Geng Yinchun, to the Yudu Antique City hanging out, in a gallery cabinet corner to see more than a dozen pages of Han stele Pro-Post, a closer look is the modern ancient text of Mr. Xu Wuwen Mr. Han Stele, counting the Pro-Stone Gate Ode", "Fenglong Mountain Ode", "Zhang Qianbei", "Yi Ying Stele", "Cao Quan Stele", etc., under a closer look, Xu Weng's Linhan Stele, several are real, with a thick pen, the breath is quiet, far from the general layman can be proud, so bargain with the shop for several rounds, the cost is enough to hide, more joyful, more than a dozen pages of pro-post draft, There is even a page of cursive writing dedicated to the study strategy of the seal book, and after reading it, you can glimpse Xu Weng's experience in calligraphy, and he can't help but be moved, and he merges it and plans to install it as a book.
As we all know, Xu Weng's several stele are the most famous of the Han stele, and the original stele is combined with a pen and a circle, and the knot body is also of different colors. Thinking that Mr. Xu is not only a scholar, even if he can enjoy a big name, he still studies the art of books diligently, and he has a lot of experience in the matter of books, and he can't help but think that I am a book learner today, who has not been well educated, and his mentality is also floating, and there are few daily classes, let alone academic research.
Today, this book has been packed into a volume, and it is now posted for all the friends of the rivers and lakes to enjoy together
Xu Wuwen (1931-1993), known as Yongnian and Jialing, was more obscure after the age of thirty due to ear diseases, and in his later years he was named The Candle Room. A native of Chengdu, Sichuan. In his early years, he studied at Chengdu Experimental Primary School, graduated from the Department of Chinese of Sichuan University in 1954, was first assigned to work in Southwest Agricultural University, and transferred to Southwest Normal University in 1955, teaching for more than 30 years. Before his death, he was a professor in the Department of Chinese of Southwest Normal University, a master tutor of calligraphy and seal engraving and Tang and Song Dynasty literature, a member of the Chinese Writers Association, a director of the Chinese Calligraphers Association, a member of the Xiling Printing Society, the vice chairman of the Sichuan Calligraphers Association, and the honorary president of the Chongqing Printing Society. He served as a member of the editorial board of the Hanyu Da Zidian, presided over the compilation of the "List of Ancient Chinese Characters", and edited the "Qin and Han Wei Jin Seal Li Glyph Table", "Jia Jin Seal Li Da Zidian", "Yin Xu Oracle Bone Calligraphy Selection", "Dongpo Anthology", "Xu Wuwen Calligraphy Collection", "Xu Wuwen Printing", "Xu Wuwen Papers", "Xu Wuwen Lin Zhongshan Wang Cuoding" and other works and academic papers have been passed down.
Mr. Xu Wuwen has spent his life asking about hard work, not asking about harvest, studying unremittingly, persistent and tenacious; having a chaste spirit in it, but being peaceful and humble; having a broad and profound knowledge, self-service and thrifty and simple, with a noble, easy, and harmonious scholarly style. Mr. Xu Wuwen is good at calligraphy seal engraving creation and academic research, and has made outstanding achievements in the study of classical Chinese literature, especially Tang and Song Dynasty literature; in the creation of calligraphy seal engraving, he has participated in successive national professional exhibitions, or served as a judge and academic committee member, forming his own healthy and fresh, mellow and neutral artistic style, with its high temperament and strong and healthy fresh, mellow and natural and swaying, and the artistic creation of the body and the long and exquisite and profound embodies his handsome and timeless life intention, bringing us infinite beauty.
Mr. Xu Wuwen's A (Bone) Jin (Wen) Seal is composed of zhenxing grass, especially the most exquisite works created by taking the Zhongshan King's Instrument And The Iron Wire Seal; the seal carving is beautiful and stable, and it is extremely powerful. Mr. Xu Wuwen's calligraphy and seal engraving art, because of his noble character, simple feelings, profound knowledge and profound and good personal cultivation, surpassed his peers and was different from other artists with similar styles, becoming China's first-class scholar-type artists.
Mr. Xu Wuwen was a young man in the court training, and his father Xu Shou (Yisheng, the old man of Hongmu) was a famous figure in the modern literary and book engraving circles in Chengdu, and many celebrity plaques hung in the Du Fu Caotang in Chengdu before the 1980s were published in his hand magazine. Xu Wuwen was influenced by a good family academic culture from an early age, and learned calligraphy and seal engraving under the guidance of his father. From the age of fifteen or sixteen, he studied in Qianjiang Yijun Room and Chengdu Zhou Juwu. When he arrived in Shanghai at the age of thirty-two, he consulted Mr. Shen Yinmo and Mr. Pan Boying for calligraphy, and was introduced by Mr. Yi Junmu to Mr. Fang Jiekan of Wenzhou for advice on seal engraving. In 1981, Mr. Xu Wuwen respected his teachers and re-taught them, and in 1981, he made a special trip to Wenzhou to pay homage to Mr. Fang, and made up for the worship of the teacher, which was listed as a door wall.
In his lifelong study of calligraphy and seal engraving art, Mr. Xu Wuwen was fortunate to receive the guidance and guidance of the highest academics in the calligraphy and seal engraving profession at that time, with good endowments, high vision, positive path, diligent efforts, and laid a pure and solid creative kung fu based on the "Two Kings (Wang Xizhi, Wang Xianzhi)" series of calligraphy styles. Along this style of writing, he successively took the method to learn the ancient oracle bone, Qin Xiaozhuo, Iron Wire Seal, Han Li, Jin "Second King", Tang Chu Suiliang and other calligraphy classics; in his later years, due to the decline of his eyesight, he wrote more cursive, and even the Tang Dynasty Huaisu and the Song Dynasty Huang Tingjian cursive style.
Due to the influence of the "Two Kings" series of calligraphy and Du Fu's "book noble, thin and hard party theosophy", the general tone of Mr. Xu Wuwen's calligraphy is the character of the Jin and Tang dynasty calligraphy styles, that is, it not only emphasizes the degree of law, but also emphasizes the charm, Mr. Xu will be thin and strange and strange knife pen and mellow and elegant charm, based on the law degree and support the expression of rhyme, and with rhyme become the purpose and fashion of the law.
Mr. Xu attaches great importance to the tempering of calligraphy techniques and has a high pursuit of the Fa. He advocated that every word and stroke should be refined, withstand scrutiny, and be deeply enduring. It is like a master singing, not playing tricks, one board and one glance, and the words are clear and bright. Therefore, whether it is calligraphy or seal engraving, Mr. Xu's knife strokes are quite strong and sharp, and the heroism is compelling. His calligraphy, xingshu and even the basic dots of the grass, as well as the seal representative works such as "Seeking the Chapter and Excerpting The Old Carving Worm", "The Former Painter of the Ancestor of the Ancestors", "This Life Temporary Residence, Often Afraid of The Name Floating" and other seals, the knife and pen are refreshing, the form is clear, the spirit is vibrant, and there is no afterglow. Its seal engraving is mainly used with a cutting knife, delicate and delicate, and the knife is stable and fierce, as if it is crisp and sound. In the face of such works, you will feel a kind of heroic atmosphere, and you will feel that on the basis of the mellow and elegant overall charm, you will reflect the personality in the tradition.