"The Day of the Iron Horse Love" will be broadcast, Wang Lei led Cao Yunjin to help, and the Beijing period drama is back

"Mud pot, mud bowl, fuck off."

"One black, two black, three, four, five, six, seven black."

"I bought a tobacco bag ebony pole, and I pinched it with black at both ends."

Erhu pulled, Lugou Bridge stone lion appeared, nursery rhymes sounded, the familiar taste, but not back.

In domestic dramas, there is a classification with a strong regional characteristic label - Beijing-style period dramas, which have emerged in large numbers and are favored by the audience.

The familiar Beijing-style period dramas of the post-80s generation should have classic Chinese dramas of the last century such as "Longing", "Four Generations in the Same House" and "Xiaojing Alley".

The familiar ones after the 90s may be "Mansion Gate" and "Tea House" that have entered the new century.

However, with the advent of the era of national drama traffic, the theme of domestic dramas has gradually shifted to a new generation of audiences, and Beijing-style period dramas have gradually disappeared.

The last authentic Beijing-style period drama that broke 8 points was "Love Man Courtyard" starring He Bing and Hao Lei in 2015.

Although Beijing-style period dramas have appeared from time to time in recent years, the starring actors have basically been replaced by young actors such as Xiao Zhan and Han Dongjun.

Although it is an inevitability of the times, it always feels that it is not so tasteful.

When will the audience be able to see another Beijing-style drama with a strong lineup and original taste?

To say that this type, in addition to CCTV, the biggest hope is, of course, Beijing Satellite TV.

Beijing Satellite TV originally planned to launch a Beijing-style period drama with a strong lineup that you can't believe tonight, but the final landing in this schedule was "Daming under the Microscope" led by Zhang Ruoyun.

However, the meat is in the pot, and sooner or later it comes out of the pot, the play will meet the audience as early as August.

"The Day of the Iron Horse".

The screenwriter is the screenwriter of the domestic Beijing-style period drama.

Starring Wang Lei. There are 5 national first-class actors who participated in the performance alone.

A comedian, Cao Yunjin.

From all aspects, it has the potential to become this year's Peking Opera King.

Is it successful, I'll take you to see it first?

First, can the era Beijing drama be a hit? This time the win is big!

When it comes to Beijing-style period dramas, the first thing that comes to mind for old audiences is the hutong, Nanluoguxiang and Shichahai.

As soon as the story of "The Day of the Iron Horse Love" begins, it starts from the alley.

The kid played by Wang Lei looks at the beloved girl.

Another romantic drama under the guise of a period drama? Not really.

"Seeing the big with the small" is a major winning weapon for the kings of period dramas.

You look at the Beijing era dramas of that year: "The Gate of the Mansion" and "Outside the Zhengyang Gate"... The camera focuses on almost small people, and the audience is able to witness the changes of the times in their bittersweet and bitter tastes.

From the perspective of story, "The Day of the Iron Horse Proud" is also a work of "seeing the big with the small", which has both elements of period dramas and the content of anti-war dramas.

In the play, Kang Benshan (played by Wang Lei) and Wang Ranqiu (played by Yuan Shanshan), the two lovers, are machine factory workers in Changxindian .

After the "July Seven Incident", Japanese devils occupied Changxin Store. Kang Benshan and Wang Ranqiu cooperated with the Jin-Cha-Ji Anti-Japanese Base Area to transport war-ready materials, rescue technical backbones, and transmit important intelligence. They also specially organized workers' revenge teams to kill devils and traitors.

After the founding of New China, Kang Benshan and Wang Ranqiu served as workshop directors and designers of the machine factory, and finally realized the dream of the older generation of working class "big craftsmen".

The story has three characteristics:

First, the span of time is very large, starting from the beginning of the Republic of China, it has experienced major historical periods such as the Xinhai Revolution, the May Fourth Movement, the War of Resistance Against Japan, the War of Liberation, and the founding of New China, spanning nearly 40 years.

The second is to contain elements of industrial dramas, and the story revolves around Changxindian railway workers such as Kang Benshan, Wang Ranqiu, Wan Chengshun and other Changxindian railway workers repairing machines to build trains, telling the epic of the development of China's railway industry.

Third, the taste of Beijing is very strong, and there is a lot of content in anti-Japanese war dramas.

In the trailer, workers follow our party to do the revolution, and the male protagonist uses a box gun to fight the invaders,

There are also plots such as Li Guangfu and the old brother played by Liu Peiqi intercepting the devil's transport train in the flesh.

However, the story spans decades, and how to make sure that the audience of each generation has a sense of substitution is a difficult problem.

So, how is "The Day of the Iron Horse" solved?

The answer is actors, let good actors, bring the audience into the play.

Second, starring Wang Lei and Cao Yunjin, with the help of 5 national first-class actors, this lineup means that

The screenwriter of this play is the most reassuring part, Wang Zhili's "Love Man Courtyard", "Under the Zhengyang Gate", "Little Women Under the Zhengyang Gate" are all standard Beijing-style period dramas, he shot, two words: authentic.

Director Zhou Youchao has filmed 8 excellent works such as "Zhang Boling", and "Nie Rongzhen" has also been well received by the audience. Period dramas and anti-war dramas are obviously his areas of expertise.

The screenwriters and directors are all looking for the right people, and then there are the actors.

Because the show spans a fairly long time, there are two points to consider in casting.

The first is the taste of Beijing, depending on whether the actor's age, state, and experience are suitable for the role, and whether there is that taste.

The second is acting skills, period dramas are very testing acting skills, and there are more than one or two period dramas that have been smashed by young actors.

The strategy of "The Day of the Iron Horse Glory" is to use not a single traffic, all use powerful actors, which may be the reason why the series has been filmed until now, those period dramas with traffic stars participating and not so high quality have been broadcast, because for TV stations that are ratings guarantees.

But to make the play good, you have to watch "The Day of the Iron Horse".

First of all, the male protagonist, Golden Eagle Vision Emperor Lei, plays Kang Benshan.

From "Chen Feng" in the war drama "The Indelible Fan" to the obstetrician and gynecologist "Jin Liang" in the life drama "The Happy Life of the Golden Wolf", Wang Lei really found the peak state of his acting skills, or the period drama "Ordinary World".

The role of "Sun Shaoan", simple and down-to-earth, an authentic dialect, like jumping out of a book, although a little machismo, saying all day to hammer his wife, in fact, I have not seen him really hammer, have responsibility for his family, have feelings and righteousness for friends, do business honestly, and the Northwest Hammer King is worthy of his name.

When it came to "Merit", the Li Yannian he portrayed was real and touching, and Wang Lei won the Emperor Viewing Trophy with only one unit of performance.

Next he has this year's most anticipated war drama "Shangganling".

He came to play the role of Kang Benzen, who runs through the whole play, from the alley string who only loves girls, to the real masters who lead the workers to fight ghosts and do the revolution, to the craftsmen of the big country who shoulder the responsibility of the family and country, it can be said that in the life of internal entertainment, he is not the second choice.

He came, and the show was stable.

Let's talk about the heroine, Yuan Shanshan plays Wang Ranqiu.

In the early years, Yuan Shanshan, who became popular with the main drama "Palace Lock Bead Curtain" and "New Smiling Rivers and Lakes", has bid farewell to the main drama in recent years, and his career development is not smooth, although there are quality dramas such as "Jiangshan So Many Jiao", but in general, there are not many good dramas, and the popularity has also fallen.

This drama is a new drama that she rarely provokes and the role is also interesting, and her appearance in the play can fully support the character of the male protagonist Bai Yueguang, depending on her performance.

Next, let's talk about the ultra-luxurious acting lineup.

First, Ren Chengwei, a first-class actor of the National Theatre.

As a powerful actor who has won the Golden Eagle Award for the most popular actor for a long time, Ren Chengwei was definitely worthy of the title of a popular boy that year. "Snow Without a Trace" and "Never Let You Go" can be regarded as the annual hit with the current hits.

When he got older, he no longer played the protagonist, he still shined with the role of Xue Junshan in "War Changsha", and the role was played too touching by him in the passage where he was martyred in 24 episodes.

In recent years, his most out-of-the-loop work is "County Party Committee Compound", his performance in the many acting schools is still quite eye-catching, this is a good actor for a lifetime.

The role he plays in this play should be a national capitalist who fights for the workers, and he is very stable.

Second, national first-class actor Li Guangfu.

Li Guangfu is also an old drama bone, and it is recommended that traffic stars listen to Li Guangfu's lines.

The words are round, without exaggeration, but also full of emotion and pyrotechnics, and the emotions of the characters can be clearly expressed just through the line play.

Over the years, he has been featured in "In the Name of the People", "Under the Gate of Zhengyang" and "The World", and he played Shunde Ye in this year's CCTV drama "The Road of Life", there are not many plays, but he can be called the golden sentence king of the whole drama. Every word is human wisdom.

In this drama, he should play the male protagonist's father, and the role did not run.

Third, national first-class actor Liu Peiqi.

Liu Peiqi participated in the movie "Two Son Open a Shop" starring Chen Qiang and Chen Peisi in 1985, and began his acting career for decades.

Third Master Bai in "The Gate of the Mansion" and Mr. Zhu in "White Deer Plain" are his representative roles.

In "Wind and Snow Fierce Sword Walking", his role as Li Yishan is also very exciting.

This time his role is Li Guangfu's old brother, a drunken railway laughing and singing ditties, full of drama.

It can only be said that Liu Peiqi acted in a period drama, which is impossible to go wrong.

Fourth, national first-class actor Liu Wei.

There are too many classic roles in Liu Wei.

At that time, there were Tang Minghuang, Wei Yan, Li Zicheng, and Li Si.

In recent years, he has played Sun Yuhou in "Ordinary World" and the old village chief in "Happiness to Ten Thousand Homes", all classics.

This time he should play the person in charge of the leading workers of our party, and the phrase "rules should be set by the master", calm and extraordinary, too top.

Fifth, the national first-level actor Bi Yanjun.

In recent years, this old drama bone has performed in many popular films such as "In the Name of the People" and "The World", and the Beijing-style period drama has not been less, and he played the male protagonist father in "Nine Bends of Love".

This kind of actor belongs to the play, the play has more of the taste of a period drama, and it will definitely not be wrong.

The national first-level actors are finished, but the rest are not general.

Sixth, Huabiao Award actor Guo Jinglin.

The role that made him win the award is the audience's favorite Yuan Longping.

Only this version of Yuan Longping truly restores Yuan Longping's true character.

In reality, Yuan Longping is always a kind expression, often smiling, humorous and naughty.

Before the filming of the drama that year, Guo Jinglin asked Yuan Lao: "Yuan Lao, you are always better than me, how should I play you?" ”

Yuan Lao replied with a smile: "Pay attention to the hairstyle." ”

Guo Jinglin's acting skills in recent years have been well known, and he has a wonderful villain performance in "The Disappearing Eleventh Floor" that has just started,

It is fitting that he came to play the old Beijing master in the play.

Seventh, the uncrowned shadow emperor Yanhui.

Yes, I can't figure out why this big drama has only been released now, there are too many acting schools.

Wang Yanhui's first blockbuster was to shoot Cao Baoping's "Li Mi's Conjecture", and later a 2-minute role in "Scorching Sun" made him act as a domestic film acting textbook.

In recent years, Wang Yanhui's acting skills have begun to be seen, and he has gradually provoked a big beam in the national drama, and there may not be too many roles in such a role in this play.

Eighth, Liang Tian.

Another comedy veteran. In the early years, he was featured in "I Love My Home", "Tea House", "New Year", "Obstinate Lord" and so on.

Especially Jia Zhixin in "I Love My Home" can be said to be an absolute classic.

Although as he grew older, Liang Tianji took on fewer plays, but as long as he acted, he acted what it was, and the warlord who played this time also had a special sense of joy, which is worth looking forward to.

The last one, Cao Yunjin.

Cao Yunjin is the third time of this play, and there should be a lot of scenes.

Over the years, Cao Yunjin's acting career can be described as ups and downs, and his popularity once fell, but he returned to the peak of popularity with live broadcasting.

However, he has never made any breakthroughs in the field of film and television.

His role in this play is the male protagonist's junior brother, poor mouth and love to dazzle, fighting for girls and brothers, and the role is definitely Cao Yunjin's dish.

I am very optimistic about his performance in this show.

It can be seen that this play is all real acting skills, and any scene is the Golden Eagle Vision Emperor, the Huabiao Award actor, and the national first-class actors.

Don't dare to say anything else, the acting part, the possibility of overturning, is zero.

Third, can the Beijing-style drama jointly performed by all the powerful factions still be a hit? This drama may be able to make a sample

Once upon a time, Beijing-style period dramas were an absolute guarantee for the ratings of national dramas.

This kind of theme, the story is full of flavor, the acting skills are exquisite, and it is also with pyrotechnics, which is very popular with old audiences.

However, the golden age of Beijing-style period dramas must have passed.

The new generation of audiences has no concept of old Beijing, and loves fantasy and ancient puppet dramas more than authentic Beijing taste, and TV stations have also seen the wind and no longer pursue this genre.

Fortunately, there is also Beijing Satellite TV that can rank it in prime time, presumably because of the quality of this drama.

But the TV station is really mistaken, this kind of authentic Beijing-style drama, in fact, not only Beijing audiences like to watch, a large number of middle-aged and elderly audiences love to watch.

As long as it is broadcast, the ratings don't have to worry at all, not to mention, this show also has such a gorgeous acting lineup.

The favorite thing about this period drama is the top participation, and the strength is bordered.

You can look back at the previous Beijing-style dramas, most of them are picked by senior actors, and their own experiences are closer to the attributes of the era, and it is easy to precipitate the charm of different eras, and the play is good.

After waiting for so long, finally another Beijing-style era drama with full strength and good taste has appeared, and I am also optimistic about this drama and can become the dark horse of this summer national drama.

After all, after the climax of the first half of the Chinese drama created by "Crazy" and "The Long Season", for ordinary audiences who don't like to watch ancient puppet dramas so much, the recent Chinese drama market is too lonely.

"The Day of the Iron Horse Love" came at the right time.

Next, let's see how it fights for the Beijing-style period drama that has been lonely for so long.