"Divorced from his ex-wife, so far he has no children and no daughters."
In the brilliant entertainment industry, the ups and downs between directors and actors often make people confused.
Almost every director, when he sees a gorgeous actress appear in the crew, will be moved, and then develop a beautiful relationship because of the play.
Zhang Yimou and Gong Li were a typical example.
But unexpectedly, such a relationship is often not long-lasting, and even if you get married later, it is difficult to escape the end of parting ways.
Like the early director Mi Jiashan who wants to talk about today, his love with Pan Hong was once enviable, but he was divorced.
Younger friends may not be familiar with the name Mijiashan.
However, his first work in his life, "Crooked Stone Path", was on the Hall of Elegance and won the first prize of the 3rd Feitian Awards.
However, despite this, Mijiashan still does not enjoy a wide range of popularity.
One of the reasons is that he adheres to the belief that "quality is better than quantity", and each work is polished to the point of perfection, so the output is slower;
Another reason is that it has grown older and gradually ignored by the market.
Now that he is mentioned again, everyone is more interested in the love between him and Pan Hong.
In 1947, Mijiashan was born in a small hospital in Shanxi.
The atmosphere in his home is warm and harmonious because his parents are well-educated and have a high position in the local area.
They respect the equality of men and women, and neither favor sons, despise daughters, nor spoil children excessively.
When he was a child, Mijiashan was indoctrinated by his parents to study hard.
Due to the good family conditions, Mijiashan received high-quality educational resources that many children did not have access to at that time.
He cherished this hard-won opportunity, and he always used any possible free time to study, even if a friend took him out to play, he was indifferent.
The ocean of knowledge broadened his horizons and sublimated his worldview, laying the foundation for his later career in the art industry.
Books taught Mi Jiashan to be mighty and made him feel that only by remaining humble can he lead to success.
However, even if he comes from a noble background, Mi Jiashan has not continued the glory of the family, which is not to blame him at all.
After all, the change and development of society cannot be changed solely by the will of individuals.
Mijiashan's life was drastically rewritten by political changes.
The once wealthy Mi family suffered a blow due to historical reasons, and fell from an aristocratic family to the level of ordinary people.
Without this turmoil, Mijiashan would have been able to embark on a different path with the family's high-quality bloodline, enter the top universities, and live the life of a proud son of heaven.
When the movement of the times finally subsided, with his own struggle, Mijiashan entered the mountain art major.
After graduation, he became an artist in a film studio, using the pen in his hand to paint the background paintings of movies.
It was after working like this for two years that Mi Jiashan met Pan Hong on the filming site of the movie "Slave's Daughter".
Speaking of Pan Hong, I believe everyone will not feel strange, now she is a popular "mother-in-law professional" in the entertainment industry, deeply liked by the audience.
In 1954, Pan Hong was born in Shanghai to an ordinary family, the eldest of three sisters.
Pan Hong's childhood memories are full of warmth and happiness, but soon after she entered kindergarten, her family also became unrecognizable due to the storm of the special period.
Sadly, her father left this world when she was ten years old.
When my father died, the burden of the family's life fell on my mother's shoulders, and that happy time was gone.
Seeing her mother working overtime, just so that the three sisters could have food, Pan Hong seemed to have grown up suddenly.
At home, she takes the initiative to help with housework and regards taking care of her sister as her responsibility;
At school, she studied hard and was always at the top of her class.
In the second grade of elementary school, she was recommended to participate in the selection of the elementary school affiliated to the College of Foreign Chinese because of her excellent performance.
Unfortunately, because of her father's historical problems, despite passing the grades, the dream opportunity slipped from her fingertips.
In 1972, 18-year-old Pan Hong had just graduated from middle school, and heeded the call of the country to "go to the mountains and go to the countryside", left the bustling Shanghai alone, and set foot on Chongming Island, located at the mouth of the Yangtze River, far from the hustle and bustle.
After starting a new life, she worked hard in farming during the day, and immersed herself in books and various hobbies at night, among which she was most obsessed with the performing arts, which easily made her blood boil.
Since then, she has dreamed of experiencing different life stories as an actress.
In her eyes, there is nothing more wonderful than this.
In 1973, for Pan Hong, the event that really stimulated her heart was the recruitment advertisement of the play.
Without hesitation, she immediately signed up.
With an excited heart, she hopes to take this opportunity to realize her dream of becoming an actress.
In the end, with her outstanding look and indescribably sharp acting skills, she successfully entered the coveted play.
Campus life is rich and colorful, but Pan Hong puts most of her energy into studying.
In addition, she has accumulated rich stage experience by participating in the rehearsal of various drama works, and gradually entered the entertainment industry.
On the screen of the 70s and 80s, the young and lively Pan Hong is a star that cannot be ignored.
The detached temperament revealed between her eyebrows, because of some melancholy, was once praised by the audience as the "queen of pathos", and even named Liu Xiaoqing and Siqin Gaova as "the three golden flowers of the film industry".
In the winter of 1976, when she starred in "Slave's Daughter", she was not yet popular all over the country, and she happened to meet director Mi Jiashan.
On the day of the meeting, the snow fell, Pan Hongduan in the auditorium sat in his place, suddenly heard a voice behind him, and looked back, he saw the beautiful, mature and stable Mijiashan.
And her look back this time also touched Mi Jiashan's heart.
In this way, he developed a deep affection for Pan Hong, and this heart only waited for the moon.
Although Mi Jiashan fell in love with Pan Hong at first sight, Pan Hong was not particularly interested in him.
In her eyes, Mi Jiashan is an ordinary young man, with some talent, good looks, but no eye-catching characteristics.
However, Mi Jiashan's excellent character is difficult for her to ignore.
Every time she spent time with Pan Hong, Mi Jiashan always prepared carefully, often brought delicious food, or recited beautiful stories to make her laugh.
At first, Pan Hong did not put her heart on him, but when she saw Mi Jiashan's rich and intimate behavior, she was gradually moved and fell in love with him.
In 1978, the two entered the palace of marriage with sweet feelings.
However, life is never always smooth sailing.
While their careers are in full swing and glorious, the beauty of marriage has come to an end.
In the same year of marriage, the movie "Bitter Laughter" starring Pan Hong won important awards, and she became famous in one fell swoop.
In the following years, Pan Hong created many distinctive roles with outstanding acting skills and artistic pursuits, won many awards, and her career became more prosperous.
Mi Jiashan, as Pan Hong's husband, watched his wife climb all the way to the highest star path, but his "nameless" was in sharp contrast with her, and his heart was full of complicated emotions.
He felt unable to raise his head in front of his successful wife, and the troubles of "strong women and weak men" piled higher and higher in his heart, like mountains pressing against his chest, breathing became difficult.
In fact, Mi Jiashan did not admit defeat at that time, so he has been working hard in his career and has won several awards.
However, these awards may be remarkable for ordinary practitioners, but in front of Pan Hong, they seem eclipsed, and Mijiashan has completely lost confidence.
In 1984, Pan Hong's superb acting skills in the movie "Fire Dragon" once again won praise from all parties, which became an unforgettable chapter in her acting career.
For Mi Jiashan, his heart was further oppressed and he couldn't breathe.
And the prosperity of Pan Hong's career means that she cannot return to her family, and Mijiashan often needs to "keep the empty room alone", in fact, this is the real reason why Mijiashan "can't stand it".
Considering his wife's career and this hard-won marriage, Mi Jiashan tried to persuade Pan Hong to slow down, but Pan Hong refused.
In the end, Mi Jiashan directly asked Pan Hong to make a choice: choose love or career?
In the end, Pan Hong chose the latter.
In 1986, their marriage came to an end.
Interestingly, they have been married for eight years, but they have only been together for a short period of 380 days.
Such a "unaccompanied" marriage is doomed to separation.
After ending her marriage, Pan Hong continued her acting career and repeatedly obtained surprising performances.
She has won the "Best Actress" several times, and even appeared on the cover of "Time Magazine", becoming the second person to appear on the cover of this magazine since the mainland's reform and opening up.
On the other hand, Mi Jiashan began to frantically prove himself in his career, and finally achieved good results with "The Obstinate Lord".
But since then, he has gradually faded from people's sight, and compared with his ex-wife Pan Hong, his achievements seem mediocre.
But fortunately, at work, Mi Jiashan met love again - CCTV's beautiful host Wang Xiaoya.
When it comes to Wang Xiaoya, everyone is certainly no stranger, and the "Happy Dictionary" hosted by her can be described as a household name.
The two have also become a pair of "talented people", although their actual age difference is 21 years.
Such a "mismatched" love is naturally difficult to be blessed by the outside world, and their relationship lasted only a year, and then it came to an end.
Mijiashan, who has resumed his singleness again, has become more low-key and rarely appears in the public eye.
Wang Xiaoya, on the other hand, has long since retired from the big screen, turned around and started working behind the scenes, married the son of a high-ranking official, and now lives a happy life.
After two loves, Mi Jiashan did not find a new relationship and has been single.
But someone once broke the news that Mi Jiashan actually married a woman outside the circle as early as 2010, but he has never had children.
But whether this news is true or not, we have no way of knowing, the only thing we know is his ex-wife Pan Hong, who is still alone and living alone.
It is also because of this that netizens can't help but wonder about it: Could it be that this once loving couple still has a place in each other's hearts, but for some reason, they can't come together again?
We can't know the truth, but there are always many people who look forward to this possible reunion.
Today, 76-year-old Mi Jiashan has lived a life of no one cares about, and there are no new works.
As for Pan Hong, he once expressed his feelings about his past feelings.
She wanted to have a child, and this thought lingered like a shadow.
When participating in the event, she frequently expressed this desire and said: "Women can't always be so strong. "
Such feelings may also be said to Mi Jiashan, but the two have been divorced for many years, even if they have repented, it is useless.
For women, work and love are often dilemmas.
If the balance is not found, it can be disorienting.
But for men, why not? Mi Jiashan must have really wanted to spend his life with Pan Hong, but the reality was that Pan Hong chose his career. Now both of them are childless, which is really embarrassing.