What do female audiences in "Sanzhen Group English TOEIC Class" really want to see

Compared with the mainland translation name Sanzhen Group English TOEIC class, the Taiwanese translation name is more expressive. After all, the opening of the film says that it is based on real history, but because there was no Internet in South Korea in the 90s, it is impossible to find out which Korean electronics factory discharged sewage. Only 21st century Samsung and LG factories in the mainland can be found to pollute the environment. Even the press releases to the media are the same as in the movie.

Anyway, the end of the movie throws the pot to Japan and the United States, showing the unity of the korean nation. Since we are playing with nationalism, let's not double standards, and use nationalist thinking to find out how the national enterprises in the Republic of Korea have harmed us.

Except for a ridiculous ending, the rest of the film is very well shot, and if you look at it from a female point of view, it is simply a god film. Use Blackwater's environmental protection and detective shells, and then replace the working status of the black sisters in the hidden characters with the discrimination against women in the Korean workplace in the 90s. A very perfect localization plagiarism, better than the King of BathIng Korean movies.

South Korea's 13-week box office champion is probably in line with the data analysis of the majority of women entering the cinema audience. We all know that female audiences are the main force in watching movies, but what exactly do female audiences need.

Xibao and if the voice does not remember this Indian Bollywood style is a category, the target group is consistent with the Indian rural left-behind women outside of Netflix India. But this type of population is only a phenomenon, and the real portrait of the crowd should be urban middle-class women. I'm sorry, at least this year they only have eight hundred male movies like King Kong Chuan to watch. After all, under the epidemic, there are no more gender equal movies in Hollywood.

Secretly thinking that this part of the female audience prefers fairy tales, Disney+'s strategy is to let the childhood princess grow up, take the boredom of society as the villain, and finally the princesses can overcome the midlife crisis with a pure heart.

As for whether stepping out of the cinema can make the fairy tale continue. That's another story.