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"Mo Lan Tu" Late Song Dynasty and Early Yuan Dynasty Zheng Sixiao Roll on Paper Ink on Paper 25.7*42.4 cm Collection of the Osaka Municipal Museum of Art, Japan
Zheng Sixiao, (1241-1318), Southern Song Dynasty. Zi Suo Nan, Yi Zuo Yi Weng, No. Suo Nan, self-proclaimed Three Wildlings, also known as a layman, Fujian Lianjiang people, Shijia Sanshan (present-day Fuzhou). Taixue Shangshe, should be erudite macrocircle, huiyuan soldiers go south, hidden Wuxia. Sit in a southerly direction and vow not to associate with the northerners. Thirty acres of arita. Yi Zai su smelled its fine Mo Lan, and did not pretend to be with people, because he was given a conscription. Fury: "The head can be obtained, but Lan cannot be obtained." "Zaiqi and release it. Write Landorogen does not write about the slope, follow the meaning of the first yang. When people ask, they say, "The land has been taken away by men, and the king does not know it?" Try to draw a self-drawn volume of long, up to five inches high, innocent, beyond the surface. Title Yun: "Pure gentleman, no villain." Inscription Juyun: "I'd rather die with incense on the branches than blow down in the north wind." "It is not special to write Mo Lan, but it is also wonderful to paint bamboo."
Mo Lan Tu Southern Song Dynasty Zhao Mengjian Silk Ink Pen Length 34.5 cm Width 90.2 cm Collection of the Palace Museum
Zhao Mengjian (赵孟健), courtesy name Zigu (字子固), was a song dynasty emperor, a jinshi in the second year of Emperor Baoqing of song (1226 AD), an official to the Emperor of Chaoshan, and a defender of Yan Prefecture. He is good at painting ink plums, bamboo, orchids, daffodils, etc., learning to be blameless, his works are clean and extraordinary, beautiful and elegant, and he is a famous painter with the triple identity of nobleman, scholar and literati at the end of the Southern Song Dynasty. This picture depicts two clusters of molan, born on the grass; orchids blooming, like colorful butterflies dancing; orchid leaves are soft and relaxed, elegant and handsome. The self-titled poem day in the painting reads: "June Hengxiang summer steaming." The fragrance of an iceman is clear. He was once moved to the western Zhejiang seed, and only one or two stems were issued at the age of one. "The poem reveals the author's lyrical feelings of borrowing things, self-congratulation, and purity. Zhao's orchid painting technique had a profound impact on later generations. On the right side of the scroll there are Gu Jing's inscription poems, and on the back of the volume there are seven inscriptions such as Wen Wei, which were once mingwen weiming, Qing Anqi collection, "Style Gutang Calligraphy and Painting Examination", "Daguan Record", and "Moyuan Muguan" bibliography.
"Coloring Orchid Bamboo Figure" Yuan Zhao Yong Silk Color Length 74.6 cm Width 46.4 cm Collection of Shanghai Museum
Zhao Yong was a famous painter of the Yuan Dynasty, Zhao Mengshe, who praised their father and son with the verse "Wu Xing Gongzi (Zhao Meng) Crown Contemporary, Yong Is Also Good at It Later". Zhao Yong is not limited to family law, he not only observes nature, but also understands the form of Lan Zhu, and can write the charm of Lan Zhu. Draw a slope stone in the lower right corner of this figure, outline it with ink lines, slightly rub it, and dye it with light ink, which is full of three-dimensional sense. A branch of green bamboo between the stones, curved upwards, as if swaying in the wind, with a pen to work vigorously, business self-sufficiency. A cluster of orchids is painted under the bamboo stone, and the leaves are full of vitality, moisturizing and elegant with a pen, showing the flexible and gentle character of the orchid.
"Su Zhu Youlan" Ming Ma Shouzhen Vertical Scroll Ink on Paper 110×38 cm
Ma Shouzhen (1548-1604) was a Ming Dynasty female painter and poet. The small characters Xuan'er and Yuejiao, Xianglan, were from Jinling (present-day Nanjing, Jiangsu). Qin Huai famous prostitute. She is intelligent and astute, can write poetry and draw, and is light on money and righteousness. It traveled between literati and inkers, and especially with the scribe Wang Zhideng (Zi Bogu) was the friendliest. Ma Shouzhen is famous for his painting of orchids and the specialization of painting orchids, so he calls himself "Ma Xianglan". His works do not pay attention to the meticulous portrayal of the external form of the orchid, but focus on expressing the inner escape through the depiction of the orchid. His orchids have an unworldly ethereal atmosphere and wild interest, and have more similarities with the flowers of male literati painters, especially the "Wumen School" Chinese Zhengming and others, reflecting the pandering and teacher nature of prostitutes to male literati painters.
"Double Hook Orchid Diagram" Ming Qiuying Color on paper Length 34.7 cm Width 39 cm Collection of the Palace Museum in Beijing
Qiu Ying is a rare all-round painter in the middle of the Ming Dynasty, with figures, landscapes, flowers and birds, and boundary paintings, and green, light, ink, brushwork, and freehand are all exquisite. Qiu Ying has many works that should be used in his life, and most of them are imitating the ancient style. This "Double Hook Orchid Diagram" is a fresh work from the heart. Although it still lacks the quiet and indifferent of the literati painting orchid, the color is very elegant, and the pen edge is also feminine and colorful. It is a rare painting of Qiu Ying flowers and birds.
"Mo Lan Tu" Ming Chen Gubai Ayamoto ink pen length 26.3 cm width 294 cm Lushun Museum collection
This figure is a combination of two methods of colorless bonelessness and ink freehand, which belongs to the category of light ink color freehand flower painting. Orchids are written in light ink, interspersed with flowers and leaves, seemingly chaotic and orderly, and the pen and ink are more calligraphic. Pen, ink, color, and shape complement each other, blending into one, handsome and beautiful, with a unique style.
"Aoi Stone Diagram" Ming Chen Chun Ink and pen on paper, Beijing Palace Museum collection
This painting is self-titled: "The green leaves are weeping and the dew is clear, and Jin Ying's side is windy." Daofu "No annual model. This painting is a masterpiece of middle-aged ink freehand floral paintings. The picture depicts a branch of okra lined with flying white lake stone and double hook tender bamboo. The petals outlined by the flanks are simple and rapid, and the flipped state of the petal tips is outlined with a broad pen, which is particularly vivid. Several clusters of sunflower leaves are sprinkled with dripping ink, and through the natural penetration of ink color, they show the change of leaf color and the serrated state of leaf shape, just like heaven. Bamboo branches are double-hooked with simple lines, which is also seen in the sense of carelessness. This painting method also vividly conveys the simple nature, fresh and elegant feelings of the connotation of sunflower stone.
"Youlan Tu" Ming Du Da Silk Color on paper Length 110.3 cm width 30.8 cm Collection of Nanjing Museum
Du Dashou is good at ink painting, not falling into the wrong path, especially wonderful sketching, a flower and a half leaves, light ink, and sparse and chaotic, aggressive and realistic, which has a great impact on future generations. This drawing depicts two lake stones on a slope, with a steep posture, surrounded by beautiful and colorful orchids, leisurely but delicate. The picture is elegant and the brushwork is vivid.
"Orchid Bamboo Diagram" MingWen Zhengming Ink on paper 47 cm in length and 23.3 cm in width The National Palace Museum in Taipei
Wen Zhengming paints orchids, paying attention to its elegant fragrance, clean and self-righteous; painting bamboo writes its high wind and bright knots, and it is strong and upward. This picture co-writes Orchid Bamboo and praises "Double Qing". He painted orchids on the slopes with ink, orchids with light ink as petals, bamboo leaves with a smooth pen, showing the wind fluttering, lively and natural.
"Lan Zhu Tu" Ming Wen Zheng Ming Long scroll on paper Ink pen Length 26.8 cm width 636 cm Collection of the Palace Museum in Beijing
This long scroll is written that youlan either grows with green bamboo, or mixes with thorns, or is born on the side of the lake stone, or grows on the shore of the flowing water, or hangs upside down on the cliff, or spreads on the flat ground, with a variety of shapes and clear bones. Write orchids in light ink, bamboo in thick ink, flying white hook stones, and writing grass in thin pens. The pen and ink are dashing, the teacher Zhao Mengfu is annoyed, and the style is shaped at will, and the penmanship is longitudinal and horizontal, and the charm is full of volume, which is one of Wen Zhengming's representative works.
"Floral Grass Insect Diagram" Ming Du Dacheng Ink on paper 28.6 cm in length and 44.8 cm in width
Du Dacheng, Jinling (a native of Nanjing), a native of Suzhou. Gong music rhythm, good at painting flowers, trees, birds and insects, de Yanxiu vivid fun, is a good sketching skill. This picture is a few strokes, as if inadvertently, but the flowers, leaves, grass and insects are full of business and lifelike. Across the water there are Qingren land sales, Pan Jing also two treks. Originally attached to Du Yan's "Bamboo Forest Gaoshitu" volume.
"Lanzhu Stone Diagram" Ming Wen Zhengming Ink and paper 25.7 cm width 357 cm Collection of the Palace Museum in Beijing
This painting of mountain stone and orchid bamboo mostly uses the brushwork of the book, hooking, rubbing, breaking, dyeing most of the center to participate in the flank, the work is sharp. The depiction is exquisite, but it is simple in the details of the work, and it is seen in the composure. Pen and ink are beautiful in dryness, jerky in skill, and have a strong lyrical meaning. However, the composition is dense and sparse, the mountain stone outlines less wrinkles, more dry pens and no rendering, forming a regular and slightly decorative, with a fine nib with clumsiness, ink color dry and wet and overall light. These paintings all reflect Wen's own characteristics, showing a strong literati bookish atmosphere, and the style of the gongxiu with a clear and vigorous rhyme, which also reflects the typical appearance of his later years.
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