There are many all-rounders in the Peking Opera circle, such as Tong Zhiling's "Mei Shang ChengXun" drama can be performed, Li Huifang is also a famous artist who can perform multiple trades, and Master Gao Qingkui is not only proficient in Lao Dan and Hua Face.
In addition, there is another immortal in the Field of Peking Opera who is Guan Sushuang. Teacher Guan Sushuang once studied art with Dai Qixia, a famous artist of the southern school of Peking Opera, during which she suffered a lot, and learning art at that time was not as comfortable as in the drama school now. At that time, he not only studied art with his master, but also worked for his master's family, and sometimes he was beaten and scolded.
Later, Guan Sushuang became an apprentice and studied with the Peking Opera master Mei Lanfang, who could not only act in Qingyi opera but also Hua Dan opera, Dao Ma Dan, XiaoSheng, and was also an all-rounder in the Peking Opera industry.
After the founding of the People's Republic of China, Guan Sushuang has been even known as the "one big banner" of the Yunnan Nanjing Theater, and she has also promoted the development of the Cause of Yunnan Peking Opera.
Guan Sushuang and Li Shaochun can be called so far, Li Shaochun has invited Guan Sushuang to beijing many times, and he was able to facilitate this matter, but Guan Sushuang did not agree. Later, Li Shaochun passed away and Guan Sushuang was also sad.
Guan Sushuang's life is legendary, whether it is learning art or later breaking into the rivers and lakes, which is related to her own bold and resolute personality.
Why Guan Sushuang died is also controversial, some people say that she was "angry" to death, why do you say so?
Because the art festival was held in Kunming, Yunnan, the remuneration for the program carefully prepared by Teacher Guan Sushuang was only 500 yuan, and the appearance fee of a big singer like Mao Amin was as high as nearly 10,000 yuan.
Therefore, after the performance, Teacher Guan Sushuang was very unhappy and worried about the development prospects of Peking Opera art. And whether or not they are killed by "qi" can only be said to be benevolent people seeing wisdom.
In fact, the decline of Peking Opera art is inevitable, and the decadence of both the internal and external environment of Peking Opera is irreversible.