The Tree of Life is Evergreen - the preface to Wang Junhua's prose collection "The Five-Stringed Piano of Life".

The tree of life is evergreen

——Preface to Wang Junhua's prose collection "The Five-Stringed Piano of Life".

Text: Liu Qiansheng

In the middle of the summer of the year, Jia Baocheng, chairman of the Youjing County Writers Association, recommended the young vice chairman Wang Junhua to face up. After getting acquainted with it, WeChat was added, and the topic of chat was always inseparable from literature. Towards the end of the year, the printed version of her thick five-volume collection of essays flew to my desk in my Qingshuiwan apartment in Sanya.

The love of literature has made us forgetful friends, but I am the same year as Junhua's father, and she is not a few years older than my daughter. The more direct reason is that we all have the experience of growing up in Jingyun Mountain Village and studying in Jingchen Mining Area, regardless of the local line, people, rural life and dialect slang oral expression Xi, we all have a deep sense of intimacy of homeland. Junhua's writing is beautiful and smooth, and he can read 70,000 or 80,000 words a day without any reading disabilities. This is really commendable in today's dazzling world of mobile phone screens.

This collection of essays is sorted by content, including family affection, emotional portraits in interpersonal relationships, parenting sweets and sorrows, workplace struggles, and Shi Hai's exploration of reading and learning. The writer plays the five-stringed piano of the music of life with his beautiful and agile pen from a female perspective.

In fact, life is really like a five-stringed piano, you have to play all the notes in all aspects, which is the complete course of life.

The young writer Wang Junhua not only did it, but also had a lot of charm, sound and color without being conventional. This can be seen in the control of words, measured and measured.

Family affection is a topic that every writer has an obsession with, but not all great writers make their debut by writing about family affection. Because life is too commonplace, it is easy to loosen the nerves of inspiration of writers. And Wang Junhua's most eye-catching and heartwarming writing about family affection is to write about his parents and mother-in-law. "Half a Father", "Youyou Motherly Love", and "The Kind Eyes of the Strange Mother-in-law" are the brilliant pages in his family prose, which can show the ups and downs and peaks and turns in the blandness of homely reason, making readers feel unexpected and reasonable.

In the world of marriage and family emotional life, the writer's portrait technique is a prism, and the writers who see it at the end of the pen are different and never the same. For example: "Quarrel in Marriage", "Good Horses Also Eat Back Grass", "Husband and Wife Separate Without Distraction", all show the life scenes of modern people in marriage from different angles, which is quite beneficial to read. Although the phenomenon of dads in real life is no longer an uncommon role, women are still the first protagonists in the systematic engineering of parenting. Writers have an unshirkable sense of mission for mother, the most sacred title of human beings, so the self-image depicted in words is natural.

Competition in the workplace under the conditions of market economy is becoming increasingly fierce. However, the writer's pen and ink are devoted to professional ethics and conscience, and he cannot become a person in the peach blossom garden in the workplace, so he can only prevent villains from going the left way with a heart full of positive energy.

Reading through the long manuscript, I was surprised to find that in the 15 years since he began to publish essays in newspapers and periodicals at or above the provincial level in 2008, the young writer Wang Junhua has published more than 300 literary articles in newspapers and periodicals in the province, as far as Beijing Evening News, Tianjin Tonight News, Shanghai Xinmin Weekly, Henan's Selected Novels, Guangdong's Southern Metropolis Daily, Jiangsu's Yangtze Evening News, and dozens of newspapers and periodicals in Gansu, Inner Mongolia, Ningxia, Jilin, Yunnan and other remote provinces. Such a large range of contributions, and the natural use of manuscripts, is enough to show that Wang Junhua relied on his own strength to enter the literary world step by step. The large stack of heavy work cutouts became her undoubted hardware pass to join the Provincial Writers Association.

Half a century ago, I came out of the way of contributing to newspapers and magazines, and I know how difficult it is for natural manuscripts to be adopted. In particular, a platform like the People's Daily Earth Supplement is like climbing Mount Everest for contributors. In order to submit the manuscript, a special People's Daily was subscribed, insisting on the compulsory reading of each issue of the Ten Years Earth Supplement, and carefully tasting and exploring the editors' manuscript orientation. Although the one hundred and two Qin Passes belong to Chu after all, they know the bitterness.

The fact that the works of the young writer Wang Junhua have been recognized by so many media platforms in a short period of time is enough to prove her reading and appreciating thinking ability and the sharpness of her artistic antennae.

Looking back on the development of literature since the founding of the People's Republic of China, there are only a handful of people whose works can have a certain impact at or above the provincial level and even the whole country through the unremitting efforts of several generations of literature lovers, including the Jingcheng mining area. The dazzling rise of young writer Wang Junhua has become a star of hope in the Jingcheng literary world.

From the writer's twelve essays about historical figures, we can feel that he likes history and has a relatively wide vision of reading and learning. The past is more than a thousand years, and the unknown realm in the long time tunnel is also vast and boundless, which is not less difficult than writing about real life. Writing about Empress Wu Zetian's ruling career, she missed her pillar generation of famous minister Di Renjie, which cannot but be said to be a major flaw in the layout of the plot. This also shows that there is a gap in the shelf of historical knowledge of writers, which needs to be filled.

The text carries the Tao as a candlelight torch for the endless life of Chinese culture. Almost all of the resounding names on the historical echo wall have been handed down to the world with excellent works that represent their names. Zhuge Liang's "Teacher Table" before and after, Fan Zhongyan's "The Story of Yueyang Tower", Lin Zexu's "Profit the country's life and death, how can it be avoided because of misfortune and fortune", including the "Red Rose, White Rose" theory of Zhang Ailing, a talented female novelist in the Republic of China, are all literary treasures that help the world awaken.

The young writer Wang Junhua is in the golden years of her literary journey, and the door to the treasure house of Chinese literature has opened to her. On the "Sun Mountain" of the literary territory, greed is worthy of praise.

Needless to say, there are indeed many dazzling moonflowers on the road of literature, but we have reason to believe that Wang Junhua must be the tree of fruit.

The tree of life is evergreen, and the tree of literature is evergreen!

The writer has walked out of the mountains with her own solid steps, and I wish her to go out of Hebei and play exquisite music on the temple of Chinese literature with the five-stringed piano of life.

is for the preface.

New Year's Day 2024 The coast of the South China Sea, Clear Water Bay, Wanghai Tower

Tips:

Wang Junhua, female, pen name, lily blossom, graduated from Hebei Normal University. He is a member of the Hebei Writers Association, the vice chairman of the Jingcheng County Writers Association, and a contracted writer of "Ten O'clock Reading".

Publications:

1. The cumulative number of articles published in national and provincial journals is 100,000.

His articles have appeared in Marriage and Family, 100 Essays, 100 Pulpits, Selected Novels, and Thinking and Wisdom. "Story Club", "Xinmin Weekly", "Love You", "Women's Daily", "Fraternity", "Special Digest", "Student Parents Society", etc.

2. The total number of articles published in national and provincial newspapers is 200,000.

His articles have appeared in Beijing Evening News, Beijing Youth Daily, Southern Metropolis Daily, Tianjin Daily, Yanzhao Metropolis Daily, Yanzhao Evening News, Huaihai Evening News, Jianghai Evening News, Yinchuan Evening News, Changzhou Evening News and other print media.

3. The cumulative number of words published by new media is 100,000, and the number of readings on the whole network has reached million+.

The articles are scattered on well-known public accounts such as "Insight", "Ten O'clock Reading", "Fan Deng Reading", etc., with a reading volume of one million + on the whole network, and the articles have been reprinted by official media such as "Reader", "Speech and Eloquence", "Classic Microfiction", "Reading and Writing for Middle School Students", People's Daily Online, Jingchu.com, etc.

Liu Qiansheng

Liu Qiansheng, who belongs to the post-50s generation of ascetics who have experienced hardships, has traveled many times in China and abroad, chose an opportunity to go to university, and graduated from a famous school in the north. With more than 50 years of writing, poetry, prose, reportage, criticism, fiction, biography, non-fiction, etc., have been integrated between various genres. His novels are well-known to the audience such as "Billionaire Sister", "Corrupt Officials on Flight", "Shuanggui Strange Game" and "War on the Tongue"; poems such as "Red Peony on Baipoling", and his long poems "Chinese Spirit" and "A Hundred Years of Positive Beauty" have been published and widely recited in authoritative media such as "People's Daily" and "China Press, Publication, Radio and Television News". He is a member of the Chinese Writers Association, a director of the Chinese Writers Association, and was the vice chairman of the Shijiazhuang Writers Association of Hebei Province, and is currently the chairman of the Jingcheng Mining Area Writers Association.

Produced from Gyeonggi Cultural Perspectives

Text / Liu Qiansheng is a member of the Chinese Writers Association, a director of the Chinese Writers Association, a former vice chairman of the Shijiazhuang Writers Association of Hebei Province, and the current chairman of the Jingcheng Mining Area Writers Association

Editor: Li Jie