#Riverside mistakes# There are a lot of literary films this year, but they have never made a splash. The most discussed "Burning Winter" turned out to be on the hot search because of poor acting skills. With the release of "Mistake by the River", a series of topics such as Yu Hua's hottest novel, director Zhang Yimou's unrealized works and other topics have overshadowed most of this year's literary films.
I originally wanted to watch Yu Hua's original book first, and then go to the theater to watch it, but the express delivery was delayed, so I had to go to the movie first and read the original book.
The movie is good, although many metaphors are not understood, but it is good, and many of the director's film treatments are very appropriate. There is no sense of separation, the worn-in feeling of the movie is actually very risky, if it is not handled well, it will be special, and if it is handled well, it will be the icing on the cake.
The opening scene of the movie is familiar, and it is easy to pull people back to that era, which will have a different sense of substitution for the post-708090s, memories are like a river, and we began to drift with the director's lens.
The first half of the movie is easy to understand, and many people can understand it, from the dilapidated unfinished building at the beginning to the vague and hideous gods in the temple at the back. Riverside, Fool, Water, Children, Cinema, Director, Old House, The tone of the film begins in the manner of a suspenseful film, but ends without a murderer. The film feels more about it because it can't be simply classified as a detective movie or a mystery movie, because it doesn't tell a complete story from beginning to end. But he also conveys a kind of absurdity and despair. At the beginning, the scene of Song Zhe and the fool by the river was more like some kind of spiritual dialogue, which I didn't understand at first, but it wasn't until after Song Zhe's child was born and when the child took a bath, I understood.
The whole context of the film is buried deeply, the police are more like symbolic symbols, and the film tells a trivial matter in ordinary life with a parallel world view of science fiction, which leads to more absurd and ineffable feelings in the movie. The dark humor and the faint desperation in the story make one feel the faint melancholy that the film exudes. Ma Zhe seems to have experienced an alienation of human nature, from a people's policeman who strives to pursue the truth, in the possible mental retardation of his child, his wife's pregnancy, and Xu Liang's death, Ma Zhe completed the alienation of his humanity. In the end, he seemed to stand on the stage in a well-dressed manner to accept the award, but his eyes could not be focused, is the world crazy, or is he crazy? There is no end to the film, just as there is no right or wrong in life, there is no definition.
The film doesn't have an ending, but if you play it backwards, it doesn't seem to have a beginning, but it's a movie, it's complete, it's not verbose or fragmented.
For the fourth mother-in-law, Xu Liang represents a large group, is this wrong? Not necessarily, it's enough to see through it without saying it. But for cinema, this is already a breakthrough.
The whole texture of the film is also very special, you can clearly see the graininess of the film film and the deliberate use of long shots to convey emotions, there is no gorgeous editing technique, but in the transmission of emotions, the audience will indulge in it.
Zhu Yilong's acting skills are also remarkable, since "Life Events", he has begun the road of a real actor. The difference between an actor and a star is that an actor is an artistic creation on the screen.
This movie reminds me of another movie "Roadside Picnic", the same tone, that kind of peace, a certain echo at the end, which makes people unable to calm down for a long time. #Zhu Yilong's Movie Riverside Mistakes##Recommended Good Movies#