The bright moon hometown of Chang'an City is full of prosperity; the green mountains and rivers outside Chang'an have been living in peace for a long time. Throughout the Tang Dynasty, most of the poems are inseparable from the landscape. Whether it is disgusted with the officialdom, frustrated in the career, or yearning for retreat, poets who love nature, are keen to travel to the mountains and rivers, poetry and words, why does the landscape have such a weapon?
Mountains, rivers, winds and moons are always concerned, and one grass and one tree inhabit the gods. The beautiful gifts of nature are all between this landscape and water. When the falling flowers meet the flowing water, when the breeze sways the light and shadow, when the clouds kiss the red xia, when the living beings disappear in the forest... And where does poetry find? There are encounters in the landscape and water.
The landscape is quiet and beautiful, and the health is pleasant. Pure Land can heal the fatigue of the body and soothe the noise of the soul. Wang Wei became increasingly depressed due to changes in the government and politics, and it was not until he lived in seclusion in Yuanchuanzhuang in his later years and was close to the landscape that he found a way to liberate himself. "Yamanaka learns to meditate on the hibiscus, and Matsushita Kiyosai folds the dew aoi." Being in the mountains and rivers, for Wang Wei, is not only a magic recipe for escaping the world, but also a Zen path of nourishment. It's like "walking to the bottom of the water and sitting and watching the clouds rise." "The landscape also gives people tranquility in such impetuousness.
The landscape is sentimental, understanding and knowing. The imagery of nature is varied and varied, and you can always find your own shadow in it. Meng Haoran loves landscapes, is more good at appealing to the depths of nature, domineering like "waves shake Yueyang City", delicate as "how many flowers fall to know", comfortable as "Qingshan Guo Wai oblique", sad as "Jiang Qingyue close to people" ... Shanshui is like a confidant to Meng Haoran, sharing weal and woe, tacitly acknowledging. This is how the landscape gives people comfort in loneliness.
The landscape is silent, and the heart has an echo of nature or a silent response, but it can always cater to the most satisfactory answer in the depths of your soul. Li Bai was not surprised by the fate of his career, and also sang: "It is difficult to walk, how wrong is the road, and now it is safe?" When Liu Zongyuan encountered a political situation that was not smooth, he also chanted: "A thousand mountain birds fly to extinction, and ten thousand people disappear." "But the peak loops around. The scenery of mountains and waters can always lead the poet to find the truest answer in the depths of the soul; Only the former has the heroic fighting spirit of "long winds and waves will sometimes hang on the clouds and sails to the sea", and the latter adheres to the immortal will of "lonely boats and lonely boats, fishing alone in the snow of the cold river". The natural way of changing everything teaches us to face life positively. This is how the landscape gives people hope in confusion.
Looking at contemporary society, it seems that there is a lack of the tranquility and purity of this kind of landscape that meets the landscape. When the pursuit of fame and profit is dominated by the career, when the new joy is drunk and dreaming of death, when the entertainment addiction mobile phone is not separated, when the imitation of Internet celebrities competes to become famous - once the material needs flood the body, people's hearts will also be bound by impetuous shackles. In contrast, poets who are passionate about landscapes are more open-minded and cheerful. They are willing to listen to poetry in the mountains and rivers, freeze the infinite scenery into poetry, and travel for thousands of years, I am afraid that they do not hope that future generations will lose a quiet and liberating heart in the hustle and bustle!
Even if Chang'an City is a bustling alley, it is not as good as the spring breeze outside the city. Even if the tang dynasty landscape poetry is thousands of times, it is not enough to describe the poetry of the landscape. Why not be in the landscape, enjoy the healing of the body and mind, listen to the whispers of nature, and feel the natural laws of life, so that you can know: where poetry exists, the landscape meets.
![Huang Yun's poems reappeared in the jianghu many years later and met with a group of old friends in "Shanshui Have Encounters"[fig]](data:image/gif;base64,R0lGODlhAQABAIAAAP///wAAACwAAAAAAQABAAACAkQBADs=)