The performance of film and television works on the big screen has always been the focus of attention, especially during important holiday schedules.
Recently, "The Annual Meeting Can't Stop" counterattacked at the box office on New Year's Day and won the favor of the audience. However, Zhuang Dafei's performance in the film was questioned by some people as a hard shoehorn in capital, which made people feel dramatic.
First of all, the phenomenon of box office counterattack not only shows the enthusiasm of the audience for the film, but also reflects the vigorous development of the Chinese film market. With the growth of the economy and the improvement of people's living standards, watching movies has become one of the important ways of leisure and entertainment during holidays.
As an important box office golden period, every film is competing for the audience's attention and support in a highly competitive environment.
However, there has also been some controversy behind the film's success.
Zhuang Dafei, as a key figure in the film, was accused of shoehorning capital and making people play. This over-integration of commercial elements into the plot of the film may destroy the audience's viewing experience and make people feel the traces of commercialization.
In addition, many films released on New Year's Day are highly competitive, among which "Twinkle Twinkle Twinkle Star" became the champion for the first time, but it is expected to be counterattacked by "The Annual Meeting Can't Stop".
This kind of box office counterattack is also a microcosm of the fierce competition in the Chinese film market, and the success of a film does not only depend on box office results, but also on the quality of the film itself and the audience's reputation.
However, "The Annual Meeting Can't Stop" became the champion on the last day of the New Year's Day file with an unexpected word-of-mouth counterattack, but Zhuang Dafei's performance still attracted attention. This has also sparked discussions about the performance of the actors in the film, whether commercial stars are suitable for film and television productions, and how to balance commercial considerations with artistic creation.
In the long run, the success of film and television works depends not only on box office results, but also on the quality of the film itself, the innovation of content, and the reputation and recognition of the audience.
It is necessary to find a balance between commercialization and artistic creation, and not only pursue commercial success without ignoring the connotation and value of the work itself.
In general, the box office counterattack phenomenon of "The Annual Meeting Can't Stop" has triggered people's thinking about the relationship between commercial elements and artistic creation.
Under the influence of commercialization, how to maintain the independence and innovation of works is a topic that the film and television industry needs to continue to explore and think about.