It's time for the weekly "Rapper of the Week" issue, this issue of "Rapper of the Week" incarnated into a trend show, this issue invited Li Daben, Liang Weijia, Eight Mouths, Cola are all hipsters with outstanding underwear products, but the program team obviously wants to get them, and the punishment in the second game link is to force them to change their outfits and change into the "trend items" arranged by the program group.
In addition, there is no highlight in this issue of the game link, Li Daben and Liang Weijia's tacit understanding is obviously more than eight mouths and Cola's, Cola also laughed at himself as a game black hole, watch him promote time for a second, can only rely on gesture expressions to push a song, really joyful.
As the current spiritual leader of GOSH in essence, Bridge has a lot of brand awareness, and at the first time, he took off the host's pirated GOSH turban and criticized it, and successfully brought a product to the label. I don't know if the host is to retaliate against Bridge, directly in the first link to let other members spit on Bridge.
Cola's performance is "Cola Patted You Ask If You're Okay Lately." In this week's Doctor's Review, I also speculated that Cola would not perform the song in "Rapper of the Week", not expecting the punch in the face to come so quickly.
In fact, I think this song is not suitable for this stage, because the song itself does not have a Hit Song attribute. The whole is a light narrative tone, the content is my life when I have not made music in the past two years, and overall it is a more personal, more fan-oriented song.
However, on this stage, works that do not have too many high emotions are more difficult to drive ordinary audiences to replace. The song is a good song, there is no fault at all, the performance in the studio version is also very beautiful, and the clear tone is the most suitable for such a song.
I think if this song is performed live, it is actually more suitable for The LiveHouse tour, sitting on the stage quietly and having a dialogue with the fans, rather than such a song stage.
"Young Dong" performed by Eight Mouths, this song I look at the title of the song, combined with the usual musical style of Eight Mouths, I know what kind of tonality it is. In fact, this song did not surprise me too much, it is a very fast food production for the eight people.
The content is, how I hustle, how to make a lot of money type of Trap content, in combination with some feedback to the family, take off with brothers and other content, to a certain extent, it is more acceptable than traditional Trap. There are not many memory points in the arrangement, just a discordant interval, and the other is the serious Trap, a song with a more gloomy atmosphere.
This song is handsome, but there is nothing too prominent, if you want to shake, the rhythm given by the accompaniment is still not enough, and the BPM is a little lower. Look forward to more details and gameplay in the studio version.
By the way, the shape of the eight mouths in the show is really a bit of a mystery, when in the shadows, the head of the door, at first glance, I thought that Huang Bo was it. And the weibo propaganda of the program group did not mention the eight mouths at all, as if the eight mouths did not participate in the recording, and it is speculated that this situation may be caused by the eight mouths' speech on the Wu Yifan incident. But in fact, no one cares whether the eight mouths have been publicized, and the single-digit Weibo comments of the program group are basically around Li Daben, and no one goes to give the eight mouths a bad sound.
Liang Weijia's performance of "Little Grass" has the same taste that he had when he was 17 years old. This song is not very good quality, because the taste is too biased, not everyone can accept it.
Especially the First Half of the BoomBap part, a jazz BoomBap arrangement, is also relatively gentle and simple, but Liang Weijia's Flow and tone control are not very convincing.
Liang Weijia's BoomBap Flow is very distinctive, not the fluency and comfort in everyone's traditional understanding, he bites every word very hard, very clearly spits out each word, and the speed of speech is the same, which makes his Flow often have very large long sentences, and everyone can never guess where he stops.
His Flow has something to offer that stands up to scrutiny. But for such a song about civilian life and slightly boring content, it is a little too focused on skill, and some are noisy. The second half of Trap Flow, on the other hand, sounds much more natural.
Li Daben's performance of "Crazy", this single is really too handsome. Not only is Li Daben's performance good and handsome, but mainly the song is well written. I like the arrangement of this song very much, and the four words to describe it are relaxed.
From the arrangement of the song's BPM is not high, the rhythm group is even a little thin, guitar Loop-based, supplemented by electronic portamento, the overall atmosphere is relatively soft and dreamy. This kind of arrangement, can not say how bright, mainly depends on the control, the whole is not good will make the whole song become too tender and sweet, which is cheesy.
Li Daben's driving is really very smooth, very cleverly using some Break, drag long tones, harmonies. Rhythmic and at the same time can also be very smooth connection.
When Li Daben first started writing love songs, I always felt a little full of Shuk Type, and then the songs became more and more and found that it was two ways. Li Daben's control is indeed more tough, Rap's length is more, more sexy and more powerful, and this song is a very perfect embodiment of the textbook love song work.
Which song do you like in this issue, welcome to leave a message in the comment area.