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In recent years, audiences who were once full of expectations have gradually lost confidence in the Spring Festival Gala
With the advent of the New Year, the expectation of the Spring Festival Gala has become a sigh.
The audience wanted to see a Spring Festival Gala full of creativity and joy, but such hopes became more and more remote
Although many netizens are looking forward to Zhao Benshan's return every year at the Spring Festival Gala, eager for him to appear on the stage again to bring joy to the audience, however, the current problems of the Spring Festival Gala are not something that several actors can easily save
The viewing experience of the Spring Festival Gala is affected by many factors
01、
Someone once commented on the current Spring Festival Gala, "The Spring Festival Gala used to be the people's expectation all year round, but now it is a dispensable party."
This idea mainly stems from the commercialization orientation of the current Spring Festival Gala, which gradually loses its original simplicity and emotional resonance with the audience
Commercialization makes the Spring Festival Gala pay too much attention to the interests of the star lineup and sponsors, and ignore the elements close to the lives of the people
The down-to-earth jokes of the past, the actors' happy and tongue-in-cheek plots are gradually drifting away
What the audience perceives is an over-packaged gala that lacks sincerity and authenticity
The screenwriters seem to have lost the direction of communicating with the common people, and the nonsense stories make it difficult for the audience to resonate, resulting in a significant decrease in the attractiveness of the show
The actors' acting skills and acting skills are also questioned, and sometimes seem dull and stiff
Instead of feeling that real laughter, the audience is confronted with a mechanical performance
This kind of Spring Festival Gala makes the people feel alienated, feeling that the show is no longer close to their lives, and they have lost the annual expectations that the Spring Festival Gala once represented
For example, Zhao Benshan's sketches have always been loved by the audience for their humorous and close to life.
He skillfully uses ridicule and humor, integrating the trivial things of life and characters into the performance, so that the audience finds resonance in the laughter
For example, he often joked in sketches: "Ni Ping is the goddess of my dreams" and "Zhao Zhongxiang is my male god", through this humorous self-deprecation, he narrowed the distance with the audience and made the performance more affinity
Looking back at "Red Sorghum Production Team", one of the scenes depicts Zhao Benbenshan spraying pesticides on fruit trees, showing the subtle but real side of life
This kind of scene is not deliberately made up, but comes from a deep understanding and personal experience of rural life.
The reason why Zhao Benshan was able to create such a scene close to the people was precisely because he had personally participated in such a life and knew the hardships of farmers working in the fields every day
This kind of creation not only makes the laughter more real, but also makes the audience feel the resonance of life in the laughter.
02、
Zhao Benshan once made it clear: "The Spring Festival Gala is to make people happy, a sketch can't educate people, and people spend every day in education" This view highlights his understanding of the Spring Festival Gala and positions it as an entertainment platform that delivers a happy and relaxed atmosphere
The theme of today's Spring Festival Gala sketches generally involves social topics such as urging marriage and being single, and sometimes mocking singles in a ridiculous way, comparing them to "dogs", which has caused some controversy
What is even more worrying is that some sketches place too much emphasis on the relationship between quantity and happiness in giving birth to children, which may be too one-sided and fails to fully consider individual differences and social diversity
Themes such as the relationship between mother-in-law and daughter-in-law, neighborhood conflicts, and conflicts between leaders and the grassroots also frequently appear in the Spring Festival Gala sketches
And some programs tend to emphasize negative conflicts rather than positive solutions when showing these contradictions.
At present, some language programs overemphasize admonition and preaching at the beginning, making the Spring Festival Gala too serious and losing its original relaxed and pleasant atmosphere
Preaching is not a problem, the problem is that the Spring Festival Gala as a whole cannot be turned into a lesson of admonition
Injecting more positive energy into ridicule and ridicule, and advocating a positive attitude towards life, may be the direction that the Spring Festival Gala needs to adjust.
03、
Another point is that the current Spring Festival Gala does not have high requirements for professionalism, in addition to the phenomenon of cross-border performances by actors, there are singers performing sketches and actors singing, which seems to ignore the professionalism of stage performances
This trend has raised some questions, believing that the stage of the Spring Festival Gala should be more rigorous and have higher requirements for the professionalism of actors
Looking back on the original intention of the Spring Festival Gala, it originated in the era of lack of social information and conservative thinking
At that time, the Spring Festival Gala was a way for people to express their emotions, and it was a grand party that everyone had been waiting for a long time.
In this case, although there was tension during the performance, more attention was paid to passing on happiness to the people.
Laughing, singing and dancing are all in order to make the people happy and become a kind of spiritual sustenance.
Perhaps, re-examining the Spring Festival Gala can relax the excessively high requirements for professionalism and make it a platform for the National People's Congress
In a relaxed, cheerful atmosphere, the actors can express themselves more freely, allowing the audience to feel a real annual event in laughter
Such a change may be able to make the Spring Festival Gala more in line with the expectations of contemporary audiences and rejuvenate the vitality of the past
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