halfway through the play, I learned that Mr. Wei's name was Wei Hongqing, and in the novel, Miss Wang's husband was called Hongqing.
This is a Wong Kar-wai metaphor of "not making a sound".
The ending of the two was written a long time ago.
About Reiko
The relationship between Mr. Bao and Reiko is night Tokyo and soaking rice.
Night Tokyo doesn't make money, only news. Reiko didn't directly help his business, but Night Tokyo was Po's channel and source of information for all parties.
Every time he came to Tokyo at night, he had to eat soaking rice, and he mentioned more than once how important this bowl of soaking rice was to him-
Ten Australian dragons on the Yellow River Road can't exchange for a bowl of rice here.
There are 20 dishes in the hotel, and it is not as comfortable as a bowl of rice here.
When I went back to the house, I had to make a bowl of hot rice and two dried radish, and I ate these two things, and it was called perfect on this day.
Mr. Bao soaked rice, which is specially provided by a special person at a fixed time in Tokyo at night.
Mr. Bao and Reiko don't have too many passionate and romantic moments, but for him, Night Tokyo is a staple food and an indispensable taste of home.
Rice is the staple food, and Lingzi's position in Mr. Bao's heart is similar to that of a big house and a wife.
Needless to say, everything needs to be explained, take care of all the chores and trivial things for him every day, and at critical moments, he can go up the knife mountain and go down the sea of fire for him.
Back then, Po went to Japan to find someone to do errands, and accidentally ran into Reiko who was talking on the street in Shanghainese.
Ah Bao is not familiar with life and does not know Japanese, so it was through Reiko's care and luck that he negotiated cooperation and kept the factory.
The two waited for Yamamoto under the snowy street lamp at night, and Reiko said that when she returned to Shanghai, she would open a store, and the name was decided, called Night Tokyo.
Reiko asked Ah Bao at the time, did you hear it, Ah Bao was dedicated to waiting for others, saying that he didn't have the heart to listen.
As a result, six months later, Reiko received a plane ticket from Po and a business card from the manager of Tokyo at night.
The background music for that scene is Kazumasa Oda's "Sudden Love", the theme song of "Tokyo Love Story".
From the very beginning, Reiko went not to career, but to love.
Wong Kar-wai is the detail control, the night Ah Bao left Reiko in Japan, the background music was Wang Jie's "You Are the Eternal Pain in My Chest".
The ending, at the moment of meeting, has been written.
Reiko is not an eight-faced woman, after going to Japan, it took a year of study before she learned to bow, and the truest part of her personality is actually a "stupidity".
But at night in Shanghai, you see that she sees all directions, listens to all directions, and is full of momentum wherever she goes, especially in front of Bao, she is always chattering, and her words are as dense as beads with threads. Why?
In order to be worthy of the woman of the treasure president、The name of the proprietress of the night Tokyo.。
Lingzi was not likable at first, she was a debt collector in her uncle's mouth, and she partnered with Mr. Bao to do business, but she never kept accounts, and when she could ask for more money, she must ask for more money.
For Miss Wang's earrings, two thousand six to get the goods, and to give Bao to the total twenty-six, ten times more.
But the people who keep begging you for money may not really like money.
She knows that she can't keep you, and willfully and even undignified to be a little more entangled, and she lives in a entanglement.
Do everything possible to let him remember your goodness, after being stabbed, where is her frightened look, she is proud and chic, and she is "This man owes me a favor again".
At the shareholders' meeting in Tokyo at night, she had to go to the remote Zhujiajiao to hold a meeting.
The two of them listened to the rain through the window and ate breakfast, and then went back with an umbrella in hand.
What is this not dating?
Mr. Bao helped her carry a fermented bean curd, and counted it while being proud, and the movement was so loud that it would alarm the whole street.
It's not a husband and wife, it's better than a husband and wife.
She once thought that as long as she was willing to come back for dinner and give her the money, she would always be here for her for a night in Tokyo.
But Reiko's love is too full, and there must be a response.
At the most unconcealable moment, she finally asked: "Two people can only keep one, who do you hurt in your heart?"
She overestimated her patience.
The roof of Reiko's house, repaired every year, leaks rain every year, symbolizing her most secret emotions for Mr. Bao, there is no trace on the outside, but her heart is always wet.
In the play, there is a scene where the two are eating a crab banquet at Lingzi's house, and when they heard the Yue opera "Dream of Red Mansions" played by the neighbor's house, Lingzi complained while eating: "I don't like Sister Lin, I can't rob a man, and I finally got sick and died." ”
But Reiko, why isn't it Sister Lin?
She is the most affectionate woman to Mr. Bao, and she waits for his prodigal son to turn back every day, but in the end, she only gets a "thank you".
So I like the outburst Reiko more, she threw Mr. Bao's chair and broke all the glass that could be broken, how deep the love is, how badly Tokyo was smashed at night.
She knew from the beginning that Mr. Bao would not marry her, and even if she did, she was destined not to be a good husband, but she was still a moth to the fire, lively on the surface, and lonely in her heart.
This is far inferior to the Reiko who was finally in Tokyo on a new night, dressed in a neat uniform, and took the "self" back clearly, that kind of indifferent, neat, restrained, and calm.
In this sense, Wong Kar-wai never talks about love, he talks about how people go through the road and break the ego.
Growth is the continuous healing of scars to forge forged, like the knot of a tree, those textures, are the struggle of time, release and then precipitation.
Mr. Bao and Mr. Li Li
When Mr. Bao was still a Bao, he invested without reservation. At that time, his life did not have a career, it was all emotions.
And the moments when Mr. Bao mentions Xuezhi the most in the play are the moments when he is with Li Li.
It was a rare moment for him to let go of his pretense and exhaustion, real and vulnerable.
Li Li made a shot of 30 million, becoming the most mysterious woman on the Yellow River Road and the whole play.
is different from Lingzi and Miss Wang, her feelings for Mr. Bao are unbreakable, and she only has ambition when she shows it to others.
Mr. Bao said that when he ate hot pot ten years ago, he couldn't see Xuezhi's face clearly, and ten years later, he still couldn't see clearly, but he could see himself clearly.
Mr. Bao and Li Li ate hot pot, and Li Li sat opposite him, and he would no longer be like He Xuezhi, who couldn't see half of his face clearly.
The longer you eat the hot pot, the more clearly Bao can see.
What he saw was Li Li, who was also another self.
On the surface, every time something happens to Zhizhenyuan, Bao will always be on top.
Stir-fried Niu River, entering through the back door, and sitting in the private room on the top floor are all gimmicks he introduced to Zhizhenyuan, and at the critical moment, he is willing to take out real money.
(The naked money box is something that even Miss Wang has never had)
And Li Li also responded to him in various details and made suggestions.
But think about Li Li at the very beginning, he tried every means to give Mr. Wei's business to Mr. Wei, and in the end, he tried every possible way to lure Mr. Bao to gamble, and finally returned to Po overnight.
Li Li is essentially a person who does not believe in love more than Mr. Bao, and her heart is dead and "not ringing", which is more thorough than Mr. Bao.
This is where she attracts Mr. Bao and ignites the desire to conquer her kind.
But Li Li can't forget Mr. A, that is her faith and homecoming.
Li Li forgot to kiss Mr. A is the only card clip related to love in the whole drama, and the last card of the proprietress of Zhizhenyuan is actually "true".
On the face of Mr. Bao and Li Liming, they are more "less vocal" and "who is more naked" in the business field, but in such a repression and competition, their lust is even more floating.
The red lips at night, the high heels, the blank clip of wanting to talk and stopping, and the shot of Li Li looking back as if he was kissing but not kissing......
The moment of Li Li's final showdown was her most secret confession to Mr. Bao.
The only person who can temporarily fall in love with Mr. Bao is Li Li, not Chen Zhen, and Li Li's fate is to return to Chen Zhen after all.
Chess meets opponents, mirrors each other, it is never possible, the beginning is the end.
It has nothing to do with the shortcomings of parents, worldly responsibilities;
This is the love of adults, the most turbulent moment of the common undercurrent of desire and emotion.
"Flowers" talks about business warfare on the bright line, and love war on the dark line.
But whether it is a shopping mall or a love field, it is a forbidden area for ordinary people, and if you are not careful, you will be incomplete.
I really like the end of the TV series, Mr. Bao didn't win a big victory, he left the Peace Hotel and became Po.
Compared with Mr. Wei, who has a very good family background and is simple and flamboyant in the play, Ah Bao comes from a humble background, and it is possible to turn over if he seizes a first-line opportunity, and his inner determination is always insecure.
Because, he is the duckweed of the times.
's love for Xuezhi is not forgotten, and it is only his cover color. His heart has always been a wasteland, which cannot be opened completely.
The high-spirited Bao on the Yellow River Road is just a projection of him, a proof of his existence in this era, but Ah Bao will always stay in the wasteland of his heart.
He has been moving forward, but in this rapidly changing era, his heart has never had a firm habitat.
In the first episode, Wong Kar-wai used the way that Po imitated Tony Leung's appearance in "The True Story of Ah Fei", telling us: Po is a footless bird destined to wander for a lifetime.
On the contrary, in addition to Xuezhi, the three women, Reiko, Miss Wang, and Li Li, they all used their own ways to cross the river that once almost submerged them, and finally became themselves and had their own docks.
In this sense, Ah Bao is a bodhisattva of three women.
Wong Kar-wai is the real feminism.
There is a highly praised saying on Weibo: Wong Kar-wai invested 500 million yuan to shoot "Flowers", just to tell you a truth for me, quit love.
I don't agree because no one can do it.
But I agree, "Flowers" uses 30 episodes to tell us that feelings are ups and downs, flowers are blooming, but flowers are not empty doors.
You can feel it, but you have to understand it at the same time.
Wong Kar-wai's emotional world has never been just a narrow sense of male and female love, but more like love and righteousness.
Every paragraph is a fateful friendship, and the delivery method is real money, which is the real pride of the children of the rivers and lakes.
In the play, not only does there be real money between men and women, but also the hard currency between sexual friends, which also turns into the sentence "Is there enough money?" at the time of parting.
It lasts longer than love, and it is more moving.
Finally, I like a scene in the play very much, Wong Kar-wai borrowed Mr. Ge's mouth to tell his love philosophy, share it with everyone.
I'm a person from the past, in fact, feelings are like this, it's like two people talking together to go to the temple fair, two people said good, the night was long, and they played until dawn, but this friend had something to go away, and he also found another companion and continued to play.
But he will always remember in his heart that he had seen, spoken, and laughed at with the person who had come before.
There is no winning or losing in true love, only nostalgia. There is no eternity, only a moment. There is no right or wrong, just practice.
Meeting, getting to know each other, and letting go are all a kind of cultivation, a catastrophe for mortals, and a lesson that cannot be escaped.
May the men and women of the world suffer less for it and enjoy more blessings, and may they be lucky, and if not, may they be wise.
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