In the group of actors, there is a category of people who are often called "drama throwing faces". Their image on the screen is complex and changeable, the previous time was still the appearance of a temperamental nobleman, and in the blink of an eye, they changed into a serious workplace face, and they could not guess what face-changing tricks would be staged the next time they met.
Zhang Haowei is such an actor, and every interpretation of a character is like changing a face.
In the recently concluded youth industry drama "Hello Prosecutor" and the era legendary drama "A Cut of Fanghua", Zhang Haowei starred in the role of lawyer Ren Tianyu and tailor Lu Yuanzhi, and under his interpretation, two images with very different personalities jumped on the screen.
1 Ren Tianyu's good and evil
In "Hello, Prosecutor", it seems that ren tianyu's good and evil cannot be clearly defined.
Ren Tianyu's parents died in a sudden car accident when he was very young, and he suspected that the tragedy was artificially planned, and he planted a seed of revenge in his heart when he was young.
He has lived overseas for many years, and in order to investigate the truth about the death of his parents, he became a partner of Lin Weiwei's law firm as a lawyer, constantly looking for opportunities to contact several companies that had been related to his father's work.
Ren Tianyu's professional ability is strong enough to lose almost zero lawsuits, but from a moral point of view, he may not be a good lawyer. As long as he is interested in his revenge plan, he will take on cases, whether his client is good or bad, he will do his best to help him win even by any means.
But he still has his own bottom line and the kindness he insists on, he helps Wu Zong's son get rid of the accusation of bullying in school, and also guides him to learn to face the problems of life, and he also forgives Zhong Qi who tried to hurt himself, because it is only a poor mother.
And Ren Tianyu's attitude towards feelings is even more ambiguous, although it is not unreasonable to be accused of scumbags by the audience, but everything he does has a reason to follow.
Ren Tianyu suspects that Jiang's father is related to the death of his parents, so he goes to talk to Jiang Wenjing and wants to investigate Jiang's father through her. From the classic means of playing the classic sister who did not know each other to the drama of self-directing and self-acting hero to save the United States, he successfully captured Jiang Wenjing's heart, and he did not expect that he had also fallen.
He hesitated between choosing to continue the revenge plan and protect Jiang Wenjing, and after struggling, he decided to give up his feelings, but his subconscious love for Jiang Wenjing made him do a lot of impulsive things, and finally he opened his heart to Confess everything to Jiang Wenjing.
Such a character with complex and changeable inner emotions and good at disguising himself is not easy to act, but Zhang Haowei's precise and delicate interpretation makes Ren Tianyu extremely vivid.
The sensitive fragility that he carefully hid and the softness of his heart defense that only unloaded around Jiang Wenjing also made the audience feel sad about this obstinate, paranoid and stubborn "black heart lawyer".
2 Zhang Haowei's truth and faith
When talking about whether Ren Tianyu will be called a "scumbag" or not, Zhang Haowei frankly said that the actor's performance is mainly real, the flawed side is presented that the character can stand more, and the role is scolded to prove that the audience has brought into the plot, it is the performance of successful interpretation, what can you mind?
For him, no matter whether the role is controversial or not, as long as it is handed over to himself, he will interpret it with his heart, and he will not easily refuse any opportunity in front of him, and he is very willing to challenge different types of roles.
In fact, it is not difficult to review Zhang Haowei's resume and find that he has his figure in many popular dramas, but before seeing the cast list, it is difficult to associate these roles together.
In the reality drama "Wenzhou Two Families" directed by Kong Sheng, he played Xu Jinsheng, who was honest and honest by nature; in the popular costume drama "The Wind Rises in the Long Forest of Langyabang", he played Lin Chen's proud disciple Lin Jiu; in the urban love drama "One Thousand and One Nights", he played an assistant Chen Mo with a jumping personality.
The prince he played in "Qing Yu Nian" wrote his desire for power on his face, although the role was not much and he was a villain, he still impressed the audience with his handsome facial features and the extraordinary temperament of the "prince".
In "Rebirth", he plays a criminal police officer Lu Mingjia, the son of the police chief, although his professional quality is excellent, but the aura from his father and the vision of his colleagues make him sometimes rush to prove his recklessness.
Zhang Yi is an extremely good actor, and it is impossible to play with such a predecessor without pressure. And it is precisely because Zhang Haowei turns pressure into motivation with the responsibility and determination to complete the role, which just fits the momentum of Lu Mingjia's body that does not accept defeat.
In short, whether it is a costume drama or a period drama, whether it is a historical drama or an urban idol, he has shown a very high degree of role control in each work, and one after another theatrical characters who are remembered by the audience also show their performance skills and plasticity.
It is worth mentioning that in "Qing Yu Nian", he played father and son with teacher Chen Daoming, and the two played smoothly and naturally Zhang Haowei's performance without any loss of points, and it is also because of this play that Zhang Haowei's cognition of performance has advanced further.
It is true that acting is the foundation for building a dramatic character, and sincerity, responsibility and faith are essential building materials, but inspiration and experience from life are indispensable soul fillers.
3 The situation and consciousness of the actor in the ascendant period
Art from life is a phrase that everyone often hangs on their lips, when acting, you need to integrate yourself into the role, if the life experience is rich enough, you can give the most real and natural reaction when performing.
Zhang Haowei understands this truth, and when he is idle at home, he will completely relax and enjoy life. Or read your favorite books and works to learn to recharge, or play your favorite basketball to enjoy the body and mind, or fitness and sports in the best state to prepare for the next screen challenge.
The more meaningful point of performance to Zhang Haowei is that the experience gained in acting is sometimes fed back to life, "acting, mostly performance is a character relationship", the communication expression in drama makes him simplify when dealing with daily interpersonal relationships, and life and drama are inseparable.
Of course, in the performance will also encounter works that are far from life, such as "Hello, Prosecutor", an industry drama, involving knowledge and fields that Zhang Haowei is not familiar with, in order to be able to interpret a professional lawyer with few failures, he has done a lot of homework in advance to study the entire system of public procuratorial law that needs to be dealt with in the work of lawyers.
He also often reviews his performance clips to see if there are any abnormal performances at that time to avoid similar situations next time, and he also feels that acting is a regrettable art, and whenever he looks back on his performance, he will feel that there are still deficiencies.
Ren Tianyu finally ushered in the reconciliation with himself, the truth came out, and he also found a partner who worked together, which can be described as "after suffering, you can finally phoenix nirvana", I think, this sentence also applies to Zhang Haowei.
From the supporting role of the hit drama to the male protagonist to dominate the screen, Zhang Haowei's growth is inseparable from his perception of performance, his sense of faith, and his efforts and intentions, and he also admits that the era has given himself the opportunity to belong to the rising period of his career, the so-called film and television winter, the more difficult the opportunity and challenge coexist.
It is difficult to imagine that this big boy who loves sports, and another hobby is calligraphy, perhaps it is often calm and calm to write and practice, but also to create a transparent and open-minded side of his personality to look at problems.
He is not in a hurry to achieve fame and success, nor does he care that the audience only remembers the role instead of his own name, but focuses on the present and plays each role well. He also has his own screenwriting studio, and he has never stopped loving and thinking about performance in front of and behind the scenes, and he wants to create more works that can bring reflection and energy to the audience.
At present, Zhang Haowei's starring works to be broadcast, "Two No Doubts" and "Amai Congjun", have no shortage of discussions, and "Ode to Joy" is a big IP that is highly anticipated, I believe that his hegemonic screen is more than a moment, and the future will also bring the audience unlimited surprise screen performance.
Calm and professional in performance, open-minded and transparent in mentality, with a clear and clear self-positioning and industry cognition, Zhang Haowei is a mature actor who is rare and valuable.
And the strength and potential are ready, he is in the ascending period, he also follows the inner trajectory of not hurrying and not slowing down, perhaps he just needs to wait for the opportunity, one day he will be able to ride the east wind to rise.