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In the past two years, music shows in variety shows, commonly known as music ensembles, have been very popular. No need to ask, the number and popularity of the ensemble is enough to say it all. "Sister Lang", "Phi Ge", "Endless Sound", "Time Concert", "Shining Band", "The Voice of China", "The Voice of God" and other programs emerge one after another, and new and old music go hand in hand.
For viewers who like to watch the music series, Mango TV and Blue TV have been at the forefront of the competition. At present, Mango TV is broadcasting "Sister Lang 4", while Blue TV has "The Voice of God 4". Both of these tracks have successfully entered their fourth season, but who is stronger?
Frankly speaking, the popularity of "Sister Lang" has always been very high, and every season can attract widespread discussion and attention. However, for those audiences who value musical performance, perhaps The Voice of God is more appealing. Because the guests invited by "The Voice of God" are singers recognized by the audience, their singing skills are undoubted. In contrast, those contestants who are regarded as big vocalists in "Sister Lang", such as Liu Xijun, Wang Xiaomin and Chen Bing, only reach the ordinary level in "The Voice of God", let alone those ceiling-level singers.
This season's "Voice of God" guest lineup is also very strong, including Hu Yanbin, Zhang Bichen, Zhang Liangying, GAI, Wang Sulong, Xilinnayi Gao and others, each of whom is a powerful singer. In addition to professional singing performance, this show is also good at creating "quarrel" elements, whenever there is a conflict between the music group and the guests, netizens always discuss it with interest. There is no doubt that "The Voice of God" has successfully captured the audience's gossip psychology and created topics and heat through the conflict between the music appreciation group and the guests. Even if you haven't watched this variety show in person, you may have heard the controversial story between Ding Taisheng, VAVA, Liu Wei and others.
However, the situation in the latest episode is different. The music troupe began to criticize guest Shirina Yigo, which caused widespread attention and discussion. First of all, they criticized the new song "How Can I Forget You" by Shilinna Yigao and Wang Heye. Rusui Ki pointed out that the song's production, singing, and lyrics did not meet his aesthetic standards, calling it a song that "sinks into the market". This comment not only offended Shilinna Yigao and Wang Heye, but also touched the bottom line of the audience.
This incident is not only a comment on the guests, but also a criticism of the program group. The group's comments suggest that they are biased against so-called "sinking market" songs, which they are low-end and not suitable for good singers. However, the audience's tastes are diverse, and many people prefer easy-to-understand hits. Music should not be divided into high and low, and the aesthetics of the audience should also be respected. Ryushuiki's comments seem to ignore this and displease the audience.
Ultimately, the incident sparked a debate about music and audience tastes. In this day and age, the success of a music complex depends on whether it can touch the audience's inner musical passion, not whether it sings songs recognized by professionals. Audiences prefer to listen to familiar and familiar hits. Therefore, for music variety shows, it is crucial to choose the right song. Flowing Times' comments remind us that audiences' tastes should not be trivialized, as they are an important part of the music industry.
Overall, the incident reflects the controversy and diversity of opinions in the music variety show, and also provokes deep thinking about music and audience tastes. No matter which genre it is, you should respect the audience's preferences and strive to create an engaging music experience, rather than dividing the music into high and low, otherwise you will lose the support of the audience. It is hoped that the future music complex can better meet the needs of the audience and promote the development of the Chinese music scene.
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