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In 2006, the crosstalk giant Ma Ji died of illness, which shocked the entire Chinese crosstalk community. Ma Ji, born in an ordinary family, has a deep love for crosstalk. Before liberation, he could only be regarded as an amateur of crosstalk, and there was no opportunity to learn from a teacher. However, a twist of fate occurred in 1956. That year, Ma Ji unexpectedly won the championship of the National Vocational Industry Yuqu Art Viewing Performance, an honor that not only changed his life, but also opened the door for him to crosstalk. Soon after, he was transferred to the Rap Troupe of the Central Broadcasting Literary Troupe, a group that brought together top talents in the crosstalk field, including Guo Qiru, Hou Baolin, Liu Baorui and Guo Quanbao.
In the China Guang Rap Troupe, Ma Ji received careful guidance from four teachers, of which Hou Baolin was his responsible teacher. During this special period, Ma Ji quickly showed his crosstalk talent and became an outstanding and professional comedian. With the passage of time, Ma Ji not only appeared on the stage of the Spring Festival Gala many times, but also cultivated a large number of crosstalk newcomers, including Jiang Kun, Feng Gong, Liu Wei and other crosstalk celebrities. These apprentices were known as "Ma Jiajun" and became the leaders in the crosstalk industry at that time. It can be said that Mr. Ma Ji has played a vital role in the inheritance and development of crosstalk.
However, in the crosstalk world, the controversy about who can be called a "crosstalk master" has never stopped. Hou Yaowen, as a famous crosstalk artist of the same generation as Ma Ji, publicly put forward his five criteria for crosstalk masters. He believes that a crosstalk master should first be an authority in the crosstalk door, and secondly, he should be good at acting and be able to write scripts independently. In addition, crosstalk masters should also promote crosstalk and become crosstalk educators, and also need to have the ability of crosstalk theorists and critics. These five criteria are considered to be very harsh, because most of the comedians are not highly educated, and it is indeed quite difficult to have the ability of a crosstalk theorist and a critic at the same time.
Not only Hou Yaowen, but also Mr. Xue Baokun, a theorist of qu art, also questioned Ma Ji's status. He believes that Ma Ji is a representative of praise-type crosstalk and has made important contributions to the crosstalk cause in New China, but his works are not deep enough in terms of image shaping. In later life, some problems gradually emerged.
Considering the views of Hou Yaowen and Xue Baokun, although Ma Ji is an outstanding comedian, he does not seem to fully meet the standards of a crosstalk master. The generation, concepts and standards of the crosstalk world are complex, and everyone has a different definition of a crosstalk master. Despite the controversy, it is undeniable that Ma Ji's contribution and influence cannot be ignored in the crosstalk world. His death is a big loss for the crosstalk world, leaving an irreparable gap.
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