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"Flowers": A business miracle in full bloom
On the unpredictable stage of the entertainment industry, "Flowers" is like a dazzling fireworks, successfully attracting people's attention, and Wong Kar-wai's favorite work has become a new benchmark in the history of TV dramas with a huge investment of 300 million.
This is just the tip of the iceberg, and what makes people speculate is not only its high production cost, but also its incredible advertising revenue.
The mystery of business operation: the 200 million business opportunity behind "Flowers".
When every frame on the screen is picturesque and the audience seems to be immersed in a sea of flowers, we can't help but ask: Can this 300 million TV series really recover its costs?
The mystery is revealed in the minutiae of business operations, and advertising revenue has become the biggest winner of this business feast.
In addition to the income of CCTV and Dragon TV, advertising sponsorship and placement are even more casual, becoming a golden investment in this flower feast.
The number of roll advertisements exceeds 70, which is difficult to ignore throughout the series, and the original advertising revenue model makes this show not only leading in art, but also achieving a legend in commercial operation.
Behind this dazzling flower, the audience seems to have found a shadow of commercial operation.
In the end, has this luxuriously produced TV series transcended the essence of literature and art and turned into a "commodity display case" for advertising?
Does the figure of advertising revenue exceeding 200 million mean that the audience is just a passive "commodity consumer" in this commercial boom?
The success of "Flowers" makes us think about where the bottom line of the entertainment industry is.
Is it a commercial victory, or the fall of literature and art? Should the audience cheer this commercial flourishing, or silently reflect on whether what we are pursuing is the sublimation of art or the prosperity of commerce?
Today, "Flowers" has become a legend in the history of entertainment, making people think paradoxically about the balance between business and literature.
Wong Kar-wai, with his unique artistic vision and a cost of 300 million, broke the traditional production model and also broke the boundary between business and art.
The audience, on the other hand, is ushered into an era in which art and commerce are intertwined, which is not only a discussion of "Flowers", but also a reflection on the entire entertainment industry.
In the prosperity of commerce, how should we choose? Do we choose to be overwhelmed by the prosperity of commerce, or choose to find that touch of literature and art in the prosperity?
The audience's choice will determine the direction of the entertainment industry, "Flowers" is a commercial feast, but also a literary contemplation, and each of us audiences is a unique petal in this flower.
The Charm of Business: Behind the Success of Flowers
The success of "Flowers" is not accidental, it is a clever combination of business strategy and literary beauty, and in this era of digital entertainment, the audience's eyeballs have become a scarce resource, and advertisers are aiming for this.
Every scene in the play is like an intoxicating picture, and the ubiquity of advertising is a clever grasp of the audience's psychology.
The success of business is not simply piling up advertising, but finding a commercial balance on the basis of art.
Advertising is no longer a cold interlude, but an integral part of the story of Blossoms.
In the process of integrating the plot, the advertisement becomes natural and smooth, it is no longer a simple merchandising, but also an organic extension of the storyline.
What the audience feels in the play is not only the impact of business, but also an emotional resonance of life, and this new advertising model allows business to find a deeper foundation in film and television.
With the prosperity of business, it has also triggered the audience's deep thinking about the value of the entertainment industry, and the audience's time and energy are limited, and whether they should accept the influx of commercial advertisements has become an inner debate.
Is it to enjoy the feast of flowers, or to pursue pure art? In the interweaving of commerce and art, the audience is also rethinking their place in this entertainment feast.
When the scale of advertising gradually expands, will it affect the quality of the series itself, so that the audience will indulge in the advertisement and ignore the storyline?
The prosperity of commerce cannot be at the expense of art, and the audience's sense of participation and experience is the foundation of the survival of TV dramas.
The audience is the decisive factor in the entertainment industry, and in the blossoming of business, the audience must not only passively accept, but also have the courage to choose.
They can choose to support those works that still maintain the essence of pure art in the midst of commercial prosperity, or they can guide the development direction of the entertainment industry through the power of consumption, and the power of the audience should not be underestimated.
In this era of commercial flowers, the entertainment industry is undergoing a profound change, and the success of "Flowers" is not only a commercial victory, but also a reflection on the balance between art and business.
We may not be able to change the entire industry pattern, but every audience has the right to choose, and can lead the entertainment industry to develop in a more diversified and balanced direction through their own preferences.
Business and literature and art, the audience plays an indispensable role in it, making this entertainment feast more colorful.
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