There are many female stars who have become the focus of hot searches with their appearance.
There is one who can bring small surprises to everyone every time.
She is that person, and her name is Gillian.
While others posted beautiful photos on social media, she brought a distinctive photo that was eye-catching and unique.
Declutter hair.
Wear a swimming cap.
Undersea performance.
Artificial intelligence performs face replacement.
Unfortunately, she has not received so much praise for her acting career.
In recent years, the number of online dramas has been increasing, and many works have been filmed one after another.
She has almost become the queen of a new generation of bad movies.
She recently released another widely criticized film.
The movie's rating on Douban is only 3.8 points.
Unlike in the past, this time it caused many protests.
The general view in the comment section is to be cut, and these two words describe it very accurately.
The streaming version released in the mainland was cut by a full 20 minutes compared to the Hong Kong version.
In addition, there are more puzzling things hidden behind the scenes.
Today, Uncle Yu will share some information with you.
1995 film "Female Prisoner Storm"
This movie is actually highly anticipated.
The most attractive thing is the luxurious all-goddess lineup.
Gillian got rid of the gentle image of the past.
The eldest sister turned into the number one among the prisoners.
In the movie "29+1", Zhou Xiuna has surpassed the image of a sexy goddess, and she has proved her strength to the world through her excellent acting skills.
This time shows that there are expectations for another breakthrough in acting.
One of the highlights is that the audience's beloved veteran statue actress Wu Jiali also joined the lineup.
In addition, the script of this film also has a wealth of gimmicks.
Lam Lingdong embarked on a journey of exploration of Hong Kong's prison theme in 1987, and his work "Prison Storm" became the key to this door.
So far, the wonderful performances of Chow Yun-fat and Leung Ka Fai, the two actors, are still unforgettable.
Director Lin Delu filmed the prototype of this story into the movie "Women's Prison" the following year.
Zheng Yuling, Xia Wenxi and Feng Baobao took the stage together to perform a picture of a group of female prisoners full of open and secret fights.
It can be said that "Female Prisoner Storm 1995" is a remake of the latter.
From character setting to plot development, there is no difference.
Surpassing precious gemstones and jade is indeed a difficult thing.
Even if you draw a scoop according to the gourd, it won't be too bad.
However, the clever operation of Scissorhands turned the film into a work called "Female Prisoner Storm Extreme Edition".
Only 5 minutes later, the heroine Ah Yan (played by Zhou Xiuna) was imprisoned in a chained prison.
As a new prisoner, it is inevitable that he will be noticed by various gangs.
It's just a small greeting gift, which takes the form of throwing slippers, kicking over the basin and letting out cruel words.
Ah Yan is not easy to be bullied.
Without hesitation, she complained to her commander about the bullying in prison, and only a second passed.
It was really unexpected that he was punished for standing while the abuser left unharmed.
The scene in the prison is immediately present, the warden is not thinking, and the female prisoners of various gangs are fighting each other.
The following is the story of how Yan carefully planned and eventually turned the situation around.
However, the storyline seems to speed up fivefold.
In less than 12 minutes, Yan successfully became the queen of the ruling party.
She is revered as "Sister Top" in the rivers and lakes.
Sister-in-law Bo, played by Gillian, is in a close position with her.
Under normal circumstances, the confrontation between the Dingjie gang and the Bo sister-in-law gang should be the most important part.
However, only a few harsh words were exchanged between the two sides.
Suddenly, Sister Ding and Sister-in-law Bo developed a deep sisterhood of mutual understanding and sympathy.
The way the villain appears, the wits and brave fights of both sides, and the decisive battle in the climactic part are all cut to pieces.
The penalty of increased punishment will not escape both sides of the fight.
There are always people who yearn for those three words -- uncut.
It's like in the movie "Cinema Paradiso", the film of the kissing scene that was cut off.
Causing fluctuations in the audience's heart, it is like a kind of beauty that is close to the eye but difficult to touch.
However, if we think about it from a different perspective, we may feel a little more comforting.
The audiovisual imagination of the audience has been greatly improved in the cut-down version.
With the existing "outline" alone, some people can imagine a wonderful drama.
For example, the bullying experienced by Sister Ding.
In the trailer, many trivial clues appear.
In the mist-filled bathhouse, long wet hair and half-naked body show their bold side.
The soap was kicked off, suggesting that an imminent storm was coming.
There is also a struggle between the two factions.
The trailer shows numerous gambling, gang fights and kidnapping scenes.
The whole film is evoked, stemming from the flashing smoking scene of Sister Ding.
The conflict and reconciliation between the two factions of Dingjie and Bo Sister are quite complicated.
After the film clips are now cut, they have lost their previous excitement and dynamics.
Both aesthetics and scale are completely degraded.
In Hong Kong cinemas, the movie "Female Prisoner Storm" is rated II.B, which means that audiences of any age can watch it with peace of mind.
Viewers were not optimistic about the full version, giving a low score of only 2.5 stars and posting negative reviews.
"Destroy a good hand"
"The editing is messy, and even the most basic story is not told."
First of all, what makes the old version attractive is that it does not shy away from the topic of sex.
The inhumane treatment of female prisoners in prison can be seen directly from the terminology of doctors and the foul language used by prisoners.
What distinguishes this film from general prison stories is also the physiological characteristics of female prisoners.
There's always a twist when looking at the new version again.
Although the old version of the setting is still adopted, cigarettes and sanitary napkins are seen as materials for the fight for the right to speak in prison.
Throughout the movie, not a single sanitary napkin appears from beginning to end.
The main characters seem to be gangsters in the man's world, and they only know how to plot and use violent means.
When it comes to violence, the new version of the action scenes is far inferior to the old version in terms of realism.
Let's not consider the episodes such as chest scratching and hair pulling circulating on the Internet for the time being.
This existing fragment seems more like a noisy and useless waste pen.
What is certain, however, is that these action scenes have been removed, resulting in the characters being extremely unconvincing.
The horror of the fight scenes is closely linked to the touching sisterhood.
There is no way to talk about female resonance, because this important prerequisite is missing, so all that remains is a few empty lines.
The deletion is far more than limited to so-called "large-scale" plots.
Browsing multiple platforms and finding many of the deleted videos in them confusing.
The movie The Shawshank Redemption underwent about 6 minutes of editing.
Cut about 5 minutes is the movie "When Happiness Knocks".
Even the movie "Harry Potter and the Goblet of Fire" was cut for 8 minutes...
The films had to be paid to watch, but the platform never made any announcements about their removal.
"A Day at the Beach", which was launched last year, is one of the most outrageous works.
The original length of 166 minutes was reduced to only 53 minutes.
Netizens watched the film many times, but could not find any provocative elements in the original film.
Resources were withdrawn amid skepticism, and the incident ended in a hurry.
After a long period of time, continuous deletion and weakening, and finally produced a landslide effect.
Many movies cannot escape the platform's censorship even if they do not violate the issue of children's inappropriateness, stance or three views.
Actually, I'm planning a grand strategy.
Brain tonic has become a habit of the audience and can be said to be an achievement.
Many people will feel sympathy for the film being edited.
We missed many excellent movies for various reasons.
In recent years, Hong Kong films have encountered great difficulties in the Chinese mainland market.
Big productions in theaters frequently encounter difficulties, while small productions can only compete for a place in the big online battlefield.
Some creators lack a voice, and their films are often the first targets to be cut and cut off.
However, there are still some people who suffer the consequences themselves.
Take "Storm of Female Prisoners" as an example.
In the past, theatrical movies had to wait for a window when launching on streaming platforms.
What is different is that it was first launched on mainland streaming media, and then released in Hong Kong theaters, 8 days apart.
This issuance strategy is clearly intended to kill two birds with one stone.
Without thinking about spoilers, challenge streaming platforms to watch swagger.
The trailer contained more information than all the key plots, so these episodes were removed.
Local Production Co., Ltd. has been carefully investigated and analyzed by Uncle Yu.
It is observed that this company has made the same mistake many times.
Their movie "12th" was launched on mainland streaming media platforms a day earlier than this year.
This love sketch is full of intimate shots, but unfortunately it was cut by 12 minutes.
Not limited to Hong Kong films, many Hollywood blockbusters have also begun to weaken themselves.
Lost in City Z is an American film released in Chinese mainland in 2016.
Although praised by several magazines as a "masterpiece of the world", our audience was puzzled by it.
The mainland deleted 37 minutes of content for no other reason, which is almost a quarter of the entire movie's length.
The North American rating for the film is PG-13, although the content is not excessive.
As a result, producers hardly need to worry about the so-called censorship factor.
The reason they really have killing intent is the film's slow narrative rhythm.
So, he slapped his thigh sharply and lowered the scissors in his hand.
In order to cater to the tastes of Chinese audiences, we will speed up the pace and try to keep the length of the film as short as possible to increase the number of screenings.
As a result of the movie, it only received a score of 6.8 on Douban.
When the film side cuts content to meet market demand, it is actually indirectly encouraging creators to give up self-expression.
This is a sad fact.
Perhaps, we should look for creators with tenacity and perseverance.
Director To Qifeng once said a surprising thing not long ago.
The creative power of Hong Kong films has been negatively affected by so-called self-censorship.
Director Du felt this deeply.
What has been released in mainland theaters is the movie "Big Guy" co-directed by him and Wei Jiahui.
However, due to excessive editing, it almost turned into a bad movie that was ridiculed by people.
The most attractive thing about Hong Kong films is the vibrant evil atmosphere.
It's also a punchy way to go overboard, not afraid of offense, and everything goes overboard.
The review of "Women's Prison" and "Women's Prison Storm" left a deep impression on him.
I'm even more afraid to shoot than before.
The prison guard has always been the only real boss in the old version.
In prison, human rights are not guaranteed, resulting in the protagonists having to fight fierce battles.
The film is not based on the logic of mutual harm at the bottom, but challenges the powerful in power.
The contradiction quietly internalized, with the arrival of a new version.
A fierce struggle between prisoners ensued, replacing the original confrontation between prisoners and bureaucrats.
There is a saying that goes: "Women are like clouds, and the drama is endless." ”
As viewers, we do not have the power to interfere with the intentions of the creators, nor can we interfere in the operation of the film in the market.
At least we can also serve as a backbone audience.
We should resolutely reject those self-righteous feedings, and at the same time take a cautious attitude to evaluate literature and art.
In the midst of the surging tide, some people paddle with all their might, while others choose to fish in the muddy water.
When the tide goes out, naked swimmers are revealed.