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In front of the TV screen, I can't wait for the broadcast of "Infinite Transcendence Class". This variety show gathered powerful mentors from TVB, including Hui Yinghong, Charmaine Sheh, Tang Cuiwen, Zhao Yazhi, Jackie Chan, Er Dongsheng, Wu Zhenyu, Paul Che, etc., their professionalism and excellent acting skills make me look forward to it. This is an opportunity for new mainland actors to learn from these veteran actors, not only to learn acting skills, but also to feel the importance of professionalism.
Another factor that attracted me was the show's tribute to classic Hong Kong dramas. For me, Hong Kong dramas have always been memories of my childhood, although compared with the current mainland dramas, the production scale of Hong Kong dramas is not as large as the former, the number of actors is also small, and the costume sometimes looks a bit dramatic, but the acting skills of Hong Kong dramas have always been impressive. The remake of the seven dramas "Palace Scheming", "Golden Branch Desire", "The Legend of the Deer and Ding", "Shanghai Tang", "Apostle Walker", "Soaring to the Clouds", and "New Police Story" brought these classics to the audience again, and the initial announcement that they would be performed in Cantonese aroused my interest even more.
However, despite these appealing features, there are some glaring deficiencies in the show that make me wonder if it's worth keeping an eye on all the time. First of all, there are too many emotional elements in the show and too little time for acting. Each episode is only 10-20 minutes long, and with reviews and rehearsals, the duration of one episode is about 110 minutes. However, when it actually aired, it took four episodes to complete a round of 440 minutes, of which nearly 230 minutes were unrelated to the theme of the show. This extra time is mainly used to review the life journey of the old actors and the live star-chasing of the young actors, as well as the reunion of the classic crew members. While these elements are somewhat appealing, they also make the content of the show seem less compact.
In addition, there is too much advertising time, and irrelevant content also takes up a lot of space. Advertisements appear frequently, especially at key moments in the show, which makes viewers feel uncomfortable. In addition, the dinner and game links in the show are also abrupt, which can be used as extra content, why should they be inserted into the feature film? This treatment confuses viewers and affects the overall coherence of the show.
There are also problems with editing, and the editing of the blue station does not seem to be as smooth as that of other stations, lacking some logic. The timing of the ad insertion is also not appropriate, giving the impression that there are traces of the script setting everywhere. What made me most uncomfortable was the choice of language the actors made when performing. Except for "The Desire of the Golden Branch", which uses Cantonese, the other dramas are in Mandarin, and the Mandarin pronunciation of the Hong Kong actors feels awkward, which is actually destroying the classic for audiences in Guangdong, Hong Kong and Macau.
To sum up, although "Infinite Transcendence Class" has attractive elements, including powerful mentors and tribute to classic Hong Kong dramas, its shortcomings cannot be ignored. Too many emotional elements, too long advertising time, frequent insertion of irrelevant content, chaotic editing, and unnatural language expression all affect the overall quality of the program. It is hoped that in future programs, these factors can be better balanced to provide the audience with a better performing arts experience.
Infinite Transcendence Class is a highly anticipated variety show, co-produced by Zhejiang Satellite TV, Youku and TVB, with a strong lineup of mentors and the appeal of a remake of a classic Hong Kong drama. However, controversy arose over the quality and content of the show, especially after TVB decided not to broadcast the show anymore. In the following paragraphs, I will first share my opinion, then make a comment, and finally summarize my opinion on "Infinite Transcendence Class".
For "Infinite Transcendence Class", I was full of expectations at first. First of all, the show gathered TVB's powerful actors as mentors, including Hui Yinghong, Charmaine Sheh, Deng Cuiwen, Zhao Yazhi, Jackie Chan, Er Dongsheng, Wu Zhenyu, Che Paul, etc., this lineup is really impressive. TVB's actors are known for their dedication and acting skills, and their participation provides a rare learning opportunity for young mainland actors, covering not only acting skills but also a dedicated attitude.
Secondly, the show pays tribute to classic Hong Kong dramas, which is a strong emotional trigger for viewers like me who grew up watching Hong Kong dramas. Remaking classic dramas such as "The Palace's Scheming", "The Golden Branch" and "Shanghai Tang" gives viewers a chance to revisit those classic episodes and characters, which is a rare opportunity. What was particularly exciting was the initial announcement that it would be performed in Cantonese, which sparked the audience's anticipation even more, as it would make for a more authentic experience.
Finally, the show provides a sharp review in the review section, which comes from the eyes of veteran actors, who are able to point out the problems of the actors, which plays a positive role in improving the acting skills of the actors. In particular, Hui Yinghong's performance in the pilot film and interview stage made me feel her professionalism as a mentor.
However, despite these attractive features, I also found some aspects that put me off.
First of all, the emotional component is too strong, while the actual performance time is relatively short. Segments of each show take up only a small portion of the show's duration, while the rest of the time is spent looking back on the careers of veteran actors, star-chasing plots of young actors, and reunions of classic cast members. This resulted in a mismatch between the content and theme of the episodes, leaving viewers feeling a little disappointed.
Second, there are too many advertisements and they have nothing to do with the content of the program. The frequent insertion of commercials, especially at key moments, affected the coherence of the program. In addition, extraneous content such as dinner parties and games are also frequently presented, and clearly beyond the time of the feature film, elements that could have been presented as side content were mixed in with the main show, leaving viewers confused.
Finally, the editing and script traces of the episode are obvious. Compared with some other variety shows, the editing of Blue Channel seems to lack a certain logic, the timing of the advertising is inappropriate, and sometimes it is obvious that the performance is based on the script setting. In addition, for the audience, Hong Kong actors sometimes seem awkward to perform in Mandarin, especially for audiences in Guangdong, Hong Kong and Macao, which is a kind of damage to the classics.
To sum up, although "Infinite Transcendence Class" has attractive features, such as a strong lineup of mentors and remakes of classic Hong Kong dramas, there are also some problems, such as too much emotion, too many advertisements, editing confusion, and script traces. These issues may affect the viewing experience of viewers, especially those who are looking forward to more authentic and classic Hong Kong drama sensations. It is hoped that the producers will be able to improve these issues in future shows and improve the quality of "Infinite Transcendence Class" to meet the expectations of a wider audience.
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