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Shuji Terayama in front of the "Patio Stack Shikikan"
{Whale Round table discussion record}
Lu Zhiyu
Many people say that Shuji Terayama is a heterochromatic director, and heterochromatic is one
There are limited words, and I can't quite agree with them. He was in my mind
It's more like a colorful Japanese circus, there is
It has a magical color that belongs exclusively to Shuji Terayama's heart.
Mo Jiayin
Can you explain the meaning of heterochromaticism? Literally
In other words, Shuji Terayama is indeed quite a maverick, works
It's all a layer of psychedelic dream colors, and this psychedelic
It's not beautiful, it's just a dream to reflect the heart
Heterochromaticity does not have an accurate definition, generally referring to the one that challenges the mainstream
Human imagery, but not as elite as the author's film, more
The strange meaning of private pets. There are many mavericks in Japan
There is no shortage of directors of heterogeneous colors, but shuji Terayama's position
He deserves to be put higher, if not for his untimely death
Sure to make a more perfect masterpiece.
Got it, that is to say, the public's eyes are on, or
It is said that it is a joke to play with the way Terayama expresses it, not instead
Terayama art or content itself?
Large tooth paste
Shuji Terayama's great power lies in his many daily routines
Things, even desires and memories, give obscuration, hallucination
And it is self-contained, forming a colorful surreal
world. And his experimental spirit on the image itself, let this
The world seems strange but fascinating. And then there's love
The sense that he has been using as a poetic emotion to create images of his
The heterochromatic world always has a strong emotional haunting.
Ah Paste described it as intoxicating! Let's talk about it
Which movie do you like the most? My favorite is The Dead
Pastoral Festival" and "Shanghai Alien Prostitution Hall", the previous one
It is to open up the soul, and the latter one is to open up the body
I also love the Pastoral Festival of the Dead, I like it so much.
My favorites are "Shanghai Alien Prostitution Hall" and "Grass Fans."
Palace", the former is plump and complete, the latter is confused but short
A little bit, a little bit of unfinished business
When it comes to Shuji Terayama, there is no way for me to get rid of Flo
As far as Id said, I know the Freudian presentation in Terayama's works
Now it has been said by many people to be rotten, but this is a no-no
Past topics. I think Terayama makes a lot of use of dreams
The scene is not about how much he likes it, just like Freud
At the beginning of "Dream Interpretation", it is explained that dreams are all
The presentation of true desires in people's hearts is much higher than people's behavior and words
Speech and other forms of expression. And in the works of Shuji Terayama for Flo
The use of Eid's case and theory is also very easy.
Well, Jiayin is right, Terayama's movie is the most appropriate
The interpretation must be inseparable from Freud's, he did
Childhood fantasies, fears of fate, large areas
Dreams wander, and the sweetness that surges in the air of light and shadow
The dark smell of incest is the best proof
Freud believed that dreams were repressed or suppressed
The wish to disguise the fulfillment, and Terayama is exactly the general
This desire is reversed through the way of images, psychedelic and present
It is really an upside-down existence.
The most memorable is the O sum in "Shanghai Alien Prostitution Hall"
Stephen, there's a scene where the two are in the Ring of Fire, Si
Tiffin was carrying a suitcase. This scene appears
At that time, the first reaction was Anna Ou's Dream Day
remember. Coincidentally, it is the woman in "Shanghai Alien Prostitution"
The protagonist is also called Ou
I also remember this scene in "Shanghai Alien Prostitution", there is
Dot painting the earth as a prison meaning, the body is imprisoned in a circle, the soul
But desperately looking for an exit. The most powerful place about Terayama is in it
He was always able to do it for me in the most unexpected moments
We opened a door, suppressed and depressed after repression, suddenly
Instantly see the sea.
"Shanghai Alien Prostitution Hall" is particularly distressed O, after seeing it
I was about to cry. Then Stephen opened after killing
There is a door or something, and behind the door is a blue
The sea, as if everything that happened was just one
Dreams, for a moment, suddenly opened up
Well, so Terayama is still partially detached from Freud, fortunately
Yundi found his own dream residence, and the image was presented
There is also some grandeur on it, although many fans have
I don't think it's grand.
Is "The Prostitute House" based on "Story of O"?
Yes, but I haven't seen the original.
It is the Story of the Japanese version of O Niang Ha. I said that earlier
A wonderful transition that has appeared in a series of Shuji Terayama shadows
Like, for example, "Pastoral Sacrifice of the Dead" opens the room
At the end, I instantly entered the downtown area of Tokyo, and the same thing was done
Yes, it feels like the director is manipulating the viewer's mind
Knowing the direction, I actually have an instinct for such a technique
Of resistance
Any technique that is used too much will fall into a trap, but only as long as it is
It doesn't hurt to look good and have surprises, after all, the movie is for Terayama
More like a beloved toy
Ask a detailed question, "Grass Labyrinth" begins with a group of children
Cemetery play hide-and-seek, sing handball songs and the like, and then small
When the girl looked back, everyone was grown up, exactly
What does that mean? And the scene is dark and weird, I don't know
What the bottom expresses.
In my mind, the opening of "Grass Labyrinth" seems to be related to it
The Pastoral Sacrifice of the Dead has a wonderful echo of this
The kind of moments that grew up was quite magical, with a long mirror
Heading through the past present future has the same effect. remember
This short film is adapted from the novel by Izumi Kyoka, Terayama
It has not been made public until at the memorial service of his death
Finally available
Well, both seem to be describing the story of the boy, love
Mother complex, the absence of the father's position, it is easy to link the father to the mother
Oedipus, also known as Freud's "Oedipus."
Puss Complex", almost all men are born with
Challenge the original desire of the patriarchal obsession with the mother.
Thank you Jiayin! Today's whale round table is a special session for both of us
Oh, the little friends are very busy Ha. Directed by Shuji Terayama
It is the first of the whale film "Classic Filmmaker Project"
During the period, we selected 12 films for the monthly exhibition, which or
Xu is the best memorial to Director Terayama
Shuji Terayama theme film list
Sill Prisoner 1964 (11 min)
Throw away the books and go to the street 1971 (137 min)
Ketchup Emperor 1971 (67 min)
Pastoral Festival of the Dead 1974 (104 min)
Butterfly Notes 1974 (12 min)
Trial 1975 (34 min)
Labyrinth Tan 1975 (16 min)
Double Headed Woman 1977 (16 min)
The Song of Mardrol 1977 (30 min)
Grass Maze 1979 (41 min)
Shanghai Alien Prostitution House 1981(83 min)
Goodbye Box Boat 1984 (127 min)
06.07 19:30 Butterfly Notes 12min+ Throw away the books and go to the street 137min
06.14 19:30 Labyrinth Tan 16min + Pastoral Sacrifice of the Dead 104min
06.17 19:30 Double-headed female 16 min + goodbye box boat 127min
06.21 19:30 Ketchup Emperor 67 min+ trial 34 min
06.23 19:30 The Song of Marderore 30 min + Grass Maze 41 min
06.28 19:30 Sill Prisoner 11 min + Shanghai Alien Prostitution Hall 83 min
【Activity Fee】Drink consumption
【Creative Special】Dead Pastoral Festival Coffee
【Venue】Snail Art Room, Temporary Security Office (1st Basement Floor, Unit 3, Building 3, Wudaokou Jiayuan)
【Route】Metro Line 13 Wudaokou Exit B The residential area south of Hualian Building (see the last attached photo for details)
Over here
It is the underground of Beijing,
Provide you with a temporary rest for a lonely soul and dreams that have not yet withered.
WeChat: zananchu
Tel:010-62660856
Opening hours: 12:00 - 20:00 (Specific times will be adjusted according to the event)
address:
Wudaokou Jiayuan Building 3 Unit 3 Basement, accessed by passages on both sides of the building
Bus Routes:
Metro Line 13 "Wudaokou" Station Exit B to the east, Wudaokou Hualian Shopping Mall 50 meters south;
Driving Directions:
Navigation positioning "Ji (ji) Xin Building", the entrance of the community is close to the north side of Ji Xin Building.
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