Taste reading Yan Ju Peng, push a few old records to talk about views and feelings, mistakes and omissions of biases but please correct the Fang family:
A Yan Ju Peng 1929 Gao Ting / Bei Kai two records:
(1) Yan Jupeng 1929 Gaoting Record "Yanmen Guan" Zhao Ji Tangqin Wei Xiyun Drum
https://www.ximalaya.com/xiqu/10810033/86056952
Xipi slowly board: The fathers and sons helped the Great Song Dynasty to march south to the northern war, and went to Shuanglong to protect the holy car to liaobang. My father lost his life in two wolves, and most of the brethren died. Unfortunately, he was caught in the net, and was deeply favored by the phoenix;
Sippi 26: I only hope that the husband and wife will be more harmonious, and I will never forget my white-haired old mother. The mother wanted to lean on the door to look, and the child thought that the old woman had broken her liver and intestines. Mother and son are delusional twice, and I have something in my heart that is secretly desolate;
Sippi Rocker: Little Jiao'er Hugh lowered the teardrops, and listened to the details for the father's words, and the father and son put the silver on the same page, and saw the empress dowager.
(2) Yan Jupeng 1929 Bei Kai Record "Shilang Visits Mother" Zhao Ji Tangqin Wei Xiyun Drum
https://www.ximalaya.com/xiqu/37099458/286513376
Xipi slowly plank: Yang Yanhui sat in the palace and sighed to himself, remembering whether things were miserable back then. I am like a caged bird with wings that cannot be spread, and I am like a tiger who has left the mountain and is lonely. I'm like a wild goose in the south, I'm like a shallow water dragon trapped on the beach, thinking that the beach will be a bloody battle;
Xipi 26: Only kill the blood into a river of corpses and bones, only kill the Yang family will flee east and west, only kill the sons and daughters to roll off the saddle. I was captured to change my name and surname to get rid of this difficulty, and changed the Yang character to Mu Yi to match the good fortune. Xiao Tianzuo swung the Heavenly Gate twice to fight, and my mother led the people and horses to Beifan. I had the heart to go through the camp to see my mother, but I was far away. Si Lao Niang can't help but cut off people's liver and intestines, thinking that the old woman wants to make me tear up;
Sippi Rocker: It's rare to see mothers and children, old lady! Mother and son will meet and reunite in their dreams.
B Record Background and Origin and Association of "Wild Goose Gate Pass" / "Shiro Visits Mother":
(1) Tan Xinpei's 1912 Baidai "Sitting Palace" record omits the last two sentences of I have the heart to go through the camp, the plum blossom house owner presided over Bei Kai intends to make up for it in order to complete the Bi, in 1929, the old Tan mantle who watched the Chrysanthemum Altar of the Republic of China only yan JuPeng had one ear, so he insisted that Yan Jupeng record "Shilang Visiting Mother";
(2) Wang Yaoqing has "Yanmen Guan" with 8 copies of the Taiben and disciple Furong Cao, and Gaoting Company asked Yan Jupeng to record xipi slow board: fathers and sons helped the great Song Dynasty to march south to the north to produce the fifth Yang Yanhui paragraph (the lyrics are slightly different);
(3) According to the research, "Yanmen Guan" is from the Kunqu opera "Zhao Dynasty Zhenshao" Jiaqing 18 years of the house engraving, Tongzhi 12 years (1873) Sixi Ban Mei Qiaoling, Chen Delin edited and deleted to 8 Liantai with Wang Yaoqing, Jia Honglin and other performances. Previously, in the 25th year of Daoguang (1845), Yu Sansheng's compilation and performance of "Shilang Visiting Mother" should also be derived from "Zhao Dynasty Zhenshao" and earlier than "Yanmen Guan", so the two dramas ("Yanmen Guan" / "Shilang Visiting Mother") should exist in parallel without subordinate source relationship;
(4) To Zhang Erkui's compilation and creation of the "Mother Visiting Order" sensational Jubu's successor, the most robust person is Tan Xinpei, and the old Tan co-authored the famous piano ticket Chen Yanheng recorded the work ruler score Xu Jichuan wrote in 1931 a small number of "Yantai Jucui First Series Complete Book Visiting Mother Return Order", with a volume in hand as shown in the picture:
C Yan Jupeng returns to Lao Tan's "Visiting the Mother's Palace":
(1) Yan Jupeng 1935 Wu Keduo Records "Visiting the Mother Sitting palace" Zhang Zi Chenqin Tan Changhai Drum
https://www.ximalaya.com/xiqu/14844753/82340232 Yan Ju Peng 1935
https://www.ximalaya.com/xiqu/14844753/82248625 Tan Xinpei 1912
Xipi slowly plank: Yang Yanhui sat in the palace and sighed to himself, remembering whether things were miserable back then. I am like a caged bird with wings that cannot be spread, and I am like a tiger who has left the mountain and is lonely. I'm like a wild goose in the south, I'm like a shallow dragon stuck in the sand. I think there will be a bloody battle on the beach;
Xipi 26: Only kill the blood into a river of corpses and bones, only kill the Yang family will flee east and west, only kill the sons and daughters to roll off the saddle. I was captured and changed my surname to get rid of this difficulty, and recruited horses in Fanbang for fifteen years (Note: Tan Xinpei 1912 Hundred Generations Record Lyrics: Changing the Yang Character to Mu Yi to Match Good Luck). Xiao Tianzuo swung the Heavenly Gate twice to fight, and my mother led the people to Beifan.
(2) The difference is in one sentence: in Fanbang Zhao Ma for fifteen years / Changing the Yang character to Mu Yi to match the good fate, Yan Jupeng's 1935 "Visiting the Mother's Sitting Palace" has a uniform rhythm and no longer stretches the voice cavity of the speech school symbols such as "He Hou Scolding Hall", "Let Xuzhou", "Wolong Hanging Filial Piety" and other speech symbols, in order to show support for the position of the old Tan, in order to declare the leader status of the old Tan sect, knowing that the old Tan Zhuyu deliberately recorded the same "Visiting the Mother Sitting Palace" first, wanting to see that once the loss of hand came out, the huge pressure was unbearable, and it can be known how courageous and confident Yan Jupeng was at that time;
(3) A closer look is indeed the pinnacle of Yan Jupeng's work: go to the embellishment of the expansive carving to imitate Cang Jin Shenxiong, it sounds unrun and dry, and the fire vapor at a glance is completely restored to its original taste, and the strength of its lines and chapters is charming, such as the bald pen withered ink and the monologue, and the old monk enters the realm of no desire and no dispute, and almost the husband is indisputable. Li Shijie has a poetry cloud - aftertaste of Duju Peng, ten years of sitting in the master's inheritance. Ye Guan's ink was shocked by the times, and the old and miserable moaning monks were sick. The magic of the words and songs is exhausted, the early years of the alarming generations, the elderly sick monks, after all, where is the magic of the words and songs? Such as the Treasure Monument / Golden Wrong Knife / Thin Gold Body / Moon Ceremony Post, can not learn to learn well, always look at its rough learning of a fur, its beauty in the invincible, wonderful in the strange pulling danger, difficult in the sound of the few people in the knower.