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Liang Shizheng, Li Zongwan, Zhang Ruoyi calligraphy and poetry

author:Kyoshi Library
Liang Shizheng, Li Zongwan, Zhang Ruoyi calligraphy and poetry

Five generations of Huangju Mountain Partridge Spiny Finch, silk 97x53.6 / full volume 123x53.6 cm, National Palace Museum, Taipei.

Liang Shizheng, Li Zongwan, Zhang Ruoyi calligraphy and poetry
Liang Shizheng, Li Zongwan, Zhang Ruoyi calligraphy and poetry
Liang Shizheng, Li Zongwan, Zhang Ruoyi calligraphy and poetry
Liang Shizheng, Li Zongwan, Zhang Ruoyi calligraphy and poetry
Liang Shizheng, Li Zongwan, Zhang Ruoyi calligraphy and poetry
Liang Shizheng, Li Zongwan, Zhang Ruoyi calligraphy and poetry
Liang Shizheng, Li Zongwan, Zhang Ruoyi calligraphy and poetry
Liang Shizheng, Li Zongwan, Zhang Ruoyi calligraphy and poetry
Liang Shizheng, Li Zongwan, Zhang Ruoyi calligraphy and poetry
Liang Shizheng, Li Zongwan, Zhang Ruoyi calligraphy and poetry
Liang Shizheng, Li Zongwan, Zhang Ruoyi calligraphy and poetry
Liang Shizheng, Li Zongwan, Zhang Ruoyi calligraphy and poetry

Emperor Gaozong of the Qing Dynasty loved Xinjueluo Hongli (1711-1799), whose era name was "Qianlong", which means "Heavenly Dao Changlong". He ascended the throne at the age of 25 and reigned for sixty years, during which the Qing Dynasty reached its highest peak since the heyday of Kangqian, and Sinology developed greatly during this period. Hongli was a well-known emperor in the late period of Chinese feudal society. Explanation: Spiny finches love to be humble. Mountain partridges like clear silhouettes. Finches in high spiny branches. Partridge steps low in the spring. In the picture of the plain silk. Short words are clear. It is often heard that the ancients cloud. Gentlemen are careful. Imperial questions.

Liang Shizheng (1697-1763), also known as Yangzhong, was a native of Qiantang (present-day Hangzhou, Zhejiang). Yongzheng eighth year (1730) jinshi. He successively served as a household, a soldier, a criminal, an official, and a shangshu of the Ministry of Works. Gong calligraphy, the first to learn Liu Gongquan, followed by Zhao Mengfu, in his later years under yan Zhenqing. Interpretation: Rebuke the fence, and the wren bows down. The size is as it is, and it is better to limit the hills and ravines. Idleness and righteousness, the partridge is spared. Between the flying hairs, the painter accidentally entrusted. Chenliang Shizheng Gonghe.

Li Zongwan (1705-1759), Zi Da, Yiyuan, Tianjin Jinghai people. Kangxi Sixty Years (1721) Jinshi, successive officials of the Punishment Department. Paintings are used to enshrine the inner court, and the landscape, flowers and birds are part-time, and the brushwork is elegant and the color is ancient. The calligraphy Chu, Yan, Su, and Mi, Yuanjin Xiuba, are on a par with Zhang Zhao, called "Southern Zhang Beili". Interpretation: The Bird Feather Clan, the ambition is in the contour, the perching thorn bush, the hook and the stream, the Zhan Pi Luan, the soaring and the majestic, the Zhenhan riding the spring wind, the Upper Lin Xin has a trust. Emperor Lizong is respectful and peaceful.

Zhang Ruoyi (1713-1746), also known as Qinglan, was a native of Tongcheng, Anhui. In the eleventh year of Yongzheng (1733), he entered the priesthood and was an official to the Rebbe Shangshu. Books and paintings are used to enshrine the inner court. Good at painting landscapes, flowers and birds, won the will of Wang Zhaoxiang and Zhou Zhimian. Interpretation: Peng Que flying together, Tianyu Ben Chengkuo, Jie Lu drinking vermilion grass, Ming Xia's meal Dai, the period is worthy of the Mandarin Luan, He Zhi Qu Liu, the humble and cautious self-treatment, with no deep trust. The subject Zhang Ruoyi was respectful.

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