Other actors pretend to be immortals, they are simply "immortals" under the mortals
In the controversy related to "The First Part of Fengsheng", casting accounts for a large proportion.
King Feng has a mixed-race face, and Daji has collided with many actresses, and her appearance is ghostly.
And the immortal piece is also a little unqualified.
Even with long hair and white clothes, Chen Kun's Yuan Shi Tianzun does not have much taste of immortal wind Dao bones, but is more like a literati with poetry books but no talent. Especially the shape of the gesture in the poster is full of COS sense.
The master does not have a fairy style, and the image of the apprentice is too "grassroots". Since the announcement of Jiang Ziya's casting, Huang Bo has been "disliked" by many netizens. In this regard, director Wu Ershan explained that Jiang Ziya was originally a "white head grumbling savage", so it was no problem to choose Huang Bo.
It's just that on the basis that the story has been greatly changed, it is really not convincing to talk about being faithful to the original.
What's more, as a netizen in the comment area said, the Jiang Ziya behind "chest across the stars, breath hauni", Huang Bo, who wins with his temperament and close to the people, is really not able to support this setting of a chaotic world.
And Jiang Ziya's screen image, in terms of classicism, it has to be the version of Lan Tianye in the old version of "Feng Shen List".
The legendary life of the old man will not be talked about for the time being, but his clean temperament is already similar to the character. Coupled with the blessing of styling and acting skills, and combining fairy wind Dao bones and wise and heroic talents, it is simply the Buddha of Jiang Taigong.
Yuan Shi Tianzun, played by Wu Cihua, has kind eyebrows and a calm aura, and even his rough wig and pompous aperture cannot affect the majesty of the lord of a sect.
But when it comes to the casting of the true immortals, it has to be "Journey to the West" directed by Yang Jie. The character image in this national classic drama can be called the "fairy template" in the audience's heart.
Let's start with the Heavenly Court.
Even then, shooting conditions were limited, and props and post-production were very rough. But the crew still did their best to create a cloudy and fairy-filled heavenly palace.
The scene of the Jade Emperor and the Queen Mother summoning the gods was like a picture of immortals from the hands of famous artists. Leaving aside the character setting, the solemnity and majesty of the Jade Emperor, the magnificence and dignification of the Queen Mother, and the cold and ethereal of Chang'e are all engraved in the hearts of the audience.
And Taishang Laojun and Taibai Jinxing, although they look like white-bearded old men on the outside, they will not be confused at all. The former is the ancestor of Taoism, which is both immortal and majestic; The latter is the minister of the Jade Emperor, with an amiable temperament and harmonious handling, and when there is friction between Brother Monkey and the Heavenly Court, he is responsible for turning in the middle.
There is also Brother Monkey's mentor Bodhi Grandmaster, who is also an old immortal who appears in the dust. But compared with the immortals in the Heavenly Palace, it is not so awe-inspiring above all living beings, but more mundane and humane.
Zhen Yuanzi, the "ancestor of the Earth Immortals" of Wuzhuang Guan, can be described as one of the strongest opponents that Sun Wukong has encountered on the road to obtaining scriptures. Purple gold crown, yellow crane, four square steps dashing domineering, free between the hidden sharp, no wonder there is a UP master to do the "immortal list", netizens will say "prohibit this immortal competition".
The "representative of the West" played by Zhu Longguang, Zuo Daxuan and Tie Niu is more classic.
Zhu Longguang's Buddha treasure is solemn, the Maitreya Buddha of the Iron Bull is compassionate, and Zuo Daxuan's Guanyin Bodhisattva is a screen classic that has never come later, with great influence beyond the screen and infiltrating reality, and is respected and worshiped by many people.
There are immortals, and there are fairies.
Whether it is the Halloween Dragon Girl with a head full of "seafood pearls" on top of Bibo Pond but still fresh and charming, or the beautiful and charming apricot fairy on the Thorn Ridge, it perfectly satisfies the imagination of the audience.
Speaking of the dragon girl, in the Huangmei opera movie "Dragon Girl" released in 1984, the dragon girl played by Ma Lan is also impressive.
In terms of personality, this version of the dragon girl is not outstanding, and it is a "love brain" by today's standards. When they first met, they moved their hearts and hearts, gave treasures, promised life, and even willingly suffered from the shaved scales and gave up their status as goddesses. But Ma Lan in the early goddess period, whether it was dressed in silver armor or neon clothes dancing, her appearance was so beautiful that it was unforgettable.
Due to financial and technical problems, the too illusory realm did not appear in the 87th version of "Dream of Red Mansions". Fortunately, in the Beiying version directed by Xie Tieli, this classic chapter is presented.
Between Qionglou Yuyu and the clouds and mist, the police fairy played by Ma Shengjun suddenly came. The fairy clothes, beautiful eyebrows, and dusty demeanor are both gentle and feminine, but also awe-inspiring.
There are many classics in the main drama, and there is no lack of "joke" themes.
In "Journey to the East", which gathers the three beauties of Singapore, although Guo Feili's white peony and Lin Xiangping's Dragon Three Princesses have their own graces, their personalities are more inclined to the world's beauties, and they are too deeply bound by emotions.
In contrast, He Xiangu played by Zheng Xiuzhen not only looks beautiful and cold, but also has a goddess saving pattern. Although she also loves Lu Dongbin in her heart, she is sober and transparent, wise and intelligent, and has both fairy and chivalrous.
The same is true of Xian Le, played by Zhong Xintong in "The Legend of Nuwa: Spirit Bead".
For her, although love is also memorable, it is not important to the world. Nether because of salvation, and give up life because of great love. Even if the character setting is aside, Zhong Xintong's 360 face without dead ends can fully support the goddess setting.
Until now, the role of Xian Le is not only the white moonlight on the screen that has surprised countless audiences, but also is regarded as the standard of the heroine of the fairy theme now that the immortals have become the "love brain".
"Baolian Lantern", filmed by CCTV, adapts and interprets the Chinese mythological story "Splitting the Mountain and Saving the Mother". Shu Chang's little fox Qingling is delicate, Yan Danchen's Chang'e is cold and dusty, and Jiao Enjun's Yang Jian is the biggest highlight in the whole play. Both handsome and majestic, the armor is even more heroic and domineering, which perfectly interprets what it means to be awe-inspiring.
The classic fairy image of the Xiuzhen world, taking the Yaochi Xianbao Castle Lord played by Lin Qingxia in the 83rd version of "New Shushan Swordsman" as an example.
Lin Qingxia, who broke away from the love lingering written by Qiong Yao and turned into the fairy world, the appearance in the film can be described as beautiful. The heroism that comes with it and the coldness of the character are crocheted together into the otherworldliness of the characters. When he debuted out of the customs, his body was light and his clothes fluttered, like the arrival of the flying goddess of Dunhuang, and the beauty was eye-catching.
And the reason why these film and television images can become classics, casting, dressing, character setting and acting skills are all important factors.
The image temperament is in line, coupled with the outstanding appearance, it has been visually persuasive, and to a certain extent, it can even make up for the lack of acting skills. The large pattern of characters is more in line with the impression of immortals in the hearts of the people.
One or two, the chance of success is more than half.
If the four are complete, then it can really be called "immortal immortal".