Qinqi calligraphy and painting, known as the four arts of the composition room in ancient times, is a well-praised entertainment activity of the literati and inkers, the ancients believed that playing the piano, playing chess, writing, painting, or just listening to the piano, watching chess, appreciating words, reading paintings, understanding poetry and painting, can appreciate the eyes, cultivate sentiments, and benefit health and longevity. The daily necessities, mountains and rivers that appear in the ancient paintings truly reflect the way of life and scientific and technological level of the people at that time, combined with the record of the background of the ancient paintings, it is even more interesting to appreciate the paintings.
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Chinese Qing Dynasty painting, under the influence of politics, economy, ideology and culture at that time, presented a specific style of the times. Scroll painting continues the trend since the Yuan and Ming dynasties, literati painting is popular, landscape painting is flourishing, and ink freehand painting is prevalent. Literati painting presents two tendencies: sublime and innovative. In terms of subject matter content, ideological interest, pen and ink skills, etc., they have different pursuits, and form a variety of styles and genres. Court painting also achieved great development during the Kangxi and Qianlong periods, and presented a new style that was very different from the previous generation of courtyards. Folk painting is most prominent in the achievements of New Year paintings and prints, showing an unprecedented flourishing situation. The historical process of the development of painting in the Qing Dynasty is related to the development and changes of the whole society, and can also be divided into three periods: early, middle and late.
Early Qing Dynasty. During this period, literati landscape painting flourished and formed two distinct artistic pursuits. The Four Kings School of Painting, which inherited the mantle of Dong Qichang at the end of the Ming Dynasty, took the imitation of the ancients as its purpose, was valued by the imperial family, and occupied an orthodox position in the painting world. A group of Ming Dynasty relics painters who were active in the Jiangnan region sent love to the landscape and borrowed paintings to express their nostalgia, and had a pioneering and innovative spirit in art, represented by the Eight Houses of Jinling, the "Four Monks" and the Xin'an School. Here we share the fine paintings of Yun Shouping, the six great painters of the early Qing Dynasty.
Yun Shouping (1633-1690), the name of the character, the character Shouping, later with this character line, more character Zheng Shu, the number Nantian, alias Yunxi Waishi, Dongyuan Caoyi, Ouxiang Sanren, etc., Jiangsu Wujin Shangdian people. The outstanding painters in the history of Chinese painting, together with Wang Shimin, Wang Jian, Wang Yi, Wang Yuanqi and Wu Li, are known as the six masters of the early Qing Dynasty, who are good at landscapes, especially in the painting world of sketching flowers, creating a school of "boneless flowers" that are as clear as water and as clean as frost, and are the founder of the "Changzhou School".
It should be said that Yun Shouping's sketching and flower achievements are more prominent than his landscape paintings. His floral style is fresh and delicate, light and elegant, with a wide range of themes, real and vivid artistic images, beautiful pen and ink and color, creating a "boneless" method of "clear as water, clean as frost". Yun's bold attempt to "consider the ancient and modern, take the Northern Song Dynasty Xu Chongsi as the home, wash the habits of the times, and open up a new way for flower sketching".
Yun Shouping also had a high degree of achievement in poetry and calligraphy. His calligraphy absorbs the strengths of ancient masters, "with Wang Xianzhi as the body, Chu Suiliang as the face, and Huang Tingjian as the bone", round and energetic, wonderful and illuminating. His poetic achievements are also very high, leaving more than a thousand poems. Most of his poems are the real feelings of his life, and Gu Zuyu compares his poems with the poems of Qu Yuan, Tao Qian, and Du Fu, which shows the high achievements of his poetry
Yun Shouping has passed down many works, There are mainly "Double Qing Map", "Gaoyan Splash Waterfall Map", "Wang Maolin Statue", "Peach Blossom Map", "Songzhu Map", "Gaoyan Tree", "Landscape Flower and Bird Atlas", "Fuchun Mountain Map", "Poppy Flower Map", "Xianglin Purple Snow Map", "Sword Gate Diagram", "Red Lotus Green Algae Diagram", "Gongmu Sitting listening to Songfeng Diagram", "Tingting Fish Algae Diagram", "Yu cave ancient cypress map", "Peony Map Page", "Spring Wind Map Page", "Lingyan Mountain Map", "Wuqing Map", "Guoxiang Chunji Map", "Lotus Reed Sketch Map", "Imitation Dongyuan Xishan Endless Map Axis", "Osmanthus Ziwei Diagram", "Jiulan Diagram", "Jiulan Diagram", Imitation ni zhan ancient wood bush hedge chart", "ancient wood weeping luo figure", "begonia map", "carved Lu Qingxiu chart axis", "fish algae chart axis", "Maolin Chongshan map axis", "Qingchuan range rover map", "antique landscape map", "cangsong green bamboo map axis", "Qiao Song chart axis", "falling flowers swimming fish map", "caryophyll diagram", "water hibiscus map", "a bamboo jai picture volume", "mountain and water flower and bird atlas of Qiao Ke rush", "vegetable and fruit album page", "flower and bird sunset map", "lake and mountain spring warm map" and so on.
Appreciation of Yun Shouping's "Double Qing Map" in the early Qing Dynasty
"Double Qing Tu" axis, Qing, Yun Shouping painting, silk, color, length 88.5 cm, width 54 cm. It is now in the palace museum in Beijing.
This painting is self-titled: "Ying Yin Chun Ou Xiang Ge Pro, Nan Tian Shou Ping." "钤"寿平" (朱文), "Yun Zheng Uncle" (白文), "Will Transfer My Affection" (白文), "Send Yue Yun" (Zhu Wen). On the right side of the painting, wang yi ink inscription, plutonium 2 white text print "Wang Fei's seal", "Stone Valley". The collection is printed with 7 squares such as "Exhibition Axis Shenyi".
This painting was composed by Yun Shouping when he was 55 years old. The name of the painting "Shuangqing" is because the plum blossom is "the character of "the fangs shake off the single Xuanyan" and the daffodil is regarded as the "clear object" in the traditional painting subject with its light color and fragrance and the characteristics of the qing qi. This picture is painted with a pale blue halo on the silk floor, setting off the double clear flower color. The plum tree is full of branches, horizontal obliquely, and its petal method is the southern Song Dynasty Yang blameless painting method, that is, with the ink pen circle line as the petal, the line is elegant and majestic, outlining the vitality of the flower. The white stroke rhyme of Zhao Mengjian, a daffodil fayuan, the leaves are rich in rapid delay, thickness, and sudden folding, and the flowers are either leaning or leaning, or opening or closing, and also change. The author successfully shows the beauty of plum blossoms and daffodils floating with lively and varied expression techniques. The whole picture does not deliberately seek work and similarity, but seeks natural interest, revealing the bland and super-comfortable aesthetic interest that Yun Shouping has always pursued.
Early Qing Dynasty Yun Shouping's "High Rock Splash Waterfall Map" appreciation
"High Rock Splash Waterfall Map" axis, Qing, Yun Shou Pingzuo, paper, light color, length 104.9cm, horizontal 43cm. It is now in the palace museum in Beijing.
This self-titled: "Ancient Wood Weeping Luo Gao Rock Splash Waterfall Map." Put pen vine flowers fall into the pond, and move the stones at night to have cloud knowledge. Kaixuan long hanging South Mountain shadow, why the east fence pan chrysanthemum time. Biling Yun Shouping. "Plutonium" Gardener", "Shouping", "Ink", "Nantian Grass Clother", "ZhengShu Antique", "Game Pen and Ink" Print Liufang. There are 4 parties: "Examination and Approval of False Zhai", "Bai Family Collection", "Sun Yufeng Treasure Seal", and "Bai Chengliang Appreciation Seal".
There are not many trees depicted in this close-up, but they are rich in morphological changes, with ancient tree branches and green vines hanging in the wind, and the two are interspersed and coiled to show order. The spring water in the middle scene is babbling, and the reeds are simple, which naturally separates the far and middle scenes, thus enhancing the sense of depth and space of the whole width. Yuanshan uses light ink dry pen as a long cloak, and the brush strokes are open and loose, showing a clear and deep charm. This figure does not deliberately seek work and similarity, but seeks natural natural interest, showing the bland and super-comfortable aesthetic interest that Yun Shouping has always pursued, which is one of yun shouping's fine products.
Early Qing Dynasty Yun Shouping's "Portrait of Wang Maolin" Appreciation
"Portrait of Wang Maolin" volume, Qing, Yu Zhiding, Yun Shouping painting, paper, color, length 30 .8cm, horizontal 185 .6cm. It is now in the palace museum in Beijing.
"Portrait of Wang Maolin" is a figure drawn by Yu Zhiding, and Yun Shouping paints the background. The beginning of the volume was filled with faint clouds of smoke, and Wang Shi sat on the ground, playing with his own treasures of Yantai, accompanied by books, showing the elegant and unworldly literary interest. The mountains are paved with grass, green pines, bamboo scattered among the stones, distant streams, clear sounds into the ears. The painter depicts a quiet and pleasant retreat, setting off a dusty state of mind like the lord's favorite mountain forest and sending love poems.
Appreciation of Yun Shouping's "Peach Blossom Diagram" in the early Qing Dynasty
"Peach Blossom Diagram" axis, Qing, Yun Shouping painting, on paper, color, length 133cm, horizontal 55.5cm. It is now in the palace museum in Beijing.
This self-title: "Practice aromatherapy thin smoke, apricot chi plum early different research." There are no warblers and butterflies in the mountain, and only sleep drunk with the ghost. Ou XiangGuan Pro Tang Xieyuan, Shouping. "钤" Shouping Seal", "Zheng Uncle", "Baiyun Waishi" seal, the first plutonium "Send Yue Yun" seal. The collection is printed with "Appreciation of Lake Hurricanes" and "Seal of Yuan and Gu ZiShan". Framed Wu Hufan inscription, Fei Nianci inscription.
The picture depicts a blossoming blossom of folded branches and peach blossoms obliquely into the picture. The brushwork is light and sparse, and the color is light and elegant, which fully embodies the unique charm of the boneless method of dotting the object image, which not only shows the beauty of the flowers and the softness of the leaves, but also shows the poetry of the peach blossoms with smoke and mist under the spring light, and the poetry of "learning to incense and thin smoke".
Appreciation of Yun Shouping's "Songzhu Tu" in the early Qing Dynasty
"Shochiku Diagram" axis, Qing, Yun Shouping painting, paper, color, length 135 .8cm, horizontal 61.3cm. It is now in the palace museum in Beijing.
The upper right of this painting is titled Five Absolute one and signed: "Leaning on the white clouds, the coiled pottery path is deep." Looking at each other only Shi You, there is also a chill in the years. Ou Xiang Museum system, Baiyun Creek outside Shi Shouping. "钤" Nantian Caoyi "White Wenyin", "Shouping", "Send Yueyun" Zhu Wenyin. The collection is printed with: "Zhonglin Jianzang" Bai Wenyin, "Lou Donglu Yuqing Wish Wu Clan Zhi Shu Book" Zhu Wenyin.
The pines, bamboo and stones depicted in this picture are the subjects used by literati painters. In his later years, Yun called himself "The History of BaiyunXi", and the first sentence of the inscription poem", "Relying on Baiyunwai in Vain", should be written as a reality. "Panhuan Pottery Path Deep" comes from Tao Yuanming's "Return to the Origin", expressing the author's intention to learn Tao Yuanming and return to Baiyunxi. The painting of the pine bamboo is vigorous and beautiful, and the bright and beautiful appearance presented in the picture is a portrayal of the painter's leisurely and relaxed state of mind when he lives late.
Appreciation of Yun Shouping's "Gaoyan Trees" in the early Qing Dynasty
"Gaoyan Tree" scroll, Qing, Yun Shouping painting, on paper, color, length 217.3cm, horizontal 97.2cm. It is now in the palace museum in Beijing.
This painting is self-titled: "High Rock Tree, Proposed North Garden Taishou." Wen Zhengzhong tasted the words: See Beiyuan painting half of the mountain, that is, Dong Zongbo's collection of "Journey to the Creek Mountain" is also. His pen is like a dragon, if it is thunderous and electric in the scale, the spirit is depressed, across the ancient and modern, the pen seizes the right to transform, the network is unpredictable, and the non-scholars can know it. Ink pond research and mortar, the book is sincere, and the painting is also appropriate. Jia Yin March for Xue Weng's old father Mr. Tai Jian, Yun Ling Yun Shou Ping. "钤" East Garden Outer History "Bai Wenyin" and "Shouping" Zhu Wenyin. The collection is printed with: "Haiyang Sun's Uncle Lian Treasure Appreciation Calligraphy and Painting Seal Letter", "Uncle Lian's Approval", and "Supreme Wonderful Product" in three parties.
"Jiayin" is the thirteenth year of the Qing Kangxi Dynasty (1674), and Yun Shou was 42 years old.
According to the title of the paragraph, this picture was made by the author for the predecessor Yang Yu (Xue Weng). The picture depicts the jiangnan scenery of dense trees, mountains and clear streams. Although this picture is self-titled to imitate Dong Yuan's "Map of Traveling in the Creek and Mountains", it is actually borrowed from the ancients to show the hills and ravines in the author's chest. The whole pen and ink are beautiful, the style is light and elegant, the decoration and cloth posture pay attention to the structure, and the "potential" of the landscape and water is sought in the big place, and the "fun" of the tree and stone is obtained in the subtlety. Therefore, the multitude of objects is complex and unified. This is a rare masterpiece of landscape painting in the middle age of Yun's family.
Early Qing Dynasty Yun Shouping's "Landscape Flowers and Birds" appreciation
"Landscapes, Flowers and Birds" volume, Qing, Yun Shouping painting, paper, color, length 27.5cm, horizontal 35.2cm. It is now in the palace museum in Beijing.
Each figure has its own Inscription on Yun Shouping, which is "Shouping" Bai Zhu Wenyin, "Zheng Shu" Zhu Wenyin, "Shouping" Bai Wenyin, "Yun ZhengShu" Bai Wenyin, "Shouping Yin" Bai Wenyin, etc. Each figure has an inscription poem by the Qianlong Emperor. The collection is printed with more than 20 parties, such as "The Treasure of The Qianlong Imperial Reward", "Chunhua Xuan", "Shiqu Baodi", "Chen Pang Yuanji Gongzang", "The Purest Product of The Illusory Fast", etc.
The third and tenth openings of this atlas are signed with the annual paragraphs "Yi 卯 Autumn" and "乙卯 October" respectively.
"Yi Di" is the fourteenth year of the Qing Kangxi Dynasty (1675), and this work should be the work of Yun Shouping when he was 43 years old.
This landscape and flower atlas depicts flocks of geese, lotuses, landscapes, ancient wood jackdaws, peonies, Qiao Ke streams, night rain, chrysanthemums, orchid butterflies, and xishan travels. The whole volume is written by the author to imitate the Song, Yuan, and Ming families. The landscape is dominated by zong dongyuan, juran, mi fu, and Zhao Mengfu, and the bones are quiet and quiet, and they are rich in the atmosphere of literati books. Flowers and birds are mainly based on Zong Xu Chongsi, Zhao Chang, and Shen Zhou, attach importance to sketching, and strive to resemble, such as the fifth open peony, flexible technique, patriarchal Xu Chongsi's boneless method, while emphasizing "communicating with the flowers", trying to go to Huajing, pursuing "Elegance", not deliberately seeking work, only seeking natural natural interest, revealing the bland and super-easy aesthetic interest that Yun Shouping has always pursued.
Early Qing Dynasty Yun Shouping's "Fuchun Mountain Map" appreciation
"Fuchun Mountain Map" axis, Qing, Yun Shouping painting, silk, color, length 168cm, horizontal 69.2cm. It is now in the palace museum in Beijing.
The picture depicts a majestic scenery of lush forests and rolling hills. This picture is the author's imitation of Huang Gongwang's "Fuchun Mountain Map", with rough lines and elegant gestures. Light ink dyeing, transparent ink color but dignified, showing the author's skillful use of Huang's pen and ink techniques.
Title: "Rolling wind and rain over the mountain window, the bottom of the pen flowing clouds fluttering wine tank." The strange thing is that lan cuihe is in the eyes, but he is suspected to be in the Fuchun River. Pengshen Autumn Gong imitates a peak of Fuchun Tuyi, Yun Shouping. "钤" Shouping", Zhu Wenyin, "Zheng Uncle" Bai Wenyin. The collection is printed with "Treasure of Jiaqing Royal Collection" and so on.
"Pengshen" is the seventh year of the Qing Kangxi Dynasty (1668), and the author was 36 years old at the time.
Appreciation of Yun Shouping's "Poppy Diagram" in the early Qing Dynasty
"Poppy Flower Diagram" Fan page, Qing, Yun Shouping painting, paper, color, length 16.2cm, horizontal 50.5cm. It is now in the palace museum in Beijing.
The fan page has a self-title: "Amaranth Pavilion Plays." Nanda Keshouping. "Plutonium" Uncle " Zhu Wenyin , "Nantian Grass Coat" White Wenyin.
This figure depicts blooming poppies in accordance with the "boneless" method created by Yun Shouping out of the ancient and new. The petals and leaves do not use ink pens to outline the contour lines, but are all dyed with color dots, which is quite swaying and delicate beauty, reaching the artistic realm of color, light, state and rhyme that he pursues. Yun's boneless sketching method, which pays attention to similarity but is not satisfied with shape, not only won the love of the Qing royal family and became the authentic flower and bird of the Qing Dynasty courtyard, but also won the preference of the citizen class. However, he made a living selling paintings, and his paintings were not sought after by the market before his death, and when he died of illness at the age of 58, he was unable to treat the funeral due to his family's poverty, and it was Wang Yi who took care of the funeral for him.
Early Qing Dynasty Yun Shouping's "Xianglin Purple Snow Map" appreciation
"Xianglin Purple Snow Map" fan page, Qing, Yun Shouping, paper, color, length 17.7cm, horizontal 53cm. It is now in the palace museum in Beijing.
The fan page has a self-title: "Xianglin Purple Snow, Yunxi Shouping." "Yin Shou Chu " Blow Wan " Zhu Wenyin, "Gardener" Bai Wenyin. He also asked himself: "Spring twilight Donggao Garden Pool, enjoy the vines and flowers in the sky, purple clouds fluttering, good wind blowing incense, falling Ying colorful, real wonders also." Write a branch of the play for entertainment. "钤"寿平" white text seal.
This picture has the same name as the Wisteria painting fan (the year model "壬戌", Yun Shou is usually 50 years old) in the Nanjing Museum, and the painting style and calligraphy style are similar, so it is inferred that this painting without a creative year should also be yun's later years. This is a sketch of the scene, and the author suggests the invisible wind and the poetry of "good wind blowing incense" by painting the fluttering form of wisteria. The clear colors of the whole picture and the skillful brush strokes show the author's keen observation and painting skills that are proficient in detail.
Appreciation of Yun Shouping's "Sword Gate Diagram" in the early Qing Dynasty
"Sword Gate Diagram" fan page, Qing, Yun Shouping painting, paper, color, length 17cm, horizontal 52.9cm. It is now in the palace museum in Beijing.
The fan page has its own inscription: "In June of Gengji Xia, together with The Prince of Yushan, Shi Gu and Lu Zi Hanru, he took a raft from xicheng to follow the mountain for three or four miles to rest in our country, and took the xingxing to climb the sword gate." Sword Gate, the most victorious place in Yushan Also. Before the water was halfway up, a large stone wall suddenly rose up, and it went up in the air, like a cloud of armor rising out, and like a swaying wing drooping. Under the steep slashing force of the stone wall, it is absolutely like a sword cut, and if it can pass through other realms, it is called Sword Gate Cloud. Yu Ini Ishitani ordered to draw the sword gate, and it belongs to the record, and what he saw when he traveled in the play was roughly so. "钤" 寿"Zhu Wenyuan seal, "Zheng Uncle" White Wen Square Seal.
"庚戌" is the ninth year of the Qing Kangxi Dynasty (1670), Yun Shou was 38 years old.
From the self-title, this picture is Yun Shouping and his friends Wang Shigu and Lu Han, who are also good at painting, are like You Yushan Sword Gate, shocked by the steep and dangerous mountain of Jianmen, Yun Shouping was entrusted by Wang Shigu to write down this trip in the form of painting, so this is a picture that most truly reflects the style of Yushan Sword Gate, and it is also a documentary map of Yun Shouping's early friendship and friendship, which is of great significance to the study of Yun Shouping's social activities. In order to show the momentum of the Stone Wall of Jianmen "going up in the air", the author did not paint from the foot of the mountain, but only painted a part of the stone wall, and the omitted summit and foot of the mountain gave people more imagination space to stretch upwards and explore the bottom down. At the same time, the author uses the artistic technique of comparison to paint the behavior of him and his friends on the cliff, which sets off the towering cliffs of the mountain. The picture of zhongshan stone with wrinkles and dyeing, the color is bright and elegant, and the brushwork is loose and beautiful, showing the characteristics of Yun Shouping landscape painting lingxiu and elegant.
Early Qing Dynasty Yun Shouping's "Red Lotus Green Algae Diagram" appreciation
"Red Lotus Green Algae Diagram" axis, Qing Kangxi Decade (1671), Tang Gong, Yun Shouping painting, on paper, color, length 135.7cm, horizontal 59cm. It is now in the palace museum in Beijing.
This picture was made by Tang Yi (Yin Guang) and Yun Shouping to celebrate Wang Yi's 40th birthday. Tang Tang painted lotus flowers, and Yun Shouping painted algae. Both lotus flowers and ingra algae use the boneless method, revealing a feeling of lightness and moisture. In the breeze, it seems that the fragrance of lotus leaves and lotus flowers is faint. The algae in the pond are painted with a single stroke. The shape and shape are both gods and gods, and the style is fresh and elegant.
This painting is signed: "Brother Shi Gu wrote this blessing in early February in Xinhai, Biling Tang Yuan" . 钤 "Tang Yuguang" Zhu Bai Wenyin, "Zi Jin" White Wenyin. Yun Shouping question two. In this painting, there are also Wang Shimin, Wang Jian, Andi Chongguang poems, and inscriptions. "Xinhai" is the tenth year of the Qing Kangxi Dynasty (1671).
The collection is printed with three parties such as "The Product of The Essence of The Void".
In the early Qing Dynasty, Yun Shouping's "Gongmu Sits and Listens to the Song Wind Map" is appreciated
"Gongmu Sitting and Listening to the Songfeng Diagram" axis, Qing Kangxi Twenty Years (1681), Shen Shao and Yun Shouping co-painted, on paper, color, length 128cm, horizontal 59.3cm. It is now in the palace museum in Beijing.
The middle shenshao section on the right side of this painting is signed: "Xin Yourui Yuehua Pavilion Seventy-Six Sorcerer Shen Shao." "The Seal of Shen Shao". On the left, there is a poem inscribed by Yun Shouping, and reads: "Xin Youqiu played to supplement the pine stone flowing spring and inscribed a photo for Mr. Gongmu." Biling Nantian Yun Shouping. "The lower plutonium "Shou Ping", "Yun Zheng Uncle" seal, the first plutonium "Nantian Xiaoyin" seal. This figure is composed of Shen Shao painting portraits, and Yun Shouping supplemented the painting of landscape trees and stones. The picture depicts an old man sitting on a pine stone with a child in his arms, two children standing next to him, and a Quqiu ancient pine standing obliquely in the painting behind him. The characters are arranged under the pine trees, as if listening to the sound of pines. Although this figure shows the elegant state of the literati, it has more worldly interest. The protagonist in the painting wears a white robe, a Zhu shoes, and a Confucian scarf, which is like a typical costume of the Literati of the Ming Dynasty, with a charitable and solemn appearance, a beard under the jaw, and a god-like eyebrow, which is quite colorful. The three children are slightly facial, but their naughty attitude is still very vivid, especially the form of the child playing with a rattle in his arms, which is extremely vividly depicted, so that the whole picture shows a hint of movement in a quiet atmosphere.
"Xin You" is the 20th year of the Qing Kangxi Dynasty (1681), and Shen Shao was 76 years old at the time, according to which it is inferred that Shen Shao was born in the 33rd year of the Ming Wanli Calendar (1605). The specific year of Shen Shao's death has not yet been recorded, but this picture is the latest work seen so far. Yun Shouping was 48 years old when he created this picture, which coincided with the heyday of his painting art creation, while Shen Shao was already in his old age at this time, and his painting art had reached its peak. The two people cooperate with tacit understanding, the pearls are united, and the whole width gives people a sense of light and elegant, which is actually a masterpiece of exquisite landscape portrait painting.
Early Qing Dynasty Yun Shouping's "Tingting Fish Algae Diagram" appreciation
"Tateshina Fish Algae Diagram" Axis, Qing, Yun Shou Pingzuo, paper, color, length 135cm, horizontal 62 .6cm. It is now in the palace museum in Beijing.
Self-titled: "Qingshan Garden Pond Lotus Flower Ting got this scene, Baiyun Creek outside Shi Shouping cut candle play." "钤" Shouping's Seal", "Zheng Uncle", "Yi Dang Wan". The collection is printed "Sun Shi Hongyi Zhai Seal", "Yu Feng Appreciation", "Luyunlou Calligraphy and Painting Record", "Shiyuan Treasure Collection".
This painting is a sketch of Yun's touching scenery. The composition is simple and simple, and the scenery is not far, medium and close, only a corner of the Qingshan Garden Pond is painted: the flowers, green bamboo and lake stones form an elegant and peaceful artistic conception, and the comfortable appearance of several swimming fish adds a little vitality and interest to the whole width. Yun Shouping once said in the "Ou Xiangguan Collection of Supplementary Paintings": "Taking the ancients as a teacher has not been perfected, it will be cultivated by the teacher, and the shu ji will study the state as much as possible and become the sect of great elegance." This picture reflects his aesthetic idea of paying more attention to the teaching of nature in addition to traditional painting. In terms of expression techniques, Yun Shouping adopts the "boneless" painting style he created from ancient times, that is, he does not use the pen to outline the contour lines of the object, but is dyed with color dots. Bamboo, reed leaves and algae are applied with different shades of flower blue, light ochre, light red, etc., each leaf is skimmed out, lacking the shackles of the contour line, and the object image is more swaying and vivid. Lake stone to light flower blue as the main tone, the application of a large amount of water blending, no dry pen hook line, dry pen rubbing, lake stone of course lost the hard texture of the stone body, but its exquisite and transparent beauty doubled.
Early Qing Dynasty Yun Shouping's "Yu Cave Gu Bai Tu" appreciation
Qing Yun Shouping's "Yu cave gubaitu" on paper, ink painting rules: 109.7 cm, horizontal: 51.8 cm. it is a painting created by The Qing Dynasty painter Yun Shouping, now in the National Palace Museum in Taipei.
Painters often travel to various places of interest and historical sites to get inspiration for painting, and the same is true for Yun Shouping, who travels all over Zhejiang and Suzhou, and will write down his favorite landscapes by hand. At the age of thirty-five, Yun Shouping went boating in Jinghu Lake in Qiantang, Zhejiang Province, explored the Yu Cave, and was very fond of the ancient cypress on the Yu Cave, so he sketched it in his essay. Five years later, based on sketches and impressions, this "Yu Cave Gubai" was painted.
Yun Shouping likes to paint trees, he feels that after a hundred years of wind and snow blowing and can stand unbroken old trees, the branches are often very peculiar, so the more strange and vicious the ancient tree posture, the more can show the spirit of the old branches are indomitable and upright against the wind, just like the gentleman's indomitable sentiment. Therefore, when painters paint ancient cypress and old pine, they will always draw their branches in an intricate manner.
The ancient cypress in the picture, the branches are coiled and vigorous, symbolizing the posture of the ancient cypress, and there are stones and bamboo next to the ancient cypress, which are used as a metaphor for the gentleman's noble and unconventional, bright and upright mind.
Appreciation of Yun Shouping's "Peony Picture Page" in the early Qing Dynasty
Qing Yun Shouping painted a peony picture page, 28.5 cm in length and 43 cm in width, in the collection of the National Palace Museum in Taipei.
Qing Dynasty flower painting master Yun Shouping (1633-1690) painted and wrote about ecology and the ancients. This painting is selected from the "Ancient Book", based on the "boneless method" created by the Northern Song Dynasty painter Xu Chongsi, who painted two branches of peony with his own intentions, one with buds to be released, and one burning and blooming. Yun once said that painting flowers is extremely vivid, and it is necessary to change their postures and make the viewer feel as if the fragrance of flowers is blowing on the painting. The whole work is based on boneless color, abandoning the ink pen hook, directly dying with color stacked colors, and then adding hooks to draw the contours of the ribs, with bright and pure colors, and the style is original.
Appreciation of Yun Shouping's "Spring Wind Picture Page" in the early Qing Dynasty
Qing Yun Shouping painted a spring wind picture page, color on paper 26.3 × 33.4 cm Collection of the National Palace Museum in Taipei.
Yun Shouping (1633-1690), a native of Wujin, Jiangsu. Qing Dynasty flower painting master. The poem is the first of the Six Yi of The Biling Tombs, painted with the Four Kings of the Early Qing Dynasty and the Wu Calendar (1632-1718) and called the Four Kings Wu Yun. Yun Shouping paints and collects the ancients and writes about the ecology. This painting is selected from the "Yun Shou Ping G Ancient Book". The painter wrote it himself under the title of a draft of the Linsong Dynasty. Paint a spring scene of pink and willow green. A covered mineral pigment lead powder is accompanied by rouge to depict the bright and fresh beauty of the sparkling peach blossoms. Willows are contrasting with a transparent watery green color of plant-based yellowish juice, showing the tenderness and elegance of the newly sprouted leaves in early spring.
Early Qing Dynasty Yun Shouping's "Lingyan Mountain Map" appreciation
"Lingyan Mountain Map" volume, Qing, Yun Shouping, paper, ink and pencil, 20.7 cm in length, 107.2 cm in width. It is now in the palace museum in Beijing.
This poster reads: "Disciple Yunge of Biling painted and inscribed." "The upper right self-knowledge:" Xianxiang ShanWeng once wrote a map of the Lingyan for the monk, and inscribed the first of its frame: 'The fun of this mountain is on the back, the fun of the temple is on the surface, the fun of the water is in the sky, and the cover is on the side to take the momentum, so that the lake light is out of it.'" 'Unfortunately, this picture escaped, there was no way to buy, and now I use this phrase to write directly about zhengfeng, and cut a piece of Furong City from above the falling red pavilion, and the full shape is complete. For example, the Seven Treasures of Mount Meru, on the four sides of the upper and lower sides, each has a different color, and the color is different, and all that you see is Sumiya. The old monk learned from it. The disciples of Viling painted and inscribed. ”
He also knew himself: "Xi Huangzijiu painted the Fuchun Mountain Scroll, quite self-effacing, and carried the line for several years and then became." It is a mirror in the mountains to clear the upper floor, sprinkled ink on the ground, once without stopping, the work is expensive and clumsy, how to take the speed, the meaning of the pen first is deeply ashamed of the ancients. Shou PingGe and Trek. "Uncle Zheng". Quote the first Qing Hongchu inscription poem, 钤 "Zhongwu Yanshan Jianshi" and other Indian seven squares. The back is covered with six inscriptions such as Qingming Tan, and the fourteen seals such as "Xi Li Jing Eye" are printed.
In February of the third year of the Qing Kangxi Dynasty (1664), yun shouping, 31 years old, accompanied his father Ming Tanyun to Suzhou, visited the abbot of the famous local Lingyan Mountain Zen Temple, Hongchu, on the occasion of Hongchu's 60th birthday, Yun Shouping immersed himself in making this picture, and his father wrote "Lingyan Mountain Endowment" to show congratulations. Many of Yun Shouping's landscape paintings are sketches based on what he saw during his travels. These works are not purely objective depictions of natural objects, but subjective aesthetic trade-offs, refinements, and generalizations according to their own creative needs. This figure focuses on the Lingyan Mountain, and the author uses the aesthetic principles of distance and proximity, denseness, and high and low contrast, and the scenery on both sides of the Lingyan Mountain is diluted as a foil, thus better expressing the theme and setting off the ethereal beauty of the Lingyan Mountain. This painting is a typical work of Yun Shouping's landscape paintings in which the beauty of form and the beauty of meaning complement each other.
Appreciation of Yun Shouping's "Five Qing Diagrams" in the early Qing Dynasty
Qing Yun Shouping Wuqing Tu Axis Ink on silk 86.1× 38.4cm Collection of the National Palace Museum, Taipei
Yun Shouping is a generous man, his personality is lonely and free, he is reluctant to take the exam, he sells paintings for a living, he lives a life without controversy with the world, his integrity and character are quite respected, and his paintings are also like his character, with a noble and unconventional style. Yun Shouping represents the gentleman with Wuqing, which refers to pine, bamboo, plum, water and moon. Pine cedar through frost and snow without withering, bamboo with its knotted hollowness, representing the gentleman's discipline and humility; plum blossoms are not afraid of wind and frost, the colder the more blossoming, is a portrayal of character firmness; and water and bright moon are clear, transparent, white and flawless symbols, so collectively called "five qing", since ancient times has often been used as a metaphor for the virtue of gentlemen. A gentleman with both talent and moral character, a high wind and bright temperament, and a "poor and lowly can not be moved, the rich can not be bent" Zhijie, is a respectable person in society.
The painting is divided into three sections, the upper part of the painting of the old pine from right to left, the bright moon hanging high in the sky, the middle part of the plum blossoms, accompanied by verdant green bamboo; the lower part of the flowing water. The "Shin You Early Autumn Nanda Shouping System" is a work by Yun Shouping at the age of forty-nine. The composition of the work is simple, the pen and ink are changeable, some ink colors are full of water, and some are dry and scorched. Some are first wet and then withered, first thick and then light, and the ink is rich. The pen is gentle and gentle, presenting an atmosphere of peace and tranquility, like the humble gentleman he respects.
Early Qing Dynasty Yun Shouping's "National Fragrance Spring Ji Diagram" appreciation
Qing Yun Shou Ping Guo Xiang Chun Ji Diagram, vertical axis, silk, color, length 103 cm, width 51 cm. It is in the collection of Nanjing Museum, Jiangsu Province.
This picture fully shows the technical characteristics of Yun Shouping boneless flowers, which are directly blended with color. The painter has a very subtle observation of the painted object, skillfully using water, powder and other techniques to express the posture of the flowers that are blooming or about to bloom very real and subtle. The whole picture is bright and fresh, the color is elegant, the pen is handsome, and the artistic conception is faint. Qin Zuyong once commented: "Compared with the heavenly immortals, they do not eat human fireworks, and they are listed as yipins." ”
Early Qing Dynasty Yun Shouping's "Lotus Reed Sketch" appreciation
Qing Yun Shou Ping Lotus Reed Sketch Vertical Axis, Paper, Color, Length 131. 3 cm, width 59. 7 cm vertical shaft, collection of Nanjing Museum.
The painting depicts a new lotus in the midst of the autumn breeze, and the petals of the flowers blooming delicately, contrasting with the withered and half-dead lotus leaves and the colorless lotus canopy. The lotus flowers are painted in Yun Shouping's unique boneless painting method, the tones are clear and cool, and the brush is free and ethereal, creating a sense of emptiness. The upper left of the painting is self-titled: "This frame was painted on the East Pond a few years ago after drunkenness, the residual lotus was separated from the reed grass, slightly desolate and lonely, placed in the mess of paper residue, I don't know when it was obtained by the old man of the book, this autumn even showed, Yu suddenly like the law of the room encountered the old thing in the broken urn also." Because the old book is inscripted with a pen".
Early Qing Dynasty Yun Shouping's "Imitation of Dongyuan Xishan Endless Chart Axis" appreciation
Qing Yun Shouping's "Imitation of Dongyuan Xishan Endless Scroll", ink on silk color. 184.3×79.2cm。 National Art Museum of China. Created in: 1687.
This picture shows a painting by Yun Shouping imitating the fifth generation of painter Dong Yuan. Dong Yuan is a representative of the southern school of landscapes in the Five Dynasties period, and is good at describing the true mountains of Jiangnan and the banks of the valleys in ink or light ochre, often "out of the chest" and "not for the strange brush". This figure uses the "S" shape composition and rounded and neat brush to express the lofty and far-reaching scenery of the stream and mountains, which is quite dong yuan's painting intention. The small bridges, pavilions and close-up scenes are lightly colored in the middle of the painting, which points out the bland and simple mood of the whole painting.
Early Qing Dynasty Yun Shouping's "Osmanthus Ziwei Tu" appreciation
"Osmanthus Ziwei Tu" is in the collection of the National Palace Museum in Taipei.
This painting is selected from the "Qing Flower Album", and the fan surface depicts the flower gods of the summer and autumn season in August - osmanthus flowers and ziwei, with colorful branches interspersed with colorful and beautiful flowers, and the petals are complex and overlapping. Flowers are mostly hook-dyed, the color is layered, the leaves use the boneless method, and the leaf veins are clear to the back, which is quite wonderful for sketching. The painting is self-titled "Red Wei Xiao Feng, Golden Millet Autumn Fragrance." "The two kinds of flowers compete with each other, and the floral fragrance is intoxicating. This drawing is painted in the Nantian Study - Ouxiang Pavilion, which is located on the bank of Baiyun Creek in Changzhou, where the Yun family lived for many years and grew old.
Appreciation of Yun Shouping's Chinese painting "Nine Lan Tu"
This painting is also known as "Jianlan Tu" 23.5 × 67.23 cm on silk. It is now in the collection of the Palace Museum in Beijing. Jianlan, also known as Qiulan. Depicting several orchids, elegant and beautiful, the color code is deep, the layout is exquisite and neat, and the brushwork is delicate and unique. The picture of several orchid branches, beautiful and tall, full of pictures, simple composition, novel and unique painting method. The author does not use a little ink, purely with ochre, white powder and a little flower blue dot painting, only to see the color marks, for the boneless painting has a new meaning. From the self-title at the end of the painting, it can be seen that the picture shows the author's nostalgia for the departure of the owner of the Tang Yi Hall, "Minhai".
In the early Qing Dynasty, Yun Shouping's "Imitation of Ni Zhan Ancient Wood Clusters" was appreciated
"Imitation of Ni Zhan Ancient Wood Bush", ink and pencil on paper, 81 cm in length and 32.7 cm in width, collected by the National Palace Museum in Taipei, China. High-definition Chinese painting appreciation, Qing painter Yun Shouping ink painting works appreciation, this painting imitates Ni Zhan's will, painting ancient wood Pingquan, Cong Huang Jicui. The author uses folded belts and stacked high wrinkles to paint bamboo and stone trees, or broken or connected, as if broken and real, although it is antique, it has its own style, showing a beautiful and clean atmosphere.
Appreciation of Yun Shouping's landscape painting "Ancient Wood Weeping Lotus Diagram" in the early Qing Dynasty
Yun Shouping's "Ancient Wood Weeping Lotus Diagram", scroll, paper, light color, length: 104.9cm, horizontal: 43cm, now in the National Palace Museum in Taipei.
"Yun Shouping Ancient Wood Weeping Lotus Diagram", the close-up view of this painting does not paint many trees, but it is rich in morphological changes, ancient wood branches, green vines hanging in the wind, and the two are interspersed and coiled to show order. The spring water in the middle scene is babbling, and the reeds are simple, which naturally separates the far and middle scenes, thus enhancing the sense of depth and space of the whole width. Yuanshan uses light ink dry pen as a long cloak, and the brush strokes are open and loose, showing a clear and deep charm. This figure does not deliberately seek work and similarity, but seeks natural natural interest, showing the bland and super-comfortable aesthetic interest that Yun Shouping has always pursued, which is one of yun shouping's fine products.
Appreciation of Yun Shouping's "Begonia Diagram" in the early Qing Dynasty
This "Begonia Picture" 42x60 reflects the autumn season, the begonia tree green leaves have begun to turn yellow, while the red, orange and orange begonia fruit is fresh and dripping, hanging on the branches. The flowers and branches want to move, and their momentum is in the leaves, and the delicate red is covered, and the heavy green is intertwined, such as the lady who embraces the lady, and the lady will rise first. How can the flower on the paper shake, but if the leaf helps it to bring the dew to the wind, then the flower is like a flying swallow, floating and wanting to fly. The whole painting is written in the boneless painting method, and the texture is rich. Dead leaves are veined with vermilion hooks, while raw leaves are depicted in dark green. Begonia fruit is dyed with color, full of flexibility, fully embodying the characteristics of the "Changzhou School" bright face
Early Qing Dynasty Yun Shouping's "East Fence Diagram Axis" appreciation
Yun Shouping,"Eastern Fence Scroll", 114.7cm×65cm, silk color, about 1684, collection of Tianjin Museum
Description: Frost is raw at the end, and the incense is wrapped around the north. Red and purple between jinying, actually the Valley of Ten Thousand Flowers. East Hedge Diagram. Baiyun Creek Fishing Shouping.
Seal: Seal of Shouping (White) Uncle Zheng (Zhu) Ji Yueyun (Zhu)
Jianzang Seal: Leopard Cen Yuyin (Zhu) Xu Xusheng Verified AuthenticIty (Zhu)
Early Qing Dynasty Yun Shouping's "Carved Qingxiu Chart Axis" appreciation
Yun Shouping carved The Qingxiu chart axis. 90cm×43cm Ink and pencil on paper, 1663, Collection of Wuxi Museum
Style: No painting away from the pen and ink, no pen and ink away from the sky machine. When it is happy to show Ying, the heart forgets in the hand, the hand forgets the heart; the heart and the wrist forget each other, and the gods will meditate. If you don't have a perfect situation, you can't understand it. Take the appreciation of the sound, chat together to enjoy. In March, Dongyuan Shouhei painted.
Seal: Zheng Shu (Zhu) Shou Pingzi (White)
Inscription: Xi Ouyang Yongshu wrote "The Record of Fengle Pavilion", which was written in four characters of "carved Lu Qingxiu". Zi Zhan said: Want to see its wonderful, inexplicable. The person who covers the book, you ask God outside the words, and the person who looks at the painting, before the metaphor of pen and ink, there is no difference. Wuyou Zheng Uncle, less negative wizard, poetry name Man Jiangzuo, Fuxin Shi ancients, five days a mountain, ten days a water, essay writing in the chest of the breath, and a kind of deep and distant fun, straight and Ni, Huang Bozhong, the history of recent painting can not dream also! Yu Shan Wang Yi Question.
Seal: Wang Shigu (Zhu Baiwen) Jianzang Seal: YueZao (Zhu) Ye Xuexuan (Zhu) Gu Zhi Yu Xin (Zhu) In terms of subject matter, in order to sell, flowers cannot paint some desolate and desolate things, painting must be things that are worldly, and the wide range of subjects of Yun Shouping's flower paintings is surprising. He paints these worldly things, but also wants to express the "uneven atmosphere in the chest", so he often uses the treks or inscriptions on the paintings to express them, giving these subjects a certain allegory and expressing his thoughts and feelings, and its meaning is very profound. In addition, when he painted these flowers, he was also unique in the portrayal of the image, and tried his best to express the meaning of the painting and his subjective attitude tortuously.
Early Qing Dynasty Yun Shouping's "Fish Algae Chart Axis" appreciation
Yun Shouping Fish Algae Chart Axis. 133.7cm×65.5cm Silk Color Circa 1662 Collection of the National Palace Museum, Taipei
Description: Fish algae diagram. Nantian Shouping lined Liu Gongben. Purple weeping group silk, treasure tent fluttering. Nantian Ke Yun Shouping sketching. Seal: Gardener (White) Shouping (White) ZhengShu (Zhu) Jianzang Seal: Treasure of Jiaqing Imperial Pavilion (Zhu).
Early Qing Dynasty Yun Shouping's "Maolin Chongshan Map Axis" appreciation
Yun Shouping Maolin Chongshan Chart Axis. 129cm×59cm Color on paper, 1671, Collection of the Palace Museum, Shenyang
Description: Xinhai Spring Night, puppet play big idiot Mao Lin Chongshan, has the meaning of "Warm Green Map". Nanda Keshouping. Title: This Nantian Weng pseudo-zi jiu's work also has a sense of knowledge and no picture print, and it is beautiful and beautiful, which is its pen and ink, because the number of words is recorded at the beginning of the frame. It is the seventh day of the new autumn. Tea Mountain Outer History City. Plutonium Seal: Tea Mountain (Zhu). Jianzang Seal: Sun Yufeng Appraisal Record (Zhu) Lake Sail Appreciation (White) Xiuyang Wang Yanxuan Xiaomei Treasure (Zhu). Wang Yuexuan Treasure Seal (White) Hongyizhai Calligraphy and Painting (Zhu) Gu Qingzhai Jianzang (Zhu). Ziyang Treasures (Zhu) Bamboo True Reward (White)
Early Qing Dynasty Yun Shouping's "Qingchuan Range Rover Map" appreciation
"Harukawa Range Rover" is colored by Ayamoto, 112 cm in length and 39.1 cm in width, and is now in the Liaoning Provincial Museum. This painting can be seen from Yun Shouping's self-title, which was composed for his uncle Yun Hanchu, with the inscription Yun: "In the year of the fourteenth uncle's ascension, he went up to the mountains and drifted away, traveled far away from Jiangchu, and visited friends thousands of miles away." So to the mountain, explore the scenic spots, long and short chants, several full of swimming bags, the spirit of the exuberance, do not reduce the time of strength, so that people look forward to the gods and immortals. Three days before the ninth day of this autumn, the emperor's birthday, Hu You dengQingchuan Lou, Baiyun Yellow Crane, Dongting Xiaoxiang, all between the cups, collect their victories, chanting in a frenzied manner, asking the wine to ask the jiangshan, with the meaning of the pen shaking the five mountains and proud of Cangzhou, returning to the poem and sighing, and exhorting the same people to be harmonious. Shou Ping was rewarded for his cartography. Little nephew Shou Ping prayer question. "Under the Zhu and Bai Wenyin on each side."
This picture takes the meaning of the Tang Dynasty Cui Hao's "Yellow Crane Tower" poem "Qingchuan Calendar Hanyang Tree, Yerba Buena Parrot Island" realm, the depiction of pavilions, mountains, jungles, river boats, but also means the beautiful scenery around the Yellow Crane Tower. Distant mountains overlap and pass by; lakes and mountains are in full view; the brushwork is fine and the ink rhyme is light. The composition and technique are quite charming, and they are not bound by stereotypes. From a formal point of view, it should be Nantian's early works, and the traces of ancient xi revealed in the works are different from the cold, calm and strange artistic conception of its later days. In terms of pen and ink, Shi Fa's uncle Yun Benchu and uncle Yu Mai, in the absurdity of the style of seeing Xiurun is also faintly visible, with the pen careful and rigorous, the lines are also neat and serene, with a sharp hook, thick ink dot tree, full of high and light atmosphere. The right side of the picture is mainly straight lines, the forest trees are straight and densely planted, and the peaks are towering and abrupt, forming an airtight pattern; the left side depicts the flat waves of Shazhu with horizontal lines, which are empty and endless, and the left and right contrast large and dense, with a new style. The whole picture pen is flexible and free, the layers are clear; the ink is thick and light, and the breath is clear; the color is ancient and innocent, and the atmosphere is natural.
Early Qing Dynasty Yun Shouping's "Antique Landscape Map" appreciation
Qing Yun Shouping's "Antique Landscape Map" is a painting by Yun Shouping in the Qing Dynasty, which is now in the collection of Wuxi Museum. This volume has a total of ten pages, of which four pages are colored and six pages are ink, and one page is selected.
The picture model "SongxueYu Hidden Map", the plutonium "Shouping" white text rectangular print. Among the dead branches of the reed, the old man wore a oar and sat on the bow of the boat.
Author Zeng Yun: "The pen and ink book is ruthless, and the author must not be ruthless." Painting is lyrical, and the painter must not be unsentimental. This volume can be used as an annotation of this language, each page of ink and ink, chapters, structure, each has its own characteristics, rarely similar, both strange and handsome, but also peaceful and quiet. Hills, streams, springs, trees and all the scenery, interspersed with nature, changeable, grassy and ethereal.
This ten-page landscape painting is idyllic and profound, the pen is beautiful and handsome, and the color is bright and fresh.
Early Qing Dynasty Yun Shouping's "Cangsong Cui bamboo chart axis" appreciation
Qing Yun Shouping's Cangsong Cui bamboo scroll is a painting created by Yun Shouping in the Qing Dynasty. Changzhou Museum.
In the painting, the pine trees are vigorous and powerful, the bamboo leaves under the stone, the golden branches are elegant and graceful, the pen and ink skills are skilled, the skills are deep, and the arrangement is oblique, and there is a kind of pure and vulgar, natural and natural interest.
Early Qing Dynasty Yun Shouping's "Qiao Song Tu Axis" appreciation
Qing Yun Shouping Qiao Song tu axis, on paper, 163 cm in length, 64 cm horizontal Qing Dynasty cultural relics, now in the collection of Hangzhou Museum
The landscape takes the method of "Yuan Sijia", and the flowers are unique in the boneless method, which belongs to the "Changzhou School". This work is ancient and humble and clean, and is the work of Yun Shouping in his later years. The upper left line of the book is signed: "The ink pond suddenly saw the cangqi rise, the half-wall immortal Dai Yue Yun, the Ouxiangguan drama map, the white cloud outside Shi Shouping." The inscription "Send Yue Yun" seal, the inscription tail plutonium "Yun Shou PingYin" and "Zheng Shu" seal, the lower left corner of the plutonium "to be a wanhui" seal. There is a Wang Wei Kangxi Geng noon inscription poetry hall.
Early Qing Dynasty Yun Shouping's "Falling Flowers and Swimming Fish Diagram" appreciation
The "Falling Flowers and Swimming Fish" color painting, silk, 65.5 cm in length and 30.1 cm in width, is a silk color painting created by the Qing Dynasty painter Yun Shouping in the fourteenth year of the Kangxi Dynasty (1675), which is now in the Shanghai Museum.
This picture depicts a falling flower, ten small fish, as well as duckweed, algae, etc. The picture is colorful and hazy, the mood is beautiful and bright, the pen is delicate and free, and the color is light and elegant.
This picture is of the Xizi Lake in the late spring, where a peach blossom falls on the surface of the water with a clear bottom, alarming a large group of fish, which rush to rush to eat.
The upper left of the picture has the author's inscription: "The leaves are green, the algae shadow is pitiful, and the catfish swim among them." May I have a son, from my view of The Hao. Yi Di, YuKe Lakeside, Green Causeway Flower Bank, Putan Di Port, wandering here, playing Stu, slightly by the Song Dynasty Liu Yu's will. Greentail fishing hidden Shouping. The two sides of zhu wenyin of "Uncle Zi" and "Shouping" of the lower right corner have the two long zhu wenyin of "Zengzang Qian Menglujia" and "Examination and Approval of False Zhai", and the lower left corner has zhu Wenyin of "Collection of Shanghai Municipal Cultural Relics Management Committee" and "Qian Tianshu" White Wenyin.
Appreciation of Yun Shouping's "Caryophyllum Diagram" in the early Qing Dynasty
Qing Yun Shouping", Caryophyllum Diagram, Qing Dynasty paper, length 31.0 cm, width 26.0 cm, National Palace Museum, Taipei
From the perspective of the painting style, the "Bamboo Stone Diagram" should have been composed when he was about forty years old. At this time, Wang Yi was at the peak of his art, not only the famous monuments all over the world, but also gladly accepted the invitation of the painters, frequently traveling back and forth to the beautiful mountains and rivers of Jiangsu and Zhejiang, and this painting is also different from the general bamboo stone diagram, the whole painting is dominated by light ink, the solid stone takes the diamond angle prominently, in the light ink baking dyeing, the intermittent Shi Zhongfeng gently rubs, appearing that the solid stone is more dry and depressed. The painting method of the trees is more concise, and the dead trees under the frost are vividly displayed in a few strokes, showing the author's skillful skills and profound pen and ink skills.
Early Qing Dynasty Yun Shouping's "Izumi Furong Map" appreciation
Qing Dynasty painter Yun Shouping's "Izumi Furong Map" collected by the Palace Museum in Beijing
This picture is one of the masterpieces of this kind of boneless flower. A new lotus stem came out of the water and spread out the petals, bright red and delicate. On the surface of the water, a withered half-dead lotus leaf and a lotus canopy with fallen leaves have been exhausted, suggesting that it is already the late autumn season when the west wind is blowing. The autumn breeze was cold, the dew was heavy and frosty, and she could not imprison this strong and beautiful red lotus, she greeted the morning light, drove away the dawn fog, swayed the skirt, stretched her limbs, opened her mind, breathed in the fresh air, and all showed her youthful vitality and beautiful posture. The painter inscribed a poem on the right side of the painting: "Flush the mud and draw the handle, and the water is used to cast money and fat." The west wind can't blow in, and the beauty clothes are protected for a long time. The painter likened this water hibiscus to a beauty, a beauty with a strong personality, and the ruthless west wind, although rampant, could not invade her beautiful skin. The painter is praising the lotus flower of this "beautiful and beautiful person", and he is also expressing his feelings.
This painting is purely colored directly, unlike the traditional ink pen to outline the outline and then fill in the color, so it is called "no bone". Although the color is bright, it is not heavy, and the expression of the tone is clear and cold, which contains an awe-inspiring charm in the elegance. Its dot color pen is very free and flowing. Because the painter has a very subtle perception of things, and has a special superiority in the use of water, powder and other techniques, the water vapor that swims between the blooming petals is quite cut and subtle, so that people have an endless taste of the wet and empty charm of this "water hibiscus" in the morning light.
Early Qing Dynasty Yun Shouping's "One Bamboo Zhai Picture Scroll" appreciation
A Scroll of Bamboo Paintings (from the Collection of the Palace Museum, Beijing)
The inscription on the volume of "Yizhu Zhai Tu" is "Jia Zi Chun Zheng Yue", that is, the February of the twenty-third year of the Kangxi Dynasty (1684), which was painted by Yun Shouping at the beginning of the last decade of his life for his friend Tang Ruoying, the master of yi zhu Zhai. This picture is a short and concise banner landscape painting with a self-titled passage by the author and inscriptions by Yang (Xuechen), Cai Yuanchen and Ji Yong.
The volume of "Yizhu Zhai Tu" is not a work of gifts between literati in the general sense, but a painting of the remnants that deeply contains a strong sentiment of the people's hearts and advocates and praises the spirit of seclusion; the "one bamboo" spirit advocated by Tang Yu shoulder is actually a kind of transcendent relics spirit, and the group of relict literati headed by Yun Shouping expressed their positive and high-pitched appreciation and praise for this spirit, which fully reflects the emotional foundation of the remnants they share, and it is precisely because of these factors that the unique inner meaning of "Yizhu Zhai Tu" has been laid At the same time, it also reveals Yun Shouping's personal mood and the deep motivation for carefully creating this picture. This painting in Yun Shouping's collection is a rare piece of strong evidence of yun Shouping's communication with the remnants of the people at that time, and it also reflects to some extent the high degree of unity of the hearts and spiritual unity of the relics painters and the literati hermits in the historical environment of the early Qing Dynasty.
In the early Qing Dynasty, Yun Shouping's "Qiao Ke Jian Jian of the Atlas of Landscapes, Flowers and Birds" was analyzed
Yun Shouping's Qing Dynasty work "Qiao Ke Jian jian of the Atlas of Landscapes, Flowers and Birds". On paper, color, length 27.5cm, width 35.2cm. Collection of the Palace Museum in Beijing.
Each figure has its own Inscription on Yun Shouping, which is "Shouping" Bai Zhu Wenyin, "Zheng Shu" Zhu Wenyin, "Shouping" Bai Wenyin, "Yun ZhengShu" Bai Wenyin, "Shouping Yin" Bai Wenyin, etc. Each figure has an inscription poem by the Qianlong Emperor. The collection is printed with more than 20 parties, such as "The Treasure of The Qianlong Imperial Reward", "Chunhua Xuan", "Shiqu Baodi", "Chen Pang Yuanji Gongzang", "The Purest Product of The Illusory Fast", etc. The third and tenth openings of this atlas are signed with the annual paragraphs "Yi 卯 Autumn" and "乙卯 October" respectively. "Yi Di" is the fourteenth year of the Qing Kangxi Dynasty (1675), and this work should be the work of Yun Shouping when he was 43 years old. This landscape and flower atlas depicts flocks of geese, lotuses, landscapes, ancient wood jackdaws, peonies, Qiao Ke streams, night rain, chrysanthemums, orchid butterflies, and xishan travels. The whole volume is written by the author to imitate the Song, Yuan, and Ming families. The landscape is dominated by zong dongyuan, juran, mi fu, and Zhao Mengfu, and the bones are quiet and quiet, and they are rich in the atmosphere of literati books. Flowers and birds are mainly based on Zong Xu Chongsi, Zhao Chang, Shen Zhou and other families, attach importance to sketching, and strive to resemble, such as the fifth open peony, flexible technique, patriarchal Xu Chongsi's boneless method, while emphasizing "communicating with flowers", trying to go to Huajing, pursuing "Elegance", not deliberately seeking work, only seeking natural natural interest, revealing the bland and super-comfortable aesthetic interest that Yun Shouping has always pursued.
Appreciation of Yun Shouping's "Vegetable and Fruit Album" in the early Qing Dynasty
Yun Shouping's "Vegetable and Fruit Album" These four-open vegetable and fruit albums can be seen in its calligraphy and painting skills, silk, color, each opening 24 cm in length and 33 cm in width. Changzhou City Museum. The pictures depict the vegetables and fruits of the countryside, all of which are things that are seen in daily life, and after his careful refinement, they are particularly intimate and moving. Vegetables and fruits are mainly dyed with ink color dots, although the color is bright, it is not stagnant, and it is free and clear with a pen, full of vitality, which shows his "boneless method" charm. The calligraphy is also very wonderful, with Wang Xianzhi as the body, Chu Suiliang as the face, Huang Tingjian as the bone, elegant and natural without losing the degree of law and strictness, and its painting style can be described as complementary, which is the best work of his poetry and painting.
Early Qing Dynasty Yun Shouping's "Sunset Map of Flowers and Birds" appreciation
Kiyoyo Shouhei Flower and Bird Sunset Drawings Are Now in the Tokyo Museum in Japan.
Early Qing Dynasty Yun Shouping's "Spring Warm Map of Lakes and Mountains" appreciation
Qing Yun Shouping Lake Mountain Spring Warm Picture Scroll Silk Color 57.6cmx618.2cm is now in the Tianjin Museum.
Yun Shouping landscape to take Huang Gongwang brushwork, in the desert rate to see Xiurun, he painted at the age of 32 "Lingyan Mountain Scroll", sharp hook, thick ink dot tree, high and light, the middle of the landscape, infiltrated the Song and Yuan families, absorbing the strengths of Wang Meng and others.