Every time Chinese New Year's Eve comes, the laughter and laughter of the past seem to echo in memory.
However, on Chinese New Year's Eve, the flickering light and shadow of mobile phones have drowned out the family reunion of the past, and instead everyone is immersed in the world of red envelope competition, game battles, and drama chases. The laughter next to the TV has also become a lonely mobile phone click, and the Spring Festival Gala has been marginalized and has become a background music that is gradually drifting away.
First place: Sun Tao
The darling of the adventures of the Spring Festival Gala. Sun Tao, who has appeared on the stage of the Spring Festival Gala 17 times, and his famous phrase "I am proud" used to be a monologue in the hearts of the audience. However, his performance was criticized, and the audience gradually turned from appreciation to embarrassment.
Sun Tao's sketches are always exciting, however, the routine of the plot gradually fatigues the public's aesthetics. From family conflicts to small misunderstandings, to the seasoning known as "hot stalks", it seems that Sun Tao is applying the same score every year.
Sun Tao's jokes always seem to be inserted stiffly, like a blunt firework, making the audience laugh while unconsciously generating an embarrassment. But perhaps it is this embarrassment that has become an alternative label for him in the adventures of the Spring Festival Gala.
Second place: Cai Ming
Cai Ming used to be the rainbow of the comedy stage, and his tacit partnership with Guo Da was once amazing. However, her performances are becoming more and more old-fashioned.
Cai Ming often incarnates an ugly character with "heavy makeup", and this old-fashioned image gradually makes the audience aesthetically tired. Her "pretending to be tender" state also makes people wonder if she can have a new performance possibility.
Cai Ming has always been "scolding" on the stage, and her words are sharp, as if she is a rude and willful old woman. The audience felt that such a performance form seemed to be a mouthy aunt at the mouth of the village who walked into the stage of the Spring Festival Gala, which made people feel uncomfortable.
Third place: Yue Yunpeng
Yue Yunpeng is an excellent cross talk sketch actor, however, his performance form seems to lack novelty.
Yue Yunpeng often appears on stage in the form of making fun of himself and his companions, and this form of ridicule seems to have become his fixed label. And the audience is gradually feeling a kind of aesthetic fatigue and wants to see more innovative performances.
His performance style has always been based on selling cuteness and playing cheap, however, the audience chose to turn off the TV on the Spring Festival Gala last year, feeling that such a sketch could no longer resonate, and even wasted time.
The audience expects that the Spring Festival Gala sketches can be more innovative in the storyline, no longer apply the old model, and hope that the performance form and humor elements can be more diversified.
The program producer needs to be more sensitive to capture the current hot spots, so that the humorous elements are more in line with the audience's current preferences, rather than blindly keeping the old ones.
Actors also need to re-examine their performance image, try to challenge new roles, show a more diverse side, and bring new visual impact to the audience.
The content of the sketch can also pay more attention to social issues and convey some positive energy, so that the audience can not only be happy in laughter, but also trigger thinking about deep-seated social issues.
The reform of the Spring Festival Gala sketches is destined to be full of challenges, and the audience's criticism is the collision of the aesthetic concept of traditional culture and modern fashion. Behind the laughter, whether the Spring Festival Gala sketches can conform to the trend of the times, continue to dance on the stage, and become a good story in the minds of the audience remains to be tested by the years. I hope that the future Spring Festival Gala sketches can not only inherit the tradition, but also shine with new light in innovation.
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