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Yun Shouping, no bone in the first-class wind bone in the painting

author:Beijing Daily client

The most beautiful boneless painting is the achievement of the most wind and bone people. It's funny to think about.

Yun Shouping, Nantian, a native of the late Ming and early Qing dynasties, was the founder of the Changzhou School of Painting. Yun Nantian is very good at boneless flowers, that is, without the pen edge, without contouring, directly writing flowers and leaves in ink color. Nantian's pen, peony is rich and wealthy, lily Tingting Yuanna, soft without prisms, reminiscent of a beautiful and tender woman, the water spirit is refreshing and refreshing out of the bath. I also think of Du Fu's "Li Ren Xing" in "March 3, the weather is new, and the doree people on the water side of Chang'an" are also thought. The state is far from beautiful and true, the texture is delicate and the flesh is even...

Yun Shouping, no bone in the first-class wind bone in the painting

▌ Yun Shouping

Strength

Nantian wind bone, long story. Time and space switch to 1652, the ninth year of Shunzhi, Hangzhou Lingyin Temple:

The highly respected abbot, the monk, is presiding over a grand festival of transcendence. He was compassionate and focused on praying for Chen Jin, the governor of Jianning, who had just died, and prayed that he would go to the Pure Land of Happiness. Between the festivals, he used the afterglow to find an unusual pair of eyes, from Chen Jin's adopted son. This personable teenager, with a rather dignified mind, turned his gaze to him from time to time, as if he were asking for help.

Sure enough, after the noon fast, the teenager deliberately bypassed everyone, but he was inseparable from the monk. The monk had no choice but to take him to the abbot's room. As soon as the door closed, the teenager swooped down on his knees and told his own twisted story.

This teenager is Yun Shouping. The identity of the remnants of the former dynasty is destined to survive in the cruel tearing of the change of dynasties. Yun Shouping was 11 years old, and his father Yun Richu was dissatisfied with the corrupt politics of the late Ming Dynasty, and also to avoid chaos, led his two sons to live in seclusion in Tiantai Mountain, Zhejiang. The Qing army entered the pass and massacred in the Jiangnan area, and Yun Shouping fled with his father and brother to Fuzhou. His father and eldest brother participated in the armed anti-Qing movement in the local area, and the eldest brother was killed on the battlefield. My father survived by going out for help. Yun Shouping was captured. Since then, the father and son have been separated for many years.

Unexpectedly, one day a few years later, a turn of fate was ushered in. At that time, the wife of Chen Jin, the governor of Jianning, wanted to create jewelry, but the patterns of jewelry were selected a lot, and I felt dissatisfied. At this time, a Kabuki recommended Yun Shouping to draw a drawing for the governor's wife. Madame saw that he was "handsome and handsome, calm in and out", and his talent was outstanding. And he happened to have no sons, so he was overjoyed and adopted him as an adopted son. Yun Shouping went from being a prisoner of war camp to becoming the governor's son.

Four years after being adopted, Yun Shouping was 20 years old, and Chen Jin was stabbed to death by Jia Ding. Lady Chen took him to the Lingyin Temple in Hangzhou to serve as the undead of her husband. However, by coincidence, Yun Shouping, among the many monks, unexpectedly discovered his father Yun Richu. At that moment, he was shocked. The first reaction, he very much wanted to come forward to recognize each other, but because his adoptive mother and many soldiers were present, it was likely to be self-defeating, so he wanted to ask the monk of Gude to come forward and reunite himself with his father...

The virtuous monk listened, his face looking embarrassed. But thinking of the pain of the displacement of his family during the war years, the senior monk suddenly felt compassion, and felt the patriotic integrity of Yun Richu and the filial piety of Yun Shouping, and he nodded his head in agreement. Furthermore, according to his observation, the reunion of the two people at the Lingyin Temple was also an unfinished good fate.

After the ceremony, the monk Gu de solemnly said to Lady Chen, "I see that your son does not have a long life span, and if you want to save his life, you can only let him become a monk and follow the Buddha." Lady Chen was very surprised and cried and refused, because she wanted to take Yun Shouping back to Beijing to inherit Chen Jin's title. At the critical moment, Yun Shouping stood up and said that he did not want to enjoy the glory and wealth and was willing to stay in the temple and become a monk. Mrs. Chen was surprised again. But as a devout Buddhist believer, after some psychological struggle, she decided to cut off her love and reluctantly agreed to leave Yun Shouping in the temple. In this way, Yun Shouping and his father recognized each other, and tears were mixed. It was a happy ending.

Lingyin Temple, a thousand-year-old temple, silently witnesses the story of the world intertwined with sorrow and joy. The famous dramatist Wang Shu compiled the story of Yun Shouping's father and son into a script "Vulture Peak Edge", which was all the rage. The plot twists and turns, and everyone weeps, full of sadness of the times.

Yun Shouping, who gave up his noble status, returned to his hometown in Changzhou with his father, sold paintings for a living, adopted his father, educated the township, and returned to the hard life of the commoners. Some people feel sorry for him, but Nantian regards this experience of adoption as the greatest shame of his life. In a letter to a friend, he wrote: "... Bai Gui's defilement, how its no defilement, all I do, do not make the gentleman a pity, but also wait for the future to find iron casting typos also. ”

As a result, later generations often think of the Nantian Wind Bone. "Family Nantian, Huhu Zheng Uncle", the reason why his paintings are widely respected, and he is also revered as the founder of the Changzhou School of Painting, which is admired by everyone.

Yun Shouping, no bone in the first-class wind bone in the painting

▌ Peach Blossom Chart Axis Yun Shouping Painting Collection of the Palace Museum

Charm

Yun Shouping, who returned to his hometown, finally lived the idyllic life he had dreamed of for a long time. Nantian groans at Nantian, just like the eastern slope sends love to the eastern slope.

The eastern slope is in Huangzhou, relying on a piece of land that is not called fertile, cultivating the heroism of "a smoke and rain for a peaceful life", from being able to stretch and then bending, abstracting the wolf that is deeply trapped in the political quagmire into a touch of mud under the feet, and when the rain comes, it is naturally washed away, and there is a little more natural relaxation.

Nantian opened up a small open space in Changzhou, south of the house, surrounded by a fence, cultivated several kinds of grass and trees that were not strange, and looked at them for a long time. Half a life of misery drifts to zero, and rejuvenation becomes the joy of the moment. Get up and wander, groan, deep affection. The flowers and plants in the garden were moved by it, and they rushed to jump on the rice paper and become his powder.

Nantian, who is close to the soil, has gained a deeper artistic consciousness.

Nanda is willing to be an "otaku". For him, after experiencing the vicissitudes of the sword and light sword shadow world, the dust has finally settled, and it is enough to have a garden in this life. Here, he felt at ease. He often played in the garden, staying for a day. What to play? He calls himself "playing autumn", he is playing with autumn looks. Look at his "play notes", enjoy the moon season flowers: "Nantian hedge next month season, slightly fatter than his original." "The flowers of the month, tall and plump, full of color, are radiant in late autumn. The awe-inspiring atmosphere in the wind and frost is most appreciated by Nantian.

Look at begonias: Begonias have a demonic taste, nothing more than wanting to be loved. Nantian painted begonias and gave her a little heroism. In this way, the beauty of begonias is a little tough. Nanda believes that beauty is more beautiful because of her chastity.

Feeling Autumn Chrysanthemum: Nantian recalls painting chrysanthemums like this: In September, while drinking tea, while enjoying autumn. Chant poems and paint chrysanthemums in the clear sunlight. It's hard to paint well. It is even more difficult to draw the charm of chrysanthemum. Sitting in front of a guqin, he meditated, meditated, meditated, and seemed to be able to capture only the appearance of chrysanthemums. Guarding a pool of autumn water and pavilions, he lingered and pondered for a long time. Late at night, leaning alone under the deep plane tree, holding a branch of chrysanthemum in his hand and reading leisurely, his mind meeting with it, trying to extract a touch of color from it and apply it to paper. Such as Zhou Zhuanghua butterfly, there is a sense of dream. Looking forward to the ink juju in the pen, like The light makeup of Mrs. Yu Guo on the horse, unique and interesting...

In the above paragraph, there are two words that I cannot overcome, nor can I dilute in the vernacular. He said that in order to capture the charm of chrysanthemums, he pondered until late at night - "the wind and moon are intertwined, and the soul is swinging again." It felt like the wind was blowing on the moon, and waves were welling up in his heart. His soul fluttered, and he didn't know whether it was with the gods of the wind and the moon, or with the gods of Ju.

Nantian's poetic skills are very deep, and he is known as the first of the "Six Yi of Biling" in the poetry world. Gu Yanwu once praised Nantian's poetry for being unconventional: "Uncle Yun Zheng's pen is like a mountain, Xiao Serxiang Guan... The choice of intention must be quiet, the choice of words must be fresh, and the vulgar and ordinary words naturally do not invade their pens. ”

In addition, he wrote in the "Title Feng Sheng's July 35th Night Lake Ship Map": "March and May are full, Feng Sheng beckoned me to the West Lake, and lightly out of the broken bridge." The scent of the load flowers does not disperse with the wind. Leaning on the middle stream, the hand is clear. The shadow of the moon and the sky, and the lights of the cruise ship, a thousand shadows up and down, gathering in the same water..." The words are fragrant, exquisite and exquisite, like Zhang Dai.

However, Nantian was not Zhang Dai after all. Playing with elegant articles is just the tip of his iceberg. Dressed in fine clothes, rich and glorious, passed by him. To be precise, he gave up on his own initiative. The life he chose for himself was more miserable and less comfortable. "Ge Yi father is loyal to the Ming, should not be lifted, good at poetry, and paints the adoptive father." "The family is miserable, and the wind and rain are often hungry behind closed doors." "Died, at the age of fifty-four. The Son shall not be buried, but the King shall be buried. This is what Nanda said in his biography. The background of his life is bitterness.

Clear of suffering, but do not speak of bitterness. Or, because of suffering, Nantian cherishes the joy of the moment. A slight rain in the spring and a flutter of flowers made Nantian feel happy. He stepped on the dirt and played with nature. Pure, indifferent. This taste seems to be indescribable, only for him to use soft and light brushwork to melt into the painting. Admire The paintings of Nantian, read quietly, and finally meet the deep heart under the beautiful appearance.

Yun Shouping, no bone in the first-class wind bone in the painting

▌ Ting Ting Fish Algae Diagram Axis Yun Shouping Painting Collection of the Palace Museum

Nanda Qiren, two sides of the same body.

One side is pain, in poetry. The country hates the family, as a scholar, the waves in his heart are always difficult to calm, "the ink is turned into a smoke and wine tank, and the poetry is poured into the flowers." The Tibetan name is only in line with the old empty valley, and Gao Zhizhi wants to ling the marquis", which is the true meaning of Nantian. "The fish is worried about the net, and the bird is painful and branchless" is a portrayal of his soul that has experienced mourning. The experience of being adopted made him deeply resentful. He has an inscription painting poem "When deeply rooted in the vessel, inch by inch, inch by inch." When the wind and clouds are on, they can be proud of ice and snow. "The bamboo stone in the painting is the reclusive remnant.

One side is beauty, in the painting. "Nantian Gong painting, landscape and flowers are good at both, than the heavens immortals." Critics say so. Nantian flower and bird paintings, just color, is enough to make people fall in love. Weak wind supports willows, shallow but not frivolous, and ends up with a "clear" word. Nantian himself said, "The color is extremely light, and the lighter it is, the deeper it is." His secret—to purify the ethereal from the depths. The depth of the heart must not go to the thickness. It must be extremely shallow, and it must be extremely deep.

Nantian Qiren is worthy of a "fairy" character. Gazing at the Flowers of Nantian, I always felt that there must be a Heavenly Woman who took advantage of the fact that no one was prepared and blew a fairy breath on the rice paper. The color of those painted grass is blown very lightly, and the fragrance of fantasy is faintly flowing. And he blew the willow leaves so soft that they were so soft that they made people feel pity.

Nantian has a noble spirit, "when he is young and strong, he travels with deformed warriors, often travels thousands of miles, trance life and death, others are depressed and depressed, and the uncle is as usual." Nanda's personality is introverted and deep. "Talk with people, meet people, constant simplicity and quiet do not say a word", interact with people, "stand idly and tasteless longer".

Nantian paintings, paintings of first-class wealth.

Yes, Nantian paintings, painting the richness of talent and learning, the preciousness of spirit.

Source Beijing Evening News, Author of Five Colors Soil | Hu Yan

Editor: Yuan Xinyu

Process Editor Wu Yue

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