Anti-Japanese dramas in the entertainment industry have always attracted much attention, and the performance of "Indelible Number" has filled the audience and critics with controversy.
This series not only raises questions about the plot and performance, but also involves the transformation of the leading actors Li Jian and Wang Lei.
Li Jian is one of the show's leading actors, but his transformation has been widely criticized.
Despite his outstanding performance in the anti-Japanese drama, his acting skills in the new work "My Legendary Love and Her" have raised questions. This failure of transformation has triggered a sense of disparity between the audience's expectations of the actors and their realistic performance.
Audiences and critics have different standards for how actors perform in different types of dramas.
Li Jian's performance in anti-Japanese dramas is highly recognized, but he faces a dilemma when trying other types of dramas. This may also reflect the audience's expectations for the "positioning" of actors, who are Xi to the performance of certain types of dramas, and once they deviate, they will encounter different degrees of challenges.
Wang Lei, as another leading actor, is also deeply trapped in the whirlpool of anti-Japanese dramas.
His transformation has encountered a similar dilemma, and the audience's recognition of his acting skills shows a large contrast in different types of dramas. This contrast is not only a test for the actors themselves, but also reflects the audience's cognition and expectations for some specific types of dramas.
As a specific type of drama, anti-Japanese drama has a special status in the Chinese film and television industry.
It not only carries historical memory, but also satisfies the audience's desire for heroism, justice and national pride. However, the actors' performances and attempts in this field will also receive special attention from the audience.
The transformation dilemma of actors has also exposed some potential problems in China's film and television industry.
To a certain extent, the audience's positioning and genre thinking about actors may limit the diversity and development of actors' performances. At the same time, it also prompts actors to need more courage and effort when trying out different types of roles.
In general, the performance and transformation of actors in the field of anti-Japanese dramas is not only a personal challenge, but also a phenomenon derived from a special type of drama in the Chinese film and television industry.
This phenomenon reflects the audience's special perceptions and expectations of certain types of dramas, as well as the complex considerations that actors face when choosing roles and transitioning.