The Taiwan entertainment earthquake has not only made women blame for sex scandals, but also Taiwan's cruel cultural genes

Since the anti-sexual assault campaign of Taiwan Entertainment was ignited, every day is a new white-hot period.

Following the exposure of Huang Ziling to sexually assault underage girls last month, several well-known artists in Taiwan Entertainment fell into sex scandals.

Yan Yalun, a former member of the Flywheel Sea, was accused of having sex with a minor and had filmed a short sex film with the victim and caused an outflow.

According to reports, the Taiwan police have intervened in the matter, and Yan Yalun may face jail time.

Yan Yalun appeared at the press conference of the parties

Chen Jianzhou, a well-known host and Fan Weiqi's husband "black", was accused of sexual harassment by three female artists one after another.

As we all know, Chen Jianzhou's network in the circle is extremely large, and those who take sides or defect are famous figures, which also indirectly expands the fire of the entire movement.

More accusations, in fact, are still in the stage of disagreement and need to be further confirmed.

For example, the alleged sexual assault was also a well-known host Wang Jianmin.

It even includes Wu Kangren, who has always had a good reputation.

To summarize the situation in one sentence:

At present, Taiwan entertainment is mainly two kinds of people, the head iron sisters who are trying to stand up, and the honest gentlemen who are trying to mix with the past.

Yet, behind the seemingly inspiring movement, women remain embarrassed.

According to Taiwan media reports, Huang Ziling's hosting work was not affected by the sexual assault incident, and the original video work would continue as usual after he recovered.

At about the same time, the status of his wife Meng Gengru was also updated.

Unlike her husband, Meng Gengru resigned from her role to the crew who was about to start filming for the first time after Huang Ziling admitted sexual assault.

You know, this drama is her first after becoming a mother, and it is the first shot fired by her comeback, and its importance can be imagined.

When the two news pieces are connected, it's hard not to feel ironic.

And what is even more ironic also happened in Meng Gengru's comment area:

Ridicule her for being lowered her head, slandering her for having a handle in the man's hands, and then "locked up" and "deserved" and other vicious insults. Netizens express the most direct misogyny with the lowest quality.

And the logic behind it is also very simple: a woman who cannot do sober cutting when her husband commits a crime is tantamount to an accomplice, even more hateful than the perpetrator himself. This kind of behavior is stupid, it is deserved, and it is necessary to be tied to a pig cage with sexual harassment criminals for the rest of your life.

With ridicule and ridicule, they show the contempt of those who consider themselves intelligent to those in power.

The question is, is Meng Gengru really worthy of being ridiculed like this?

As long as you know a little about Taiwan Entertainment, you will know that the women of Taiwan Entertainment have always been hidden in a hidden, top-down net.

And the so-called escape and cutting the mat, for them, it is impossible to be as easy as netizens say.

When I was brushing the news about Meng Gengru, I saw this emotion: "Taiwan Entertainment... It's really Lin Fengjiao's hometown."

Taiwan's entertainment industry, which seems to be much more progressive and exciting than internal entertainment, still creates countless forgiving Lin Fengjiao and Meng Gengru, who makes people feel aggrieved.

Taiwan Entertainment has produced a series of high-quality women's works in recent years

Image source |"She and Her She"

Far from it, let's watch the video that our Yingzi became popular some time ago.

In the 90s, Na Ying and his senior brother Tai Zhengxiao were promoted as a promotional album and appeared on the variety show "Brother Dragon and Tiger Brother" hosted by Zhang Fei, a big man in the entertainment hosting industry.

In the clip that has been circulated on the Internet, Na Ying was arranged by Zhang Fei to play a game of touching coins blindfolded. The rule is that Na Ying needs to be blindfolded and only fumbling to find a coin that Zhang Fei hid on Tai Zhengxiao in advance.

If you only watch the clip, Na Ying can't suppress laughing out loud before he finishes listening to the rules. Also because of this bold laughter, on the Internet 20 years later, Yingzi was interpreted as "no baggage" and "tiger cute", so people and programs were hotly discussed again.

Can...... Is this really something funny and worth being entertained about?

Regarding the game itself, the hidden meaning of asking a woman to fumble on a man blindfolded is self-evident.

Watching the program clips, there were indeed several times when the blindfolded Na Ying almost touched Tai Zhengxiao's sensitive parts.

People can naturally explain it with "program effect" and other golden reasons. But the series of events that have come to light also tell us that the beginning of many dangers is often secret, not just shouting "I'm going to offend you".

Speaking of this show, if the first half is still agreed by Na Ying, then next, it is really difficult to say that this is the artist's own will.

After the girl touched the boy, Zhang Fei asked the two sides to exchange roles, asking Tai Zhengxiao to touch Na Ying blindfolded.

Blindfolded, everything is unknown and uncontrollable, even if he is as big as Yingzi, he also perceives the offense and danger behind this game in advance.

After the game starts, in order to avoid embarrassment for both parties, she directly finds the right time to squat to avoid being touched by her body.

Yes, Na Ying did not explicitly refuse beforehand. But her body language undoubtedly reveals her true attitude.

When the blindfolded Tai Zhengxian touched her shoulder, even though Yingzi had been in the industry for many years and was supposed to have well-trained expression management, it was still difficult to hide her true emotions at the moment, and only a wry smile was barely pulled out at the corner of her mouth.

In the end, she almost screamed that she gave the coin, as if only to end the torture as soon as possible.

Compared with the feelings of female artists, this senior in the entertainment industry seems to care more about his bad taste with the audience.

It's like this in front of the stage, and behind the scenes, it's no better.

Huang Yusheng, a well-known producer who has produced popular variety shows such as "Super Sunday", was revealed in his early years that he once stretched a lighter under the skirt of a female artist, singing meat songs while lighting fire.

This is not simply an offense, but outright sexual assault.

And if you dig deeper, you will also understand that these so-called bigwigs in the circle may have never learned what "respect for women" is, let alone empathize with women.

Taiwanese entertainment variety shows originated from vulgar and down-to-earth touring shows, and the basic form is to set up wild stages and engage in side-by-side performances.

Including Zhang Fei, Pig Geliang, Hu Gua and other Taiwanese entertainment bigwig-level figures, they are all mixed in this kind of show.

Pig Brother Liang's early show "Cabaret Show"

To put it more bluntly, consuming women is a gene engraved in the blood of Taiwan.

Even if the show has completely disappeared with the times, this inferior culture still affects the ecology of this entertainment.

Taiwanese host Sun Peng once talked about the absurd things he did to girls during his art school in "Kangxi".

Sun Peng is the host of actor transformation, and the more well-known work is "Guoguang Help" hosted by Qu Zhongheng, Yu Zongkang and others.

In March 2018, his son Sun Anzuo was found in his home in the United States with a pistol and 1,600 rounds of ammunition, and then arrested by the US police for fear of terrorism, and after more than 200 days in prison in the United States, he returned to Taiwan in December of the same year under bail from Sun Peng and Di Ying.

Yes, it is the terrifying mother Di Ying who shows off her son's "12-year-old continuous milk" and "15-year-old sleeping with his mother"

In the discussion at that time, the control freak Di Ying was often blamed for teaching bad sons. But frankly speaking, Sun Anzuo's violence and crime are not unrelated to his father's influence, and the correlation is even higher.

These can be seen from Sun Peng's behavior towards female students:

In order to show the prestige of the seniors, they will force the seniors to come over and salute, completely treating them as subordinates.

Sometimes just seeing a girl on campus that doesn't fit his aesthetics will call him up for a humiliation and bullying.

There are even horrific acts of sexual assault. After drunk the teacher first, look at the other party's underwear.

In his eyes, women were unworthy of being his equals. He can beckon and linger on them, and he can fiddle and evaluate them as if they were objects.

These are what male artists in Taiwan entertainment do to women. From behind the scenes to the front of the stage, from the campus to the workplace, these male artists never treat women as equal individuals like themselves.

What is even more desperate is that this is not an individual case, nor is it a niche group.

Zhang Fei, Huang Yusheng, Sun Peng, which one is not a big brother in the entertainment industry. And Huang Ziling, Chen Jianzhou, and Wang Jianmin are also famous and powerful figures.

These people hold the "power of life and death". More specifically, whether a small coffee female artist can be on their show and whether she can successfully win this announcement is actually a matter of their words. The economic lifeline and career prospects of female artists are firmly held in their hands.

The girl once broke the news that producer Zhao Ge (Zhao Zhengping) had sexually harassed him backstage

The big brothers have united to weave a huge, structural web under which women are stifled and suppressed.

What is even sadder is that such repression is not the end, but only the beginning.

Because they cannot and do not disdain to perceive women, men in this system embody the arrogance of those in power as intensified oppression of women.

Now the famous actor and director Niu Chengze, who has stepped on the sewing machine, had similar rumors more than ten years before he was exposed to sexually assault a female assistant.

In 2007, when he was filming his pseudo-documentary "The Way to Survive", it was revealed that he asked the actress Ke Huanru at the time to shoot a bed scene completely naked.

During the more than five hours of filming, he asked the actress to wear only chest patches and only a condom himself (this is his own director, so he also played the male lead). Ke later recalled that she "felt dirty."

If this can still be cunning on the grounds of "art", then what happened two years later, there is no way to deny it.

In 2009, he coaxed a woman home, and then directly inserted his finger into the woman's lower body (supposedly because of inattention), and even alarmed the underworld to intervene.

The same act, he repeated nine years later.

Only this time, the woman was no longer silent, and she took Niu Chengze to court and asked for a heavy sentence.

But surprisingly, the female assistant's attitude was so tough and angry, but Niu Chengze seemed to automatically cut the induction.

He first made excuses that he was too stressed to sleep; Then, when he walked out of the police station the next day, he kicked down the roadside garbage can in a fit of rage, and pushed down the female reporter.

He tried to cover up his crimes by spouting, jumping feet, and incompetent rage.

What is even more ridiculous is his statement to the media, in the face of the fact that he has sexually assaulted, he said that he is a "stupid man", and this matter is purely due to the "cognitive gap" between him and the victim.

And this kind of stupid man spirit of beating to death and not admitting his mistakes has also spread tacitly among Taiwanese male artists.

Huang Ziling, in fact, was revealed as early as 2002 that a female model had been forced to strip for a "physical examination". But Huang Zilingfang's response later was, "Sister, is it wrong?" ”

And now NONO, after the fermentation of the Huang Ziling incident, he was also exposed to similar behavior.

Although he is now under pressure to admit it, at the beginning of the incident, his reaction was: "I don't remember." ”

In the face of these real injuries caused by themselves, these male artists have the ability to cut themselves and do not care about themselves. And such behavior leads to more and more pain for the victims.

After being violated by Niu Chengze, the female assistant had to quit her job because of fear. The female artist who exposed Huang Ziling still feels trembling and palpitations in her hands when she recalls.

Due to the hidden nature of sexual harassment, even if the woman is brave, there is a dilemma of difficulty in obtaining evidence and conviction. Those women who have the courage to speak out are very easy to fall into disadvantages in the public opinion field, and even become "false accusers" and "troublemakers".

For example, before Wu was convicted, Du Meizhu's comment area was also humiliated by a slut for a while. And Shiori Ito, a female journalist who exposed the sexual assault crime of Chief News Officer Keiyuki Yamaguchi in "Shame of Japan", was stigmatized + intimidated by the Japanese right-wing for four years.

Conservatives claim that her experience, like the "comfort women" in history, was made up by people with ulterior motives to smear Japan.

Once the stigma against women is formed, it spreads to everyone like an infectious disease, and no one is immune.

Just look at Meng Gengru, who should have been a victim, and now he is scolded for being deserving and weak. Even if you don't speak up, you have to speculate whether you are "informed or not" (and sexual harassers) are in a gang. ”

As for the big brothers of Taiwan entertainment?

The strong wrist can return to work at the speed of light, and the worst case is just to return to ordinary life. Most of them are actually just a collapsed public image, because of the network and resources in their hands, these people can still control the industry behind the scenes and continue to play a blessing.

This is also the reason why Meng Gengru should not be ridiculed.

When a woman's survival depends on the power held by men, then any of her actions, whether rebellious or subdued, are no longer based solely on individual will.

In this case, you accusing women of not being strong enough and brave enough, which is not only an excessive and shameless demand, but also equivalent to exonerating the real evildoers.

Because the focus will be obscured, sin will be obscured, and people will more or less ignore the heart of the event.

"Shame of Japan"

You can not understand Meng's behavior, you can bemoan her choice, but to mock her for her weakness and stupidity on that alone is to ignore the reason for all this, to give the dagger to ourselves to those criminals who should be condemned.

Of course, the current situation of Taiwan entertainment does not exist in one soil.

On this planet, there are nutrients that nourish patriarchy. And the root veins of the evil ones not only control the ideal of freedom and stifle the dignity of human nature, but are even more stubborn and difficult to eradicate.

These women's voices are indeed like sparks, but they are just a fire, but it is difficult to hurt the true roots of "sexual assault culture". The spring breeze blows and grows, and those who do evil can easily make a comeback.

It will be an extremely difficult and painful battle.

And that's why we have to stand behind them and look forward together.

Before calling "bad women," look at the "stupid men" who exploit them.