Wu Wei zi weng, also known as Shi Ying, Lu Fu, trumpet Xiao Xian, Ming Dynasty painter. His landscape is taken from the style of the Southern Song Dynasty Painting Academy, with unbridled brush and ink, full of charm, and is an innovative painter in the middle of the Ming Dynasty. In the early years, the painting method was more detailed, and after middle age, it became vigorous and bold, and the ink was dripping. Wu Wei was a famous general of the "Zhejiang School" after Dai Jin, with many followers, forming the "Jiangxia School" in the flourishing Zhejiang School.
Songyin Guan Waterfall Diagram Ming Dynasty Wu Wei
In the picture, the painter depicts the vigorous pine branches and the coats that look at all things with a thick and frustrated brushwork, with a rich ink and strong penmanship, which not only achieves the purpose of setting off and metaphorically portraying the character of the character, but also achieves a visual balance with the long and straight lines on the left. The painting takes a "half-sided" composition, arranging the main figure and the pine tree on the right side of the frame, which further highlights the momentum of the waterfall splashing down on the left side.
Yu Le Tu Ming Dynasty Wu Wei
This picture is also known as "Xishan Fishing Boat Map", Yule Tu is the subject of Wu Wei's frequent depiction, when he wandered the rivers and lakes as a professional painter, "solo music and mountain people are thick", familiar with the lower people, the painting of fishing music, perching, farming and reading, etc., are also mostly taken from real life, the image is simple, the environment is real, the realm is natural, and very few literati are stable in the idealized colors in the paintings.
Cold Mountain Snow Map Ming Dynasty Wu Wei
In the picture, the mountain stands tall, and two ancient trees on the nearby slope rocks are thick and strong, and the branches are covered with snow. A coat on the side of the small bridge, wearing a hat and holding a thin staff, and his companion with a thin branch on his back wanted to cross the bridge.
Qiu Jiang GuiYu Tu Ming Dynasty Wu Wei
In the picture, the distant mountains are continuous, the river bank is rich in water and grass, a fishing boat docks, and the fisherman returns from the bridge and is turning his head to look to the left. The characters are rough with their pens, their demeanor is vividly portrayed, and the background landscape brush and ink are smooth and horizontal, reflecting the style of the middle-aged thick brush character paintings.
Yangtze River Wanli Map Ming Dynasty Wu Wei
The long scroll depicts the magnificent cloud mountains, valley mountain villages, urban and rural houses, and sails on the river along the Yangtze River, and is dotted with many scenic spots and historical sites. The picture has undulating peaks and peaks, rivers, lakes and ports, and wild fishing villages, water pavilions, thatched huts, and water mill long bridges are set up according to the terrain and environment, dotted between mountains and lakes.
Winter scenery of the four-hour landscape and water In the Ming Dynasty, Wu Wei
Baqiao wind and snow map Ming Dynasty Wu Wei
"Baqiao" is located in the east of Xi'an City, on the Bahe River, is the only way to go east to Luoyang, the ancients often bid farewell here, tang poetry "Baqiao folding willow" allusion is derived from this. Wu Wei's picture is not a realistic scene, but a farewell meaning. The picture depicts the harsh winter, the mountains and rocks are covered with snow, the trees are depressed, and the travelers are crossing a narrow wooden bridge. The author uses a lateral horizontal pen to outline the mountain stone, the line is thick, the line is strong, and the sharp edge is exposed.
Songxi Fishing Cooker Ming Dynasty Wu Wei
In the picture, the distant mountains are like a screen, the shisha is slim, the close-up mountain cliffs, the old pines are curved, the creek bank is moored, and a man bows his head and blows the pipe to help ignite the fire, which has a strong atmosphere of secular life. This painting takes the "corner" style of Ma Yuan and Xia Gui of the Southern Song Dynasty, the big axe splits the mountain stone, a large piece of ink renders the water surface, the characters are concise and concise, the pen edge is quickly exposed, and the unique rough strength and indulgence of the pen and ink and lines, the wild and elegant fun expressed in the whole painting, the anti-elegant and harmonious atmosphere revealed, are Wu Wei's own characteristics.