In today's Chinese music scene, it seems that there are some things that make people scratch their heads. Some new singers, although there are no representative works, shine on the stage because of some surface brilliance and posture. Even more shocking, they even became mentors for music shows.
In sharp contrast, the queens of the Chinese music scene in the past, such as Kwok Fucheng, Andy Lau, Jay Chou, Faye Wong, Xu Song, etc., each of their songs is a classic, and their behavior is low-key and upright.
In recent years, Hua Chenyu, the "mage", has become the focus of many controversies. His dress, words and deeds, and evaluation of other singers are all eye-popping. Especially in a music program, his evaluation of the new singer Mao Buyi has attracted widespread public attention. And Xue Zhiqian and Li Sheng and others all stood up for Mao Buyi, proving Mao Buyi's strength.
In addition, Meng Meiqi, a singer from the draft, has also become the focus of the Chinese music scene. Some of her behaviors and evaluations are shocking. Especially her evaluation of experienced senior Zhou Chuanxiong is even more laughable.
Changes in the Chinese music scene: From classic songs in the past to "saliva songs" in the present, the Chinese music scene seems to be undergoing a huge change. So, what is the reason behind this change? Is it a change in audience tastes, or is it a trend in the music industry as a whole?
Social responsibility of celebrities: As a public figure, every behavior of a celebrity will receive public attention. So, should they be held accountable for their actions? Should their words and actions be role models for young people?
The relationship between traffic and strength: In today's entertainment industry, traffic seems to be the key to everything. So, what is the relationship between traffic and power? Can one rely only on traffic without the need for real strength?
In general, the Chinese music scene is in a period of change. Whether it is an older generation of singers or a new singer, they should be responsible for their actions and bring more positive energy to the public.
In the current Chinese music scene, traffic and talent seem to have become two irreconcilable contradictions. On the one hand, some singers quickly became popular with their outstanding appearance and large fan base and became regular guests of major music programs. Every appearance they make can cause a heated discussion on the Internet, and their figures are flooded with major social media. But if you listen carefully to their songs, you will find that their musical works often lack depth, and even some singers have questionable musical talents.
On the other hand, there are singers whose musical works are loved by music lovers despite not having such high traffic. Their songs, both melodic and lyrics, are full of depth and emotion. Their music can touch people's hearts and make people immersed in it. But unfortunately, these truly talented singers are often not so well known, and their musical works do not receive the attention they deserve.
So, why is this happening? There are many reasons, one of the main reasons is that the current music market is too traffic-seeking. In this age of the internet, traffic has become the key to everything. A singer, as long as there is enough traffic, can quickly become popular and become the darling of major music programs. And those really talented singers, because they don't have enough traffic, are often ignored by the market.
This phenomenon is undoubtedly a desecration of music. Music, as an art form, its value should not depend solely on traffic. A truly talented singer, his musical work deserves more attention and recognition. Instead of being buried by singers who only pursue traffic.
So, how can this phenomenon be changed? First of all, as music consumers, we should pay more attention to the intrinsic value of music, rather than just pursuing traffic. We should be more supportive of those really talented singers and let their musical works get more attention. Second, the producers of music programs should also pay more attention to the intrinsic value of music, rather than just pursuing ratings. They should give more opportunities to those really talented singers to get more exposure to their musical works.
In general, the Chinese music scene needs a healthy ecological environment where truly talented singers can receive the attention and recognition they deserve. Instead of being buried by singers who only pursue traffic. Only in this way can the Chinese music scene truly prosper and become a real music temple