The finale of "The Three-Body Problem", ten episodes were broadcast in one breath and directly cleared, and all famous scenes appeared.
As soon as the famous line "Don't answer, don't answer" appeared, it instantly triggered heated discussions.
The "don't answer" brushed in the comment area of Wang Ziwen also quickly appeared on various hot lists.
After the finale is broadcast, the degree of restoration of the play is extremely high, which is undoubtedly a sincere tribute to book fans and an audio-visual feast.
Come, let's elaborate.
One, the bloody long song
There is a recurring scene in the play, the young and elderly version of Ye Wenjie, raising his hand to look at the sun in the distance from his fingers.
The youth version has a cooler color tone, and the older version has a more orange tone and dusk overall atmosphere.
From sword-like resolute hatred to unspeakable vicissitudes, characters and pictures are integrated.
The atmosphere is strong and impactful.
Towering mountains and mountains, everything is speechless but seems to have a thousand words.
Look at Ye Wenjie in the last shot of the finale, even with the silence and plainness of crossing the waves of life and death.
(Screenshots cannot be taken during the screening stage, the pictures are from the official blog of the crew and the official blog of the actor's studio, most of the pictures are related to the first twenty episodes, and the content described in the text will appear "inconsistent with the picture and text", please understand)
The reason why Ye Wenjie's role is attractive is largely because she is not born with evil attributes, let alone unreasonable, ruthless.
Her journey from a miserable victim to a ruthless destroyer and an avenger is embarrassing.
(Of course, it is also related to the second part of the future she gave Luo Ji tips)
How can a great vendetta be rewarded? Reverse annihilation of itself in boundless hatred.
Sacrificed his daughter, fell to the death of her husband, and said that "the whole human race will pay a great price", but also regretted and lost, "I lit a fire but could not control it".
In the first half of Ye Wenjie's life, every time she encountered a little warmth, enjoyed a little stability and calm, and saw a little warm shimmer, she would almost be violently extinguished.
Thrown into the next level of hell that is even more lonely.
In the early days, Ye Wenjie witnessed the human tragedy and human tragedy of her sister "righteous annihilation" in the crazy years to report her father and mother, and watched her father being beaten to death.
Later, Ye Wenjie finally got a chance to survive a bite of food, but because of his kindness, admiration, and help to the reporter who was ambitious to save vegetation (and even more content), he was betrayed, betrayed, and framed, and became unlucky and about to face imprisonment.
Later, Ye Wenjie, finally (because the technical backbones were unwilling to stay on the Red Bank for a long time) performed well and had a relatively stable day, but was repeatedly coveted by Lei Zhicheng for technical achievements.
Ye Wenjie received the admonition to "don't reply", and the only person who knew was Lei Zhicheng.
Lei Zhicheng said "how good is the relationship between me and Lao Yang" to play the emotional card, but what he actually coveted was all to seize the interests of the other party's research achievements.
This is undoubtedly another confirmed poison for Ye Wenjie's "unworthiness".
Ye Wenjie cut off a rope and fell to death two important characters, Lei Zhicheng is a cycle of grudges, a certain sense of the technique of "black eats black", for Yang Weining is a good thought and a regret, the enemy is not huge despair and boundless hatred.
Her plan was originally only Lei Zhicheng, and Yang Weining came to help her block it several times.
Stumbling and running to get the rope.
It's a pity it's too late.
In the overwhelming snowstorm, the towering mountain peaks, fierce cliffs, white and cold.
Ye Wenjie finally cut the rope ruthlessly, and the water flowing under the mountain was gurgling and bloody.
What kind of tragedy has happened on this high cliff, the mountains and rivers, the storms and snows are known, and the time is known.
A very warm part of the story is Ye Wenjie tutoring the children in Qijiatun, and taking the children with the local daughter-in-law, and the play is exactly the same as restoring the warm texture in the book.
This is the brightest memory in Ye Wenjie's life after her father died, right?
When asked at the trial if she regretted it, what made her regret was the beauty of this time.
The dichotomy between good and evil, good and evil, sometimes stems from how they are treated;
If Ye Wenjie received the "don't answer" message after the Qi Jiatun years, would she still answer?
There are no answers in the dark forest, the answer lies in the folds of every ordinary good life.
Second, grand issues and small objects
The finale of "The Three-Body Problem" uses the three-body game to show many famous scenes such as multi-dimensional particle unfolding, nuclear bomb attack, and fleet departure.
The play shows the "level of game production more than ten years ago", making "looking a little poor" seem reasonable.
The shock of the multidimensional particle "inside is a micro-universe" directly caused Wang Miao and Ding Yi to be frustrated for a while and enter the rhythm of "doomsday carnival".
The magnificent scene of Qin Shi Huang and the human sea tactical robot before is another painting style.
First, the stark cross-dimensional wall contrast.
"The Three-Body Problem" uses the game to break the conventional time and space restrictions and show very fresh stewed content.
In particular, Qin Shi Huang, in the face of the explanation of the future "computer", asked in Western Shaanxi dialect: What is that?
Although the pronunciation of ancient Chinese thousands of years ago is different from today, it doesn't matter (it's a game anyway), the more out of line with conventional stereotypes, the more it can deepen the fun of this "ancient and modern Chinese and foreign stew".
The cruelty of the three-day volley, the desolation of the extreme environment, the lifelessness of dehydration and burning at any time, with the contrast of laughter, is not only unyielding will, big problems are also laughed off, but also the contrast effect, very memorable.
Secondly, the contrast between man and machine.
Qin Shi Huang used people as machines and made a very magnificent and huge battle.
The ability is amazing, but the sense of "people are not people" is also very strong, and the few "you burn books and pit Confucianism" in the play are to some extent seamlessly implemented repeatedly and seamlessly by the three-body civilization.
Is it spontaneous unity from the heart, courage that is inspired? Or the rigid uniformity of obedience for fear of tyranny?
This part of the play is not only visually shocking, but also has a lot of room for interpretation.
Again, epic topics and everyday landing points.
"The Three-Body Problem" is undoubtedly an epic work, with an epic issue: how human civilization continues.
The ultra-long time line running through ancient and modern times, and the ultra-wide space line of thousands of miles in the universe, are very epic.
But as we often say, the landing point of super huge abstract topics is often small concrete people in the end.
The small characters in the big time, the small landing points in the big narrative, only in this way, so that the abstract can be concrete, and there is a landing point that makes the audience empathize.
The big history in the drama version is very much in line with this idea.
Always with the iconic "he" giggle (of course, it's not stupid at all), the sky is about to fall, and take Wang Miao's daughter to eat ice cream (specifically said that I take you to eat what your parents usually don't let you eat).
No matter how high-tech problems hit him here, he has a very daily way of dismantling.
Understood? Do not understand!
Why did that surnamed Xue put the cat? Does the rabbit work?
One is more friendly to the general audience.
The second is more daily life pyrotechnics.
The contrast between tension and relaxation, anxiety and stress resistance, madness and normality is also more layered and tense.
Of course, the number of characters in Dashi is all common contrasting plays: first talk about his great unreliability, and then show his amazing ability.
But I am more concerned about the three-point ordinary, three-point rough, and three-point light comedy base color of Hewei's performance.
It was Dashi who proposed the idea of "Operation Guzheng", and it was Wang Miao who provided the nano flying knife technology, but I like these two people not only because they have knives, guns and blood blades when the enemy army presses the border, but "the true appearance of their ordinary life in the shadow of the huge crisis".
It is not so much the outstanding "dragon and phoenix among people" characteristics in a certain field that attract people, but the ordinary beautiful landing sense itself and the vast space that has more echoes.
Three, don't answer, don't answer
In the face of alien civilization information in "The Three-Body Problem", the two who come and go in the first round, Ye Wenjie of the earth and the listener of the three-body No. 1379, are in a sense "betrayers" of their own civilization system.
One desperately voices and the other shouts "don't answer", the same discouragement, the same cruel situation, the choice between life and death is completely different.
Also seeing extreme madness and cruelty, Ye Wenjie planted the seeds of destructive tendencies, and did not hesitate to kill the father of the fetus in his womb with his own hands, not hesitating to pay an "unprecedented" price;
No. 1379 holds a dreamy peace and beautiful wish for strangers on distant planets who have never known their lives: do not answer, do not answer, do not answer.
These few words of "don't answer" cost him and his "own people" extremely dreadfully.
(From the perspective of making people pay, he and Ye Wenjie are neatly aligned again)
No. 1379 has spent half of his life in a small listening room, which is somewhat similar to being imprisoned endlessly in the vain of mediocrity, triviality, and triviality.
It wasn't so much his workbench as it was a paid prison sentence.
There are not even names, just numbers, just numbers, like prisoners.
Their civilization has experienced round after round of terrible collapse, and the iron-blooded and cruel need for survival is extremely clear.
Their life punishment is also only two extremes: "acquittal and guilty death".
At the individual level, the three-body does not raise "idlers", and useless people will be dehydrated and incinerated;
At the collective level, invasion and destruction have become very "root of demand": the three sun's worlds are uninhabitable, they want to travel between the stars, they have to move outward.
the idea of peace, considered weakness by the Trisolaran; Humanities, to some extent, are considered "misguided".
The crazy background of the three solar chaotic epochs and the eternal era shown in the three-body game, the cruel setting that people can be dehydrated and incinerated, and the strange scene of Qin Shi Huang and the "humanoid computer" appearing together, are all sci-fi and virtual, but at the same time very real.
Extreme egoism and madness, very familiar.
At this point, the laws of the dark forest in "The Three-Body Problem 2: Dark Forest" have not yet appeared (the play is the content of the first part of the trilogy), but the good face of human nature is cold and cold, and it is still terrifying.
But no matter how frightening this trimaran fleet is, in the misty universe, the voice that once appeared "don't answer, don't answer, don't answer" continues to be precious and beautiful.