"The Three-Body Problem" as a well-known science fiction novel itself has a large number of book fans, so the filmization of this novel is also popular before broadcasting, and when the news of the film and television came out, many original parties took out the anxiety and expectation of anxiously waiting outside the delivery room.
Compared with ordinary film and television works, "The Three-Body Problem" is very difficult, but it also means another breakthrough in the theme style of domestic dramas.
And it turns out that this drama did not disappoint the audience, clicking on the Douban comment area of "The Three-Body Problem" did not lack the recognition of the original party, some netizens bluntly said that "the starring actor's acting skills exploded, and the plot was so compact that there was not a single waste shot", and some netizens said that "the original fans breathed a sigh of relief and finally got something to eat".
Obviously, the broadcast of "The Three-Body Problem" has been inseparable from the respect of the game party for the restoration of the original work, but in addition to the plot, the shaping of the actors is also the highlight of "The Three-Body Problem".
The supporting roles are all pinching the audience, and "The Three-Body Problem" is stable
In fact, before the launch of "The Three-Body Problem", the audience paid the most attention to Yu Hewei. On the one hand, the character of Shi Qiang has a strong sense of existence, and Yu Hewei is somewhat different from the character image as a powerful actor, so the audience is looking forward to and worried about Hewei's performance in the play.
Fortunately, Yu Hewei's performance is very exciting, not only performing the temperament of Shi Qiang in the original work, but also proving his performance shaping power. But I have to say that it is not only Yu Hewei who can catch the audience's attention in "The Three-Body Problem".
One of the episodes is the rivalry between Shi Qiang, played by Hewei, and Mu Xing (Yang Rong), a professional reporter.
In the play, Mu Xing investigated Shi Qiang's relevant information in advance, and premeditated driving a non-motor vehicle to scratch Shi Qiang's car. After successfully talking, Mu Xing revealed his identity and explained his intention to cooperate with Shi Qiang to investigate cases related to the suicide of scientists.
What intentions the character of Mu Xing has is still unpredictable, but this inconspicuous little supporting role made the audience's eyes shine as soon as he appeared, and if you look closely, isn't this the old acquaintance Yang Rong?
The audience is very familiar with Yang Rong's face, but her performance in "The Three-Body Problem" is natural to a strong sense of substitution. In just about two minutes, the audience believed Yang Rong's performance.
When Mu Xing pretended to touch porcelain, Yang Rong performed a feeling of a small person, and the audience quickly believed that this small car accident was an accident under her panicked apologies and helpless performance.
Immediately afterwards, Mu Xing pretended to recognize Shi Qiang and said that he had seen Shi Qiang on the news. Shi Qiang was stunned for two seconds, and Mu Xing immediately showed a smug expression and explained his identity.
Understanding the suicide case of scientists, being able to find out Shi Qiang's information and successfully creating a small car accident, Mu Xing is indeed not simple.
Mu Xing's pride is very reasonable, and Yang Rong's shaping is also very natural, her light tone when she speaks and the smug smile on her face all play the lively and somewhat clever setting of Mu Xing's character.
It's just that Shi Qiang is not a soy sauce player, when Mu Xing took the initiative and chased Shi Qiang's problems one after another, Shi Qiang saw through it at a glance, pulled open her bag chain and lifted the recorder out.
At this moment, Mu Xing's trick was exposed, and Yang Rong's small expression was a little annoyed and embarrassed, and after a short period of shame, he put on a smiling face again, and said with a smile, "You think about it."
Yang Rong only made a special appearance in "The Three-Body Problem", but in the two-minute play, Yang Rong stood up a new role. Mu Xing, played by her, is a little clever, but young and immature, with a bold and persistent personality, and even a little perseverance.
Such a character image is different from Yang Rong's previous roles, but she portrays it very pleasantly.
In this rivalry scene with Yu Hewei, the audience even completely forgot Yang Rong's actual age of 41 years old, and in fact Yang Rong has always been an excellent actress.
Low-key Buddhist, Yang Rong has never been irresponsible for her career and life
When it comes to Yang Rong, the audience's first impression is the Buddhist lineage, in the list of various artists who do not want to be popular, Yang Rong is always listed among them, there is no shadow after filming, the agent cannot find her, and she herself is rarely exposed to the public in addition to acting.
With Yang Rong's conditions and strength, she is obviously an actor in the heroine's file, but she has become a vicious female partner of major hot dramas in the golden period of her career, and it is spread that Yang Rong has become a salted fish in the entertainment industry, and has become a rotten person who does not pursue or be responsible for her acting career.
But in fact, Yang Rong behind the rumors knows the life he wants better than anyone.
Yang Rong's career turning point began when she met Yu Zheng, from the femme fatale attack in "Palace Lock Bead Curtain" to Tong Yuxiu with a black belly in "Palace Locked City", to Du Xiaohan in "The Golden Thief", and Huo Chengjun in "Song in the Clouds of Han Love", all of them are vicious female partners.
Yu Zheng asked Yang Rong, who had a baby face, to engrave the villain label of "10,000 Years Girl" in his acting career.
And for Yang Rong at that time, she was not afraid of playing the villain, let alone the audience's abuse and attack on her, she was afraid that the villain she played had no soul, just for the sake of being bad and bad.
Until 2013's "The Legend of Lu Zhen", Yang Rong took the initiative to win the opportunity to play Xiao Zhuoyun for himself, and sure enough, "The Legend of Lu Zhen" exploded, and Yang Rong, who played a supporting role, was also out of the circle. Just when the audience thought that she should seize the opportunity, Yang Rong turned off the fire again.
It's not that she doesn't want to maintain her exposure, it's just that she doesn't want to hype marketing, and she doesn't want to shoot some characters she can't identify with after becoming popular.
Just when the audience was almost about to forget Yang Rong, she made a comeback with "Beauty for Stuffing", in this drama she played two roles by herself, and her acting skills can be described as pure, but even so, the business, advertising, party, and red carpet that should have come to the scene still did not appear.
Yang Rong in 2020 even plunged into the drama performance, immersing her in the performance that left the camera and the stage.
In 2022, "Daughter of the Mountain" starring Yang Rong will meet the audience, this time she plays a village official college student who thought she died in an accident at the age of 30. The TV series is generally popular, but it scored a high score of 9.2, and Yang Rong, as the protagonist, contributed a lot of wonderful performances.
When the audience thought that after precipitation, Yang Rong turned her head and rushed to the mainstream drama to carry the heroine's beam, "The Three-Body Problem" was launched. Yang Rong's Mu Xing in the play has a weak sense of existence, and there are few scenes. Now looking back at Yang Rong's definition of an actor, the author found that she was irresponsible of the Buddhist lineage, and she had a clear goal.
She has to play deep, interesting roles, and she has to play wonderful and meaningful stories, and as for the role position and scene, it is not important to her. And Yang Rong's performance in "The Three-Body Problem" also proves that the 41-year-old can always bring amazing performances to the audience.
Now "The Three-Body Problem" is still on the air, Yang Rong's Mu Xing story is not finished, although she has only appeared for a few minutes at present, but because of Yang Rong's appearance, the audience has more expectations for Mu Xing and even the entire drama.
Finally, what do you think of Yang Rong's performance in "The Three-Body Problem"? Leave your opinion in the comments section.
![The "embarrassment" of domestic animation is vividly reflected in "The Three-Body Problem" and "Chinese Strange Tan"[fig]](data:image/gif;base64,R0lGODlhAQABAIAAAP///wAAACwAAAAAAQABAAACAkQBADs=)