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"White Snake 2: Green Snake Robbery": I didn't expect that the legend of the White Snake could be interpreted in this way

author:The Paper

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Note: This article contains spoilers

The animated movie "White Snake 2: Green Snake Robbery", also known as "Green Snake Robbery", also known as "Where Did my Sister Go", also known as "White Snake IP "Milk" Newcomer Green Snake", also known as "The Rise of the Female God of War Men Are Waste"... Jokes are ridicule, but "White Snake 2" does interpret an old IP with unexpected new excitement.

"White Snake 2: Green Snake Robbery": I didn't expect that the legend of the White Snake could be interpreted in this way

Whitesnake 2: Green Snake Robbery poster

Speaking of the legend of the White Snake, the interpretation of various versions of film and television dramas is not separated from the love story of the white snake and Xu Xian's demon, and "White Snake 2: Green Snake Robbery" takes the perspective of the green snake and tells the story of the white snake after being suppressed by the Leifeng Pagoda. This is undoubtedly a flattering approach.

Compared with the gentle and kind "love brain" white snake, creating an anti-traditional green snake is undoubtedly more in line with the tastes of the current audience. For example, Xu Ke's movie "Green Snake", which is also good and evil, charming and innocent Green Snake, has become a classic role in Chinese movies. The green snake in "White Snake 2" is born anti-bone, fierce and courageous, and has a unique charm.

"White Snake 2: Green Snake Robbery": I didn't expect that the legend of the White Snake could be interpreted in this way

Stills from Whitesnake 2: The Green Snake Robbery

The story begins with the water flooding the Golden Mountain, the white snake being under the Leifeng Pagoda of zhen, the waste Xu Xian is still a waste, and Fahai asks Xiao Qing to let go of his obsession and leave. Xiao Qing was not willing to do so, and vigorously refuted Fahai's great truth: "It's all excuses! At the end of the day, it's just that you're more powerful than we are. ”

"White Snake 2: Green Snake Robbery": I didn't expect that the legend of the White Snake could be interpreted in this way

At this point in the story, it has not yet departed from the familiar category of the white snake legend. However, immediately after, the new world opened, and I didn't know it on the spot, how I didn't expect that the legend of the white snake could also play the sense of the wasteland of the end of the world.

Ruined cities, mutated humans, gang fights, predators, watching "White Snake 2" vividly sees the meaning of "Mad Max". Among them, many fight scenes, scheduling and movement fluency are remarkable, and the green snake takes off his costume and rides on the locomotive to show off a muscle, which is also quite interesting.

"White Snake 2: Green Snake Robbery": I didn't expect that the legend of the White Snake could be interpreted in this way

The two men whom the green snake encountered here also extended two unspoken but quite touching emotions.

One is the gang leader Sima Ma. After watching the love of the white snake, the green snake is determined that the tragedy of the white snake is because of falling in love with a weak chicken waste, so she believes that to choose, it is necessary to choose a strong man in order to protect herself in a critical moment. However, Sima gave up the green snake at the moment of crisis, regarded her as a "burden", and made the green snake angry and believed that "no matter whether a man is strong or weak, at a critical juncture, he cannot be trusted", so only by relying on himself to become strong can he stand in the world. In an instant, the female consciousness awakened to that smell.

And the emotions with another male character.... Can't spoil more, anyway, the final truth is still, "men are unreliable, sisters are reliable." The friendship between the green snake and the white snake reveals an unspeakable romance and innocence throughout the story. The feelings with men are just a foil.

"White Snake 2: Green Snake Robbery": I didn't expect that the legend of the White Snake could be interpreted in this way

The setting of Shura City is indeed worth talking about, and people who have deep attachments from various eras can only re-enter reincarnation if they let go of their obsessions here. Although the background of the story is not separated from the six reincarnations, from the perspective of science fiction, the city can also be understood as a time and space independent of linear time, and the story also hints many times that the time in the real time and space does not correspond to the time here, and the hundred years of the outside world may only be a moment here. This also lays the groundwork for the truth of the story of the white snake and the green snake.

In Buddhism, however, asuras are irritable and aggressive, courageous and good at war, "strong in their attachments, and although they are indoctrinated by all kinds, their hearts are not moved, and even if they hear the Dharma, they cannot attain enlightenment." This is highly consistent with the personality and experience of the green snake in "White Snake 2", and at the same time, the word "obsession" is also mentioned repeatedly in the story, and the obsession with fame and fortune, the obsession with love, and the obsession with revenge are all expressed.

It is worth affirming that "White Snake 2" does not like most domestic animations, like to give the definition of good and evil black and white, like to tell the audience the answer, but borrowed the mouth of the green snake to ask her to "let go of obsession" Fahai to show her resistance. What about not letting go of obsession? What about not becoming a Buddha? If the exhortation to "let go" becomes an absolute "right", it can easily become a compulsion and bullying of those who are already hurt. What's more, the word obsession, if you can't ask for it, is "obsession", if you bite your teeth and ask for it, it will be sung by others as "belief".

"White Snake 2: Green Snake Robbery": I didn't expect that the legend of the White Snake could be interpreted in this way

But is this really the case? The beauty of Whitesnake 2 is that it doesn't have an absolute affirmation of it.

The setting of Shura Castle is a form of "Snake Ouroboro", which is described as a cosmic ancestor creature in a self-devouring state, and also represents "self-reference" and "infinite circulation". This also hints at the plight of the green snake, which is consumed and bound by its own inner obsession, and the completion of this obsession does not become a perfect end.

The Green Snake finally refined into steel, overthrew the Fahai, and overthrew the Leifeng Pagoda that imprisoned the White Snake, but the White Snake's obsession with the Green Snake also continued, constantly searching in another time and space, and finally came to Shuluo City and met the Green Snake. Finally, in the nesting of two time and space, the two women's mutual obsession and two-way rush have become the starting point of the tragedy of the white snake.

In the animation works that mostly fight monsters and revenge, the sad ending given by "Whitesnake 2" seems to imply that obsession can not be put down, but you must have the expectation and courage to bear the consequences it brings.

"White Snake 2: Green Snake Robbery": I didn't expect that the legend of the White Snake could be interpreted in this way

In the end, did the green snake who learned the truth have a trace of regret? If you listen to Fa Hai's words and let go of your obsessions, you may be perfect. Just like the pool in Shura City that makes people let go of their obsessions and re-enter the cycle of reincarnation, called "nothing", no self, no existence, no love and no hatred, can they be in the face of fate, not sad or happy, calmly right?

But the beginning of countless stories is often from the moments of "can't ask" and "can't think", if it is hard and sad, after empty hands, what awaits is not the emptiness of enlightenment, but the person who has been missing, it is not a waste.

The end of the classic revisited, using the song "Flying in The Streamer", a sentence "Do happy things with lovers, don't ask whether it is robbery or fate", which has already given this faint sentimental regret and gentle overflowing story, a perfect ending.

Editor-in-Charge: Zhang Zhe

Proofreader: Luan Meng

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