Not long ago, the prestigious Japanese veteran magazine "Movie Shunbao" selected the top ten films of 2018. Ten of the best films show the remarkable achievements of Japanese films in the past year, including last year's Cannes Palme d'Or winner "Thief Family", the old drama bone Tree Shirin's posthumous work "Every Day is a Good Day", "Chrysanthemum and Guillotine" that highlights Japanese culture, and so on. Among them, the fifth-ranked "Blood of the Lone Wolf" is very unique, it is neither a Japanese heart-warming drama, nor a costume theme that highlights history. It restores the gangster theme of toei Inyasha in the 1960s with a retro posture and chivalry.
Stills from Blood of the Lone Wolf
The biggest highlight of the film is the criminal police officer Akigo Daikami played by Hiroshi Hiroshi Sōsho. On the surface, he is a beast criminal policeman who is experienced enough to eat black and white, and inside he is a conscience detective who is lying down and tasting guts. In Hiroshima in the 1980s, he shed his last drop of blood for justice like a lone wolf in order to solve the case.
At the 42nd Japan Academy Awards, known as the Japanese Academy Awards, which was announced earlier last month, Hiroshi Hiroshi Satoshi also won the best actor for "Blood of the Lone Wolf", which is also the third academy award for best actor in his hand.
Domestic audiences may be unfamiliar with the name Hiroshi Kosho, but after watching his performance, they will definitely remember this actor.
In March this year, Hiroshi Hiroshi Won the Outstanding Asian Filmmaker Award and the Best Actor Award at the 13th Asian Film Awards. Photo/Visual China
The 20-time nomination for the Japanese Academy Award for Acting is the most honorable in the film world. Its starring role in "Eel" won the Cannes Palme d'Or that year, the challenging scale of "Paradise Lost" became the focus of public opinion after its release, and "Talk About Love dancing" cooperated with Zhou Fang Zhengxing was bought overseas and has maintained the box office record of Hollywood movies adapted to Japanese films...
Although regarded as an idol by many descendants, Hiroshi Kosho off-screen is humble and humorous. His professional attitude and approachable personality have been the recipe for success in his 40-year acting career.
Written/Robin
Nakadai Tatsuya gives the name "Hiroshi Kosho"
Hiroshi Hiroshi, whose name is Yukiharu Hashimoto, was born in Isahaya, Nagasaki, and has six brothers in a family, the youngest of whom he is. After graduating from Nagasaki Prefectural Omura Industrial High School, Hashimoto joined the Chiyoda District Government Office in charge of civil engineering. In his youth, Yukiharu Hashimoto was not as passionate about acting as most actors.
One day a friend gave him a ticket because he couldn't go to a stage play, and Hashimoto koji was not interested in it anyway but went anyway. The stage play is adapted from Gorky's "On the Bottom" and starred Tatsuya Nakadai. This experience also changed the life of Yukiharu Hashimoto, who hopes to become an actor like Tatsuya Nakayo who can mobilize the emotions of the audience.
Apparently, Yukiharu Hashimoto was very talented in acting at that time, and he passed a complicated exam and officially entered the troupe "No Name Juku" founded by Tatsuya Nakadai, and he was the only one who qualified this year. Tatsuya Nakadai liked him so much that he gave him a stage name, Hiroshi Koji. The service house is the meaning of the role, and Hiroshi means broad, on the one hand, because the service office has worked in the political organ, on the other hand, Nakashiro hopes that he can broaden his play path as soon as possible.
Stills from the TV series Miyamoto Musashi
In 1983, he played the role of Oda Nobunaga in the NHK Okawa drama Tokugawa Ieyasu, and was the first major role in his acting career. The following year, also in the Okawa drama, The Shosho starred in "Miyamoto Musashi" produced by NHK for the first time as the male protagonist, playing the protagonist miyamoto Musashi in the play. Its success attracted the attention of the industry, and he subsequently received an invitation from the big screen. Here, he not only fell in love with acting but also met his future wife.
Nominated for the Academy Award for seven consecutive years
Hiroshi Kosho's acting experience is enough to make any actor "jealous".
Soon after entering the big screen, he joined the crew of Itami XIII's Dandelion. Itami XIII starred in the pre-Dandelion filming and Youze directed the filming of his directorial debut, "Funeral", which was praised by the "Film Magazine", and "Dandelion" successfully established Itami XIII's video style. In the film, Hiroshi Hiroshi breaks the fourth wall in a pure white suit to dialogue with the audience, and interprets "food color, sex" with a fierce performance.
Stills from the movie Dandelion
Since then, Hiroshi Kosho, who has been in the industry for more than ten years, has been promoted from a supporting role to a protagonist. In 1995, he won the Best Actor Award for "Daily Picture" for his starring role in "Kamikaze 72 Hours". After that, his career entered the fast lane and began to cooperate with major Japanese leaders. "Talk about Love dancing" with Zhou Fang Masayuki won 14 awards at that year's Japan Academy Awards, and also allowed Hiroshi Toshisho to win the first Best Actor Trophy at the Japanese Oscars, opening a record for his seven consecutive years of uninterrupted nominations for Best Actor at the Academy Awards. Later, "Eel" helped director Masahira Imamura win the second Cannes Palme d'Or laurel, and also won the Academy Award for Best Actor.
"Sleeping Man" with Yasuhira Oguri won overseas praise; "Artificial Paradise" with Shinji Aoyama shone in Cannes; and "Thirteen Assassins" with Takashi Miike won the fourth place in the top ten of the "Movie Shunbao". Hiroshi Yuki Mitani's "The Great Hotel with a Top Heaven", Shuichi Okita's "Woodpecker and Rain", Tetsuya Nakajima's "Longing", and Kore-eda's "The Third Degree Suspect" can all be seen in Hiroshi Hiroshi's charming performances.
Stills from the movie Woodpecker and the Rain
Stills from the movie "X Holy Rule"
Among the many directors he has worked with, Kurosawa Liquidation is the most familiar partner of Hiroshi Hiroshi Ryozo. "X-Sage" was the first collaboration between the two, and what Kurosawa did not expect was that as a low-budget thriller, the film attracted Hiroshi Kosho, who had become a superstar at that time. He described Kiyoshi Kurosawa as "the most attractive director" and subsequently collaborated with him on eight works, including Tokyo Sonata.
"Yes, you have to do something in front of the camera"
It is difficult to define the path of Hiroshi Hiroshi Ofsho, and Masaharu Fukuyama, who has cooperated in "The Third Suspect", once commented on him, "The acting skills of the service station are free and changeable."
In his 40-year acting career, Hiroshi Hiroshi has portrayed a variety of characters. From civil servants to Miyamoto Musashi, from murderers to great literary heroes, the dialogue of Hitomi Kuroki in "Paradise Lost" can be a good expression of the audience's attitude towards the acting skills of the service, "I love you and good and evil".
Stills from the movie "Talk About Dancing and Dancing"
"Talk about Love Dancing" allowed Hiroshi to be favored by the academic school for the first time, which was also an introverted breakthrough for him. He no longer plays dramatic roles, and in the film, Sugiyama is a working-class man with a happy nine-to-five family. Sugiyama's character represents every ordinary person in life who follows the rules, who are ordinary and simple and feel empty in their souls. As Hiroseki Hiroshi said about acting, acting is lonely, "you have to do something in front of the camera, you can't make mistakes." He learned the dance that he was not good at for the film, and used accurate performances to show the truest inner portrayal of the little people.
Stills from the movie "Paradise Lost"
Next, Hiroshi Yukisho starred in Yoshimitsu Morita's large-scale taboo work "Paradise Lost". The film, based on a novel of the same name by Jun Watanabe, depicts the life-and-death love story of a pair of middle-aged lovers. After the film was released, it was all the rage, and the delicate depiction of middle-aged people in the film resonated strongly with countless people. Hiroshi Hiroshi Yukiso's solid performances also proved his commercial appeal, and after the release of Paradise Lost, it became Japan's highest-grossing local live-action film in 1997.
Hiroshi Hiroshi has said that the most difficult role is noble and respectable. From this point of view, "Eel" is more challenging for his performance. Eels live in the cleanest and purest waters, and in Japan this creature has become a symbol of purity. In the film, Takuro Yamashita, played by Hiroshi Kosho, is an eel-like character, and his heart is pure without revealing his face. The servant shows the kindness of Yamashita in a restrained way, making people completely unaware that this actor is the old driver in "Paradise Lost".
"The Third Suspect" was nominated for the first time by Hiroshi Shosho and won the Japan Academy Award for Best Supporting Actor. It is no exaggeration to say that the performance in the film can be said to be textbook level, and Hiroshi Kosho shocked everyone with his skillful performance. The director, Hirokazu Kore-eda, was shocked when he recalled the performance, "I read the script countless times myself, but when he finished acting, I felt that it was not the same as what I wrote, and the effect of the performance had a documentary-like sense of reality, resulting in a great sense of distance from the script." The effect was so stunning that I couldn't hide my surprise at all. ”
Stills from the movie "The Third Degree Suspect"
Found to be fake, I advise my work not to be released again
In addition to his talent, Hiroshi Kosho's ability to become an "actor representing Japan" comes entirely from his serious responsibility. It was Kore-eda who praised his professionalism as "too terrifying", and his partner Oguri Shun also called Sangso his role model.
Hiroshi Hiroshi has his own philosophy of taking on plays. He would think about the script first, watch the director's previous work if there was no script, and finally consider the business. Such a guideline for taking over the drama makes most of the works of Hiroshi Hiroshi Ofsho of high quality, but the good-eyed Yasho-san also has a time to look away.
Hiroshi Hiroshi has made a public statement on his official blog that he hopes his work will not be released again. The film is called Rubble and Radio, and is a documentary about the great earthquake in Japan. There is a scene in the film in which the heroine is encouraged by a radio program on the radio to come out of the shadows after the death of her daughter and grandson. However, this touching plot is processed, and after learning that the plot was fabricated, Hiroshi Hiroshi was very angry, "Although there are many real parts in the movie, as an actor and production member, he has a great responsibility to take over this work without understanding it", and he hopes that this film will not be released in the future.
The original intention of taking over this film was to encourage the people in the disaster-stricken areas through the film, and as a result, there was a counterfeiting incident. He even said that after learning about the forgery, he felt that it was a sad thing to participate in such a movie.
The next stop is China
As an actor in today's Japanese film industry, Hiroshi Hiroshi also has a good reputation in the international film world. His first nomination for the Japan Academy Awards came from the Japanese-Soviet co-production of "Under the Aurora", his first appearance in Hollywood was in "Memoirs of a Geisha" with Rob Marshall, and his participation in "Babel Tower" the following year went from cannes to the Oscars. In 2007, the agency and Miki Nakatani co-starred in the Japanese-American and Italian film "Silk".
The Hiroshi of the Service Institute also has a story with China. He visited Xinjiang with Yasuyuki Kojima, a Sino-Japanese friend, and fell in love with the desert Gobi. Last year, Hiroshi also joined the domestic film "Ice Storm" as the protagonist.
Outside of the actors
1 In addition to being an actor, Hiroshi Hiroshi Ryosho has also voiced many film and television productions. He has served as a Japanese voice actor for the classic American drama "Company of Brothers" and has also collaborated with animation master Hosoda Mori in "Children of Monsters" and "Future future". He wrote and directed "The Oil of the Toad", but he said that he had only seen the finished film once, because he could not objectively evaluate his work.
Working photo of the movie "Toad's Oil"
2 Hiroshi Hiroshi had a bad stomach when he was young, but preferred American high-calorie foods, and now his favorite food is natto.
3 Influenced by his older brother, Hiroshi Hiroshi Yukisho worked as a student to earn money to buy a guitar, because he loved the British rock band Animal Band of the 1960s and envied his brother for being able to play "The House of the Rising Sun".
Hiroshi 4 is tall and tall, and he was on the basketball team in middle school. He is a natural tumbler with hard, heavy hair, and his appearance has helped him attract the attention of hair increaser manufacturers and shoot advertisements.
Beijing News Editor Wu Dongni Proofreader Zhao Lin