On the night of May 12, the third program of the fourth season of "The Voice of God" was broadcast on Zhejiang Satellite TV. In this issue, the biggest attraction is nothing more than Zhang Liangying and Liu Baixin cooperating to sing Leslie Cheung and Anita Mui's golden song "Fanghua Peerless". This song is the first song on the stage in this issue of "The Voice of God", and it is with this song that it defeats all the artist songs later on the stage.
It can be said that Zhang Liangying and Liu Baixin achieved the result of one song beating many subsequent songs with their super personal ability. This victory not only defeated the three groups of singers of Hu Yanbin's team, but also defeated the two groups of singers in his own team. It seems to be an exaggeration to say that Zhang Liangying has already "sealed the gods" in "The Voice of Heaven".
After the program "The Voice of God" was launched on some genuine video platforms, the title given was also: Zhang Liangying reproduces Leslie Cheung's classic stage Anita Mui. Obviously, the editors of the video platform also believe that this song "Fanghua Absolute" represents the highest level of this episode of the program and can be recommended to online audiences as a "front-page headline", while the other songs do not seem to need to be mentioned in the title.
The success of Zhang Liangying and Liu Baixin in "Fanghua Peerless" is, of course, the reason why the original song and Zhang Liangying and Liu Baixin's personal level are both high. But at the same time, this is also a stage embarrassment in "The Voice of God". In addition to Zhang Liangying and Liu Baixin, the other singers on this stage seem to be joking with them. On the stage of the first issue of the season of "The Voice of God", in the face of the critics' questions, Wang Linkai directly replied, saying that he came here to play. This sentence exposed the "bottoms" of many singers.
In "The Voice of God", every pending golden song is negotiated by music critics. Judging from the content of the program, this kind of discussion should not be suspected of fraud by the program group. Because the golden songs discussed by music critics are indeed convincing. In the program, the criticism of music critics is also loud. Of course, some music critics only compliment, only "kneeling" to say good things, which is also the same as the praise of some film critics.
The fourth season of "The Voice of God" has been broadcast so far, and the biggest attraction is actually that music critic Liang Yuan always tells the truth. I saw that the comment area of his personal social media platform has been attacked by many fans of the traffic singer. This group of brainless traffic fans even harassed Liang Yuan's social media platform in private messages. As everyone knows, Liang Yuan saved the last face for "The Voice of God", because because of his existence, the singers who came to play had a certain amount of fear.
For example, in this issue, Liang Yuan's criticism once again became loud. In particular, criticizing Hu Yanbin and Rong Zuer's "Late Marriage", using a comparative way, to inform Hu Yanbin that his adapted version, compared with the original version of Li Zongsheng, can see such a huge gap. This kind of criticism, for the general audience, is actually the most effective. Two versions, put together, as soon as you listen, you will know who is the classic and who is the dog-tailed sequel marten.
Liang Yuan told the truth and reserved the last IQ for "The Voice of God". Of course, Hu Yanbin stood on the stage, and it was still difficult to accept the fact that his adaptation was a dog-tailed sequel. So, he said a lot on stage, spinning in circles for his adaptation, but none of these words hit the root of the problem. The more he spoke, the more it seemed that Hu Yanbin himself understood where Liang Yuan's criticism was, and where his problems were - the non-admission on the mouth and the incoherent state constituted "lying honesty".
For example, when Wang Sulong and Zhou Yan sang "Love Jiangshan and Love Beauty More", they abruptly joined "Song Under the Bow", which was criticized by music critics, which reduced the more historical and literary meaning of this song and limited this song to the story of Overlord and Yu Ji, and this song is actually a story of many rivers and mountains and beauties. This statement can be described as hitting the nail on the head, and suddenly hit Wang Sulong's adaptation in the state of "dog-tailed mink".
Of course, Wang Sulong's reply, like Hu Yanbin, is also a bunch of circles, but he can't answer the fundamentals. This state of uncultured singers has been undoubtedly exposed on this stage. And music critics like Liang Yuan are like a child, who have to tell these singers on stage, where is your new outfit, can't see ah...
Based on this, I said that from the perspective of "The Voice of God", the existence of music critics is the biggest failure. First of all, the group of music critics who will only applaud well, with or without it, are all the same, yes, in fact, it is better than nothing. Secondly, truth-telling music critics like Liang Yuan indirectly demonstrated that the quality of the works on the stage of "The Voice of God" is very low, the level of singers is very average, and there are many problems. For the show, the music critic session can really be canceled, and the last "bottoms" can be kept for their own show. (Text/Ma Qingyun)