Text | bamboo short
"The group of wise people is complete, and the few long and salty sets. Although there is no bamboo orchestra, it is enough to tell the love. The "Preface to the Lanting Collection", written by Wang Xizhi, a great calligrapher of the Eastern Jin Dynasty, which is known as "the first book under heaven", describes the grandeur of the "Lanting Yaji".
Yaji is an important cultural custom in Chinese cultural history, and Wang Xizhi, Wang Bo and other famous literature are famous all over the world because of a "Yaji". Poetry is a field of literati, where famous scholars make ancient and modern discussions, needle the shortcomings of the times, and inherit the context code passed down through the ages in communication and reading.
Coincidentally, both the "Lanting Yaji" and the "Tengwangge Yaji" are geographically located in the Jiangnan region of China, and the natural environment and cultural atmosphere of Chengguan make the "Jiangnan Duoji" and poetry and song Fu born in the Jiangnan Collection. Sven has become synonymous with the cultural geography of Jiangnan.
Now, a collection with the theme of reading is once again staged in Jiangnan. Oriental Satellite TV's "Sven Jiangnan" collects the passage of centuries and adopts the rhyme of thousands of years, and invites a number of famous entertainers and cultural scholars to go to the famous city of Jiangnan to read the classics in the way of interpretation and reading, which has become a cultural collection presented on the TV screen and worthy of more ordinary audiences.
This collection of "Sven Jiangnan" is not only a vassal literary event, but also explores the cultural code, life philosophy and feelings of home and country in the wisdom of the ancestors.
First, the famous article is together, find the picture sense of "peach blossom source"
From Tao Yuanming's "Peach Blossom Source" to Bai Juyi's "Pipa Xing" to Yue Fei's "Manjiang Hong", when those familiar passages echo in the ears, familiar words and phrases unconsciously blurt out, which is the literary power engraved in the genes of Chinese culture.
In this "Sven Jiangnan" collection, the readers brought not only popular works that appeared in Chinese textbooks, but also less famous classic works. We have all heard Xu Zhimo's "Farewell to Kangqiao" by "waving his sleeves and not taking away a cloud", but "Gray Life", which burst out "I grabbed the northwest wind and asked him the color of the fallen leaves", is not so well known; Everyone has heard of Tao Yuanming's "Peach Blossom Source" written by Tao Yuanming, which is "delicious and colorful", but "Fire in the middle of June in the Penshen year", which is "long and windy in summer, and Lin Murton burns fire", is not so widely known.
In the common reading, revisiting the famous texts brings frequent reading and new thinking, but we can also find that the excellent articles that the famous people cannot blurt out are equally pleasing to the eye. Reading is a process of discovering beauty, and it is a pleasure and teaching for us to hear refreshing and beautiful psalms from this collection.
If "reading" gives the musicality of the classic masterpiece, then "acting" gives the masterpiece a sense of picture. Through the "reading" of famous artists in the entertainment industry, the program "paints" the poems in audiovisual language, so that they do not only stay in the imagination of the reader, but are more truly and concretely presented in front of the viewer's eyes.
In Yue Yunpeng's reading, the Taoyuan Wonderland of "traffic in the world, chickens and dogs smelling each other, yellow hair drooping, and pleasant self-enjoyment" came to light; In the performance of Yu Entai and Yu Sino-America, the artistic conception of "don't have sorrow and hatred of life, at this time silence is better than sound" has been presented figuratively; In Luo Yizhou's dance, the timelessness and farewell implied in "gently I go, as I come gently" are displayed in an Italian style...
Poetry, calligraphy and painting have been complementary arts since ancient times. In "Sven Jiangnan", the audiovisual expression of classic poetry is a moving picture, which reproduces the classic with exquisite artistry.
The process of reading is not just an exhibition of a masterpiece, in this Jiangnan Ya collection, the reader connects different famous works of the same famous artist and expresses a new life situation in the arrangement and combination.
Deng Chao read Xu Zhimo's "Tiger Collection, Prologue", "Farewell to Kangqiao" and "Accident", and the mixture of British farewell grudges and infatuation with his lover burst out new meanings in this new arrangement and combination.
Yu Haoming's reading of Mao Dun's classic masterpieces, first the memories of Mao Dun's son, then an excerpt from the novel "Midnight", and the last words in "To the Secretariat of the China Writers Association" that made people cry... In the series of readings of several famous works, Mr. Mao Dun's literary achievements, revolutionary beliefs, and feelings of home and country are all more moved by the powerful power of the combination.
It is worth mentioning that the lyrics selected by "Sven Jiangnan" are all from Jiangnan. Each episode visits a Jiangnan literary mecca. For example, Jiujiang, Jiangxi, where Tao Yuanming, Bai Juyi, and Yue Fei lived for a long time, and Jiaxing, Zhejiang, where Xu Zhimo, Mao Dun, and Wang Guowei wrote for a long time.
In Lushan, Jiangxi, where "Lushan hides the world and Jiujiang connects to all seas", we imagine that Lushan, which is different from the external environment, is Taoyuan Wonderland written by Tao Qian; In Jiaxing, Zhejiang, where "the autumn water of South Lake is like the sky, and the yellow leaves of the white tower dance with the wind", we feel that Xu Zhimo has made a romantic and long-lasting masterpiece in such an environment.
As the reader puts it on the show: "Visiting the place where the poetry takes place is a meaningful adventure." "Sven Jiangnan uses modern audio-visual means to lead all audiences to visit the place where classic poetry takes place and carry out this meaningful cultural adventure.
Second, taste and sing, taste tea and talk about life together
The reason why people are called everyone is often not only because of their cultural talents, but also because they have a firm and profound spiritual guidance in dealing with the world.
"Who weeps the most in the seat, Jiangzhou Sima Qingyi is wet." Bai Juyi was demoted from Zuo Zanshan Daifu in the capital to Sima of Jiangzhou because of "The New Well Chapter", and the helplessness and resentment that he had nowhere to show became the biggest turning point and trough in his life.
How should life go through the trough? Bai Juyi's answer is "Zhongyin".
Neither entering the temple with his whole body, nor retreating alone in the rivers and lakes, Bai Juyi's "official and hidden" lifestyle in Jiangzhou actually found a gap in life and obtained a self-consistent attitude to life with the appropriate "degree".
Slowly get along with the trough and slowly find your original intention, this is the philosophy found from Bai Juyi in the reading of "Sven Jiangnan". According to the interpretation of reading experts, Bai Juyi's "leisure" idea of retreating from politics and contentment and peace, as well as the birth mentality of returning to Buddha, actually originated from the idol Tao Yuanming.
The story of "not bending his waist for five buckets of rice" is Tao Yuanming's most widely spread temperament character, and "Fire in the Middle of June in the Penshen Year" is Tao Yuanming's commitment to fate and life as a farmer. With the courage to retreat and the mentality of eternal youth, Tao Yuanming has become the "Ren Zhen" and "Solid Poverty" person in Ye Jiaying's mouth, and has become the originator of the Chinese idyllic school.
His patience with life and his release of fate can make him write the state of mind of "staying in the cage for a long time, returning to nature" with a relaxed attitude in "Return to the Garden and Field", in "Drinking", in order to make the leisure of "picking chrysanthemums under the eastern fence, leisurely seeing the South Mountain", and in "Responsible" to write the smoothness of "heaven's luck is so, and into the cup of things"...
Some people say that "worrying about giving new words" is not a poet's brilliant move. In "Sven Jiangnan", we witness in the interpretation of experts that everyone in the famous culture has actually experienced the pain of life, but in the process of looking for the "hidden" price of "going down" and spiritual freedom.
In a glance, the function of "Sven Jiangnan" is fully stimulated, which not only popularizes the cultural knowledge of 5,000 years, but also discusses the life situation of contemporary people in the feelings of each person's own life and past.
In the program, Yue Yunpeng recounted his tragic experience of a fire in his home when he was young, and Deng Chao also recalled the time when he slept barefoot in the square as a child. The environment created by the surrounding reading is not only the elegance of "reading", but also the enthusiasm of "wei". The spiritual nourishment that the guests drew from their ancestors poured themselves into the discussion and nourished all sentient beings.
Just as Yue Yunpeng and Li Naiwen jointly believe that "home is the source of peach blossoms", it has the same spiritual purpose as Tao Yuanming's idyll, and also uses the communication on the screen to talk about the small happiness of contemporary people.
Just like the elegance of "Qushui Liuyu", tasting tea is an important part of an elegant collection. In the elegant collection of "Sven Jiangnan", we not only felt the life experiences of famous cultural historians, but also listened to the life stories of the guests in the process of reading, discussion and interpretation, and various philosophies and Zen machines such as self-consistency, excitement, and hidden in the middle also slowly flowed into our hearts in this process.
Third, the literary witness of the rise and fall of the home country
In the reading of "Sven Jiangnan" and the surrounding reading masters, almost every one and every one of them contains the ambition of home and country feelings and the mind of looking up to the audio-visual.
Yue Fei, a famous anti-gold general, broke out the roar of "driving a long car and breaking through the lack of Helan Mountain" for the country in "Manjiang Hong", and also revealed the true feelings of "serving the affairs with his body, not tasting the side of his relatives for a day, and bowing to the service of soup medicine" in "The Beggar's Final System".
Family and country, loyalty and filial piety, in Yue Fei's body is symbiotic and coexisting, it is no wonder that the mother-in-law's tattoo of "serving the country with loyalty" has become a good story for thousands of years, and it has been lived for centuries.
The modern poet Xu Zhimo died in a plane crash. Later generations believe that he boarded this flight that never landed again to attend a lecture by his lover Lin Huiyin; But the day before boarding, he also left a note to his best friend, "Beijing hears, quite alarmed."
Listening to current events in order to save the lives was the political ambition of this great intellectual; Thousands of miles to go for love, this is the honey tenderness of this talent.
In fact, in this Jiangnan Ya collection, there are countless similar moving poems and moments. It is precisely because of the attention and popularization of the literary testimony of the rise and fall of these countries that the show itself has become a grand event with social significance and value.
Jiangnan has many talents because Jiangnan has both a gentle water town temperament and a strong and fierce rural custom. The environment has cultivated a group of talents with Sven temperament and inner fortitude, and the talents are also shaping the cultural geography temperament and folk customs of Jiangnan with wind and temperament.
Read the classics, look back at the ancestors, connect the past and the present, and clarify the philosophical debate. "Sven Jiangnan" reactivates the cultural bloodline in the hearts of every Chinese through the transmission of knowledge, rekindles the power of cultural self-confidence in the heart, finds the cultural totem and spiritual code of the Chinese nation in Sven in Jiangnan, and also feels the bosom and integrity of "looking up at the vastness of the universe and looking down at the prosperity of the category".
In these readings about culture, we feel the power of literature slowly flowing into our hearts, re-understanding the 5,000-year history of Chinese civilization, and having a deeper feeling of Jiangnan culture, but also feeling the blood and spiritual genes of Chinese civilization in the texture of culture.
"Sven Jiangnan" is neither limited to "Sven" nor limited to "Jiangnan". Behind those gentle and beautiful words, we can read the hardest backbone and backbone of the ancient context; In the beautiful scenery of Jiangnan, we seem to witness the magnificent scenery and melodious civilization of the Chinese land.
From this point of view, "Sven Jiangnan" is indeed a show suitable for the whole family, which can make both young and old gains, empower everyone with literature, and infiltrate everyone's spirit with value.